Creeping along like a low flying UFO. Love it!

Another track from Köhn's new album 'Kreis Plön', out on KRAAK, on the 9th of June. Pre-order at kraak.bandcamp.com.

Almost 20 years ago Jürgen De Blonde debuted on KRAAK with the nowadays unfindable and almost visionary album köhn 1. It was the starting point for a vital and wondrous exploration that lead him over paths of glitch, idm, shoe gaze, hypnagogic pop, improvised music, straight forward synth music, field recordings and kraut. 

In the middle of this ungraspable adventure through contemporary electronic music, Köhn stands as a genuine artist that stayed true to the curious spirit of the DIY knob twiddling and boggling boy he once was. 

KRAAK is proud to present his 7th album on KRAAK — Kreis Plön, which documents and envisions 20 years of exploring. It’s an album that is about a fusion of the past and the future, of separation and reconfiguration, of mourning and rejoicing, of noise and peace. Kreis Plön is about geolocation. It’s about probable fiction and looking for bits of different puzzles that fit together. An exercise in linear and perpendicular coherence devoid of any objective logic. 

In the middle of the album an artist is envisioning his place in the Now, questioning how or when he got there, as he links memories to imaginary places, and real places to imaginary histories. Kreis Plön stands as such a masterpiece that bluntly envisions the future of electronic music.

Klinker

BRIAN CASE - Ship Building

Low key live improv.

Equipment used:
Two Kaossilators, two mini Kaoss pads, a KP3 Kaoss pad, a Tom Bugs WOM synth, Chimera BC8, BC9 and BC16 synths, two Zoom PFX-9003 effects, an Eventide Modfactor, an Eventide Timefactor, a Dirty-Carter E.S.G.I synth, a portable Edirol mixer and a Zoom H2 for recording. No MIDI, keyboards, laptops or desktop computers were used.

Rhythms were generated by the two Kaossilators - going through the mini KPs, bass loops were generated by the KP3. The Chimera BC16 synth (LFO and ADSR) was voltage controlling the BC9 synth and the two Eventide stompboxes. All loop syncing and BPM matching was done on the fly using 'tap-tempo' on the Korgs and Eventides.

A photo of the recording set-up can be viewed here: http://www.flickr.com/photos/chris_carter_/4652929120/

This is part of my CCCL project.
aka: Chis Carter's Chemistry Lessons
http://chriscarterchemistrylessons.blogspot.com/


Chris Carter - 'no MIDI no keyboards'

Site-specific composition developed the acoustics of Silo City's Marine A grain elevator in Buffalo, NY. Composition by Lea Bertucci. Performed by Lea Bertucci, Steve Baczkowski, Bill Sacks and Kyle Ohlsen. This project was developed as part of Squeaky Wheel Film & Media Art Center's Workspace Residency.

Terminus

World Breathes People

Soho Rezanejad - I Wasn't Made To Swallow the Tide

Robert Aiki Aubrey Lowe - Ehh??? (for Folke Rabe) (from "THE BLACK BOOK" 3xLP iDEAL175)

Mourning Dove - Blessings (Mdrgr-025) 

Format: 2xCS with additional insert

Layout and Design by O.R. 

Cassette edition available to order now! You can also buy the digital album at: Mourning-dove.bandcamp.com

Order: https://mdrgr.com
IG: @mdrgr

Blessings

Mourning Dove - I Don't Know

Olta Karawane show continues with Part 2: Marc Ribot, Arto Lindsay, John Zorn, Steve Beresford and other hungry friends of John are waiting for him on the shore.

Marc Ribot, Arto Lindsay, John Zorn, Steve Beresford And Others.....[Olta Karawane]

Tracklist:
Saåad - Giant Mouth
Mind Over Mirrors - Check Your Swing
Brian Case - Sisix
Housewives - Autarky
Byron Westbrook - Heliocentricity
Death And Vanilla - The Dödens Vaniljsas Theme
Tomaga - Futura Grotesk
Lumerians - Track 4
Josiah Steinbrick - (Two Bonangs, Coated Spheres, Piano, Two Synthesizers, Natural Objects)
Co La - Asymmetrical Power
Papivores - The Prisoner’s Dream
Matthias Puech - Juste Avant Le Tourment
Brecht Ameel - Molenbeek / Anderlecht
Mondkopf - Growing

www.vice.com/fr/article/epdpy7/vice-presente-une-certaine-idee-du-glam-rock-et-de-la-critique-musicale

Hands In The Dark 2010-2020 ~ VICE mix

the mighty g0 modulates its own pitch with the now sadly defunct tracking output, a simple drumloop loaded inside the g0, position modulated with dusg envelope, reset from second dusg envelope and grain size adjusted to have it sound "in sync"
d0 as delay.

g0 selfmod

Although this was the personal account of Chris Carter it now also hosts Carter Tutti and Chris & Cosey tracks.

Throbbing Gristle tracks can be found on our Industrial Records Ltd. SoundCloud https://soundcloud.com/industrial-records

Chris Carter - 'no MIDI no keyboards'

CARTER TUTTI

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