This is good bro no cap I love it good stuff

Really nice track. The instruments all complement each other well and I particularly like the sound of the harp which is beautiful. Great musicianship all round.

Hi Robert, thank you very much, beautiful piece of music, like a refined eastern wind ☺️

Really amazing piece! I loved this. Especially the harp.

Wonderful as always! You have a lot of compositions, I have some catching up to do! I have a clarinet... maybe i'll try that next :)

The viola and flute were both fabulous, but the harp stole my heart in this one. Loved the tasteful slides and fast arpeggios throughout.

I was in love with it from the start. Nice instrumentation. I would not have thought of using a viola.

Thank you Rob, this is a wonderful composition and so beautifully performed. I like the smooth start of it. And then the flow of the allegretto section. Really windy piece. ;-)

wonderful evocative composition and wonderful performances

So do the various ensembles commission works from you or do you compose something and pitch it to them? Love the arp on the harp underpinning the piece btw.

Original composition.... Alejandro Gonzalez M.

Respicite

NON TOCCARE LA MIA MACCHINA

Rosso fuoco, 200 cavalli, il motore che canta e si mangia la strada
i sedili di pelle pregiata, dai vetri oscurati non passa mai luce
status symbol generazionale non toccare la mia
mamamamamamamama…macchina!

Senti il vento, carezza i capelli ma quelle emozioni rimangono dietro le lenti
il telefono squilla per ore, mettiti a destra la sera profuma di sesso
sono il re di questo spazio, guai a te se sfiori la mia
mamamamamammama…..macchina!

L’altro giorno ha chiamato la banca, reset completo ma chissenefrega
se ci sono sei finanziamenti, una moglie, tre figli, gabelle pesanti
perché puoi levarmi tutto ma ti uccido se tu tocchi la mia
mamamamamamamam…..macchina!

GT Turbo Super Sport
GT Turbo Super Sport
GT Turbo Super Sport
GT Turbo Super Sport 

This song was released in late 2011 with GVB album "Alibi allo specchio". Sometimes, in this strange world, cars can result much precious than family, sons, health or job. We could say.... a car is one of the most perfect contemporary status symbols. So....it's better you don't touch that GT Super Sport parked right down the alley. Somebody could kill you....

Non Toccare La Mia Macchina

Mavka

Sorrow's Wisper

Ellesmera prod. and composed by Nomax

Un Cántico Nuevo…. Alejandro González M.  Agosto 2023.

Un Cántico Nuevo

Beneath Still Water

This track just seemed to come about on its own whilst improvising and I just love the feel of it, so I thought I'd share... Thanks for listening!

Intrigue

Listen on Spotify

Moody, piano based that builds, much like the rising of the tide or the dawning of a new day. From the album...In the Ambience of Imagination...available on Spotify, iTunes...ect. Check out the Rising Tide music video on Youtube.

VividBlueSun - RisingTide

ISRC
GBSMU8829941
UPC
5059594606179
© C Line
Polvojack
℗ P Line
Polvojack
Pre Order Date
2020/10/30
SSD (Sales Start Date)
2020/10/31
Size
4:35 minutes (28.11 MB)
Format
FLACStereo 44kHz 856Kbps (VBR)

Pesadelo Religioso

Embracing The Wind for Flute (Doubling Alto Flute), Viola, and Harp
Duration: 10'
Performers: Aureole Trio: https://www.aureoletrio.com/

Buy Sheet Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=921&zenid=7f0b81b591feb79cca80d1f88a7f043b

For More Information: https://robertpaterson.com/embracing-the-wind

PROGRAM NOTE
My original inspiration for Embracing the Wind was the image of an Olympic athlete running against the wind. The process of writing this work eventually shifted me to more abstract thoughts, such as the concept of creating music that sounds flexible and has wind-like, ebb-and-flow qualities. I try to achieve this by creating musical zephyrs from repeated motives and smooth phrases that utilize gradual dynamic swells and subtle tempo fluctuations. In this sense, Embracing the Wind is perhaps more minimal and Romantic than many of my other pieces: minimal in that cells that are repeated over and over again as textural background, Romantic in that the form is intentionally less severe and also has a narrative, structural quality.

Embracing The Wind

Embracing The Wind (Flute, Viola, and Harp)

American composer Robert Paterson is a true New Yorker—born and bred in Buffalo, he lived in Rochester and Ithaca for over ten years, in New York City for over twenty years, and now lives in Saratoga Springs, near the Adirondacks. Paterson’s colorful music embraces a wide variety of themes, everything from goddesses and online dating to mathematics and the environment. His music is filled with emotion and fierce rhythmic energy, marked by elegance, wit, and meticulous craftsmanship. Named Composer of The Year by the Classical Recording Foundation at Carnegie Hall, Paterson is the winner of the Alfred I. DuPont Award, and his opera Three Way won the Grammy® under Best Classical Producer of the Year. His music is often a Best of the Year pick on National Public Radio. His orchestral tone poem, Dark Mountains, regularly airs on NPR’s Performance Today. Three Way premiered with Nashville Opera, then BAM (Brooklyn Academy of Music), and across the United States. Minnesota Orchestra, Louisville Orchestra, The Oratorio Society of New York, Buffalo Philharmonic, Albany Pro Musica, Albany Symphony, Musica Sacra, Austin Symphony, Vermont Symphony, and ensembles worldwide perform his works. Paterson gives masterclasses at the Curtis Institute of Music, New York University, the Aspen Music Festival, the Cleveland Institute of Music, and more. He is the Artistic Director and house composer for Mostly Modern Projects. Robert is a lifelong vegan and advocates for animals and the environment, celebrating the natural world with ground-breaking works such as his Triple Concerto, A New Eaarth, Listen, and I Go Among Trees.

Embracing The Wind (Flute, Viola, and Harp)

Robert Paterson Composer

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