Moon Trio - Robert Paterson
Duration: ca. 21'
But Sheet Music: www.billholabmusic.com/store/index.p…ducts_id=2279
More Info: robertpaterson.com/moon-trio

PROGRAM NOTE
Moon Trio is the sister piece for another trio I wrote called Sun Trio. Each of the four movements is inspired by the moon. The first movement, Moonbeams, consists of bright, cascading arpeggios that interact and overlap, creating playful rhythmic interactions between the three instruments. The second movement, Three Lunatics, is a highly rhythmic, mixed-meter scherzo that capitalizes on extreme ranges and timbral effects. The third movement, Blue Moon, is slow, hazy and dreamlike, and is built on long held chords and lush melodies in the violin and cello. The last movement, Moon Trip, is like taking a trip on a rocket ship. It begins explosively, contains an etherial middle section, and ends solidly as the trio finally lands on solid ground. Moon Trio was commissioned by the Claremont Trio and Rick Teller. – RP

Spheres

Moon Trio - IV. Moon Trip

What I Say

Soon to be released Dying Stage album. Updated 10/23/2021

The Dying Stage

She Drinks My Whiskey

© Composed, produced and performed by PHIL SWAIN
© Lyrics by Rose Houdin, Hélène D'Hervilly adapted by Phil Swain 
Les aiguilles battent la mesure
Passé, présent, et futur... 
Huuuummmmm  ce que je préfère 
pour me satisfaire
c'est de prolonger l’instant présent ! 
Danser amoureusement ! 
Et Vivre plus intensément ! 

Tout m’est merveille / C’est la joie dans l’instant
Tout m’émerveille / Et je vais de l’avant

Mon visage se creuse de rides si rieuses
car tout m'est merveille dès le réveil ! 
Huuuummmmm Quel phénomène la vie ! 
Je reste souvent surpris 
car ce que je préfère 
me ramène à l'éveil ! 
C’est une joie sans pareil !

Tout m’est merveille / C’est la joie dans l’instant
Tout m’émerveille / Et je vais de l’avant

Regarder droit devant
Ne pas compter les années 
Ne pas compter sur les autres
Regarder bien droit devant
Toujours Aller de l’avant
Même si tu penses que l’avant 
conduit toujours au néant
Regarder bien droit devant

Tout M'est Merveille

I put my foot in my mouth, twice a day
Spouting out words with nothing to say
I put my doom on you, and then I watch my world unglue
'Cause picking up the pieces - that's what I do

When my baggage starts to grow
I've gotta let go, go, go, go, go
When it impacts on you
I've gotta change my mood - for good              

Spending time in a dead-end job
Pencil in time just to sound it off
Didn't see how it brings you down
Didn't try to find some common ground
'Cause sprawling 'round for pieces - that's what I do

When my baggage starts to grow
I've gotta let go, go, go, go, go
When it impacts on you
I've gotta change my mood - for good

I see things that I hate in me
You may think that I let them be
I need to learn to think things through
Stop letting all the bullshit through
'Cause sprawling'round for pieces - that's what I do

If my baggage starts to grow
I've gotta let go, go, go, go, go
When it impacts on you
I've gotta change my mood - for good


'Cause losing all my pieces - that's what I do



Music & words © Sean Parsons Music

Let Go

The flute is a fantastic instrument for rock?
I think it is.
Klaas on the plute in the pic.

Aqua Longing - Nicolas Project

Bruce MacLeod: Guitar, Bass, Synth.
Jimmy Hobson: Drums
  
The pump don't work cause the vandals took the handle...

Subterranean Homesick Blues (Dylan Cover)

Embracing The Wind for Flute (Doubling Alto Flute), Viola, and Harp
Duration: 10'
Performers: Aureole Trio: https://www.aureoletrio.com/

Buy Sheet Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=921&zenid=7f0b81b591feb79cca80d1f88a7f043b

For More Information: https://robertpaterson.com/embracing-the-wind

PROGRAM NOTE
My original inspiration for Embracing the Wind was the image of an Olympic athlete running against the wind. The process of writing this work eventually shifted me to more abstract thoughts, such as the concept of creating music that sounds flexible and has wind-like, ebb-and-flow qualities. I try to achieve this by creating musical zephyrs from repeated motives and smooth phrases that utilize gradual dynamic swells and subtle tempo fluctuations. In this sense, Embracing the Wind is perhaps more minimal and Romantic than many of my other pieces: minimal in that cells that are repeated over and over again as textural background, Romantic in that the form is intentionally less severe and also has a narrative, structural quality.

Embracing The Wind

Embracing The Wind (Flute, Viola, and Harp)

Wrote this original song on guitar over a drum track made by WIll Putney for Jeff Loomis's drumception contest entry. https://www.youtube.com/watch?v=7-iEeUKV_ro&fbclid=IwAR3LOTQvVJh3QRVmjBc2d9B2F3VAWKVpQkkwBRU_NGXDbGAQR1tE5_yQhj0

Will Putney x Chris Teece: Drumception 2020

White Widow Idea Diezel Impulse

Some tunes over "Jumping at shadows" by Fleetwood Mac.
Special thanks to my friend Panic and Freak out, who introduced me to this piece of gem!

Jumping at shadows - Fleetwood Mac (solo improvise)

27 . Guitarist . Born in Vancouver, BC ,Canada.
PM for Collab.
My biggest influences on guitar are Slash, Dimebag Darrell, Jimmy Page, Randy Rhoads, Jimi Hendrix, Myles Kennedy, Mark Tremonti, Zakk Wylde,  Tony Iommi, Dave Mustaine, Marty Fredman, Mark Morton, and Willie Adler.

#Guitar #Metal #Instrumental #Rock