Piano / Life

Piano / Cold

Piano / Warm

A selection of tracks from artists that I particularly like that have real feeling or mood, Ones I would have liked to have composed myself (and some I did!). I hope you enjoy these artists/composers too.

Essentially Piano

Eight tracks put together, set aside 20 minutes for you and relax. I hope enjoy these solo piano pieces.

Music for Memories, Future and Hope

Embark on a journey of musical exploration with: 

Piano Gems & Peaceful Melodies: Curated by Francesco Adornetto

Delve into a realm of enchanting melodies crafted by emerging pianists, each piece a hidden treasure waiting to be uncovered. Perfect for study, reading, or simply chilling out, let the soothing notes guide you through a world of undiscovered musical brilliance.

Emotional Piano Gems & Peaceful Melodies: Curated by Francesco Adornetto

Relax

Breathing out. Watch https://www.youtube.com/watch?v=JbKm_5Y-yzM if you like.

Ausatmen

Whatever the weather we regularly walk the coastal promenade between Folkestone and Hythe. Winter summer and all times in-between. It never disappoints, every time we go along the coast, the beach, the sea and sky are always offering a different experience. It’s always a time to reflect, contemplate or generally catch up with life.

When We Are Beside The Sea

And in the End, She Loves You So

Exclusive track taken from the upcoming album 'There Can Be No True Beauty Without Decay' released through Hibernate Recordings.

Full review:

www.fluid-radio.co.uk/2013/09/antonymes-there-can-be-no-true-beauty-without-decay

Pre-order:

www.hibernaterecordings.bandcamp.com/album/there-can-be-no-true-beauty-without-decay-2

Info:

Ian M Hazeldine records under the alias Antonymes, hailing from Hawarden, a small village in North Wales, whose most famous inhabitant was William Ewart Gladstone. He creates atmospheric melodies, using various pianos, celesta, strings, church organ and field recordings, and has had releases on Soundcolours, Cathedral Transmissions, Hidden Shoal, Time Released Sound and Rural Colours.

With a long standing interest in music making and active listening, Hazeldine works with any influences, from his surrounding landscape to the artists he has worked with. His compositions often take on a semi-improvised structure with accidental atmospheres used as a starting point. As well as his own projects, Hazeldine also works with Marconi Union's Richard Talbot, under the name Prospector. He also works as a graphic designer, film maker and photographer, having art directed many of the Hibernate releases including our critically acclaimed vinyl series, and has worked with many other artists and labels including Facture, Field Rotation and Olan Mill.

In late 2009 Antonymes released 'Beauty Becomes the Enemy of the Future' on Cathedral Transmissions of which the CD is now unavailable. Since then he has revisited the album, which has culminated a new release, 'There Can Be No True Beauty Without Decay'. Hazeldine's own reworkings are intertwined with those of friends Ian Hawgood, Isnaj Dui, Offthesky, Field Rotation, Wil Bolton, Spheruleus and James Banbury to create an album of captivating melancholy and beauty. The guest reworkings venture into other, darker territories, where one might be harder pressed to identify the original material.

The sleeve features beautiful images of the North Wales landscape by Richard Outram, fitting the music perfectly.


Releases 31 October 2013
Mastered by Jason Corder (offthesky.com)
Photography by Richard Outram and Ian M Hazeldine
Art Direction by Ian M Hazeldine 

Antonymes - The End Of Everything -ii-

An improvised composition created whilst experimenting with the Native Instruments Giant VST piano. It seemed to compliment the ideas that were being generated at the time.
Why the title?  I hear the words in the melody, sometimes what seems so important in life and must be achieved suddenly becomes far less important a feeling of liberation.

What Does It Matter Anyway

Takahiro Kido - Where Time Goes

In my early years I spent a lot of time in the country - hours spent cycling with friends through deserted country lanes, helping and riding mother's horses and later earning my pocket money shifting bales of hay and straw in the summer. Plenty of time to contemplate the future. These are some of the thoughts that this melody evokes for me.

When I Was A Little Boy

This piece like so many started as an accident, it sat in my "Songs to develop" folder for a while. At the time of finalising we were talking about insomnia and so the title was born. It even brings tears to my eyes!

Lonely In The Night

Thinking about my daddy and me.  Our last picture together.

Many thanks to David Dunham for mastering my track. @david-dunhamuser589535203

I Wish

Hauschka - Craco

Spotify: https://open.spotify.com/intl-de/album/3ROhTHrVNxzfcoLKJvhTbY
Youtube: https://www.youtube.com/watch?v=UjIFwZ_Puog


The inspiration for this track is a vision where I am not sure whether it is a faint memory from some childhood holiday or whether I have dreamt it  :
Standing on the edge of a rocky cliff, gazing out at the tumultuous ocean below. The waves crashing against the rocks with a thunderous roar, the force of the water sending a spray of mist and foam high into the air. In the distance a lone lighthouse
overlooking the scenery. A glimps of the power and majesty of nature and our own smallness in comparison. 

Composition-wise: The piece consists of three parts (@0:01, @0:59, @1:45) that always start with the same 5 note-motive but then develop into three distinct variations with different characteristics but throughout the track there is a certain sense of dramatic scenery.
The left hand is throughout the piece mostly in octave jumps (which became quite challenging condition-wise at the end of the piece) that segment the 4/4 beat into groups of 3-3-2 (the only notable exception is the part @0:35ff with its chromatic baseline).
The right hand alternates between lyric parts such as in the beginning or @0:59ff and rhythmic syncopic parts such as @2:30ff that leads to the final where the right hand preceeds the left hand by a beat to create a sense of energy.

The track has been recorded on a Roland FP-90 and mastered in Cubase by adding compressor, reverb, a Stereo enhancer and fiddling a bit with the EQ. 
The picture was created with Stable Diffusion.

Lighthouse On The Rocks (Solo Piano)

This piece was inspired by listening to a piece of music by my good friend Jean-Pierre Dubois (JiPé)....he allowed me to use his theme, for which I'm very grateful....

I hope you will enjoy listening...

Art picture is by Larisa-K on Pixabay.....

Une Fantaisie Poétique

Everyone knows that the British love their dogs, this little dog was no exception. Bloomer was born in Athens and lived there with my daughter for many happy years. She was quite a little character, so it was a great shame when we lost her a few years ago.

When I wrote this song, I could hear the two syllables of her name resonating in my head, so this became a song to remember her by, I hope you enjoy it.

For A Little Shaggy Dog

Agony and Ecstasy | Teo Milea LIVE@JazzTM Festival 2014

Left On Maple

Marek Iwaszkiewicz - Stranger

Another fragile impromptu piece... with same cassette tape warble... 

I would absolutely love it if someone could add a solo violin to this...

Impromptu 12.25

Alone Together, composed by Francesco Adornetto and masterfully refined and performed by the renowned pianist Alessandra Celletti, blends nostalgic melodies with moments of tension, drawing the listener into a world of dreams and mystery. It’s an ideal choice for those in search of music that is both powerful and evocative, capable of stirring deep emotions and conjuring images of rare beauty.

Alone Together

Alone Together (Alessandra Celletti & Francesco Adornetto)

"Ich Bin"  ( Piano Kitka 432 Hz)
ist ein sanftes, beruhigendes Klavierstück, das die Hörer in einen Raum der stillen Kontemplation entführt. Auf die wohltuende Frequenz von 432 Hz gestimmt, harmonisiert das Stück mit dem Körper, schwingt sanft mit den natürlichen Rhythmen und fördert ein Gefühl von Harmonie und Entspannung. Subliminale Affirmationen durchziehen die Komposition und stärken das Selbstwertgefühl sowie die innere Balance. Diese Botschaften unterstützen das emotionale Wohlbefinden und fördern ein erhöhtes Bewusstsein im Hier und Jetzt. Mit jeder sanft aufblühenden Note lädt "It's Me" zu einer friedvollen Reise der Selbstentdeckung ein – ideal zum Meditieren, zum Nachdenken über kreative Ideen oder einfach, um am Ende eines Tages zur Ruhe zu kommen.

Beispiel-Affirmationen:

Ich bin es wert, grenzenlosen Wohlstand zu genießen.
Jeden Tag ziehe ich mühelos Geld an.
Mein Einkommen wächst durch mehrere Quellen.
Fülle fließt mit Leichtigkeit zu mir.
Ich empfange Geld auf erwartete und unerwartete Weise.
Mein finanzielles Potenzial ist unbegrenzt.
Ich bin bereit, neue Chancen für Wohlstand zu ergreifen.
Ich gehe selbstbewusst mit großen Geldbeträgen um.
Ich finde immer neue Wege, finanziell zu wachsen.
Mein Wohlstand wächst, während ich schlafe.
Ich vertraue darauf, dass das Universum meine Bedürfnisse erfüllt.
Ich habe die Macht, finanziellen Erfolg zu erschaffen.
Meine finanziellen Ziele manifestieren sich bereits.
Ich bin dankbar für jede Form von Wohlstand in meinem Leben.
Ich verdiene ein Leben in Fülle und Komfort.
Ich bin ein Magnet für lukrative Gelegenheiten.
Geld fließt in einem stetigen Strom zu mir.
Ich bin offen und empfänglich für finanzielle Segnungen.
Meine Denkweise ist auf Wohlstand ausgerichtet.
Ich danke für die Reichtümer, die in mein Leben kommen.
Vielen Dank fürs Zuhören 🎶. Ich bin kein perfekter Klavierspieler, aber ich freue mich sehr, dass euch dieses Lied gefällt 💓

Copyright-Informationen 
Songdetails:
Titel: "Ich Bin"
Künstlerin: Kitka
Erscheinungsjahr: 2025

Copyright-Registrierung:
Musik © 2025 KitKa
Alle Rechte vorbehalten

Geschützte Rechte:

Originale musikalische Komposition
Musikalisches Arrangement
Tonaufnahme
Rechtlicher Hinweis:
Dieses Werk ist durch internationale Urheberrechtsgesetze geschützt. Jede unautorisierte Vervielfältigung, Verbreitung oder Aufführung dieser musikalischen Arbeit ist strengstens untersagt und kann zivil- und strafrechtliche Konsequenzen nach sich ziehen.

Zulässige Nutzungen:
Für Lizenzanfragen, Genehmigungen oder Nutzungsrechte kontaktieren Sie bitte:
Kitka Music Publishing (ralfizain@gmail.com)

Iam   (432 Hz)

The piece, born from the collaboration between Vicenzo, who uses his new alias Piano For Your Soul, and Francesco Adornetto, invites the listener to immerse themselves in an inner journey filled with emotional nuances. The vibrant and suspended melodies reflect a balance between fragility and resilience, symbolising tears that are not only a sign of sorrow but also of transformation and hope.

This composition unfolds as a story without words, a dialogue between two artistic souls exploring the infinite with keys that sing and sighs that dance between the lines. Visual and musical art intertwine in a work that celebrates the hidden beauty of the deepest emotions.

This artwork, titled Tears of Eternity, embodies the delicacy of a piano piece that evokes profound melancholy and intimate beauty. Creating a dialogue between ethereal flowers, faded sheet music, and a stylized piano, the image reflects the emotional flow and the passage of time.

Tears Of Eternity -Mauricio de los Santos & Francesco Adornetto

A collection of sounds I've written over the last 6-7 months.

Enjoy
Tom

Tom Day - Foreword

Sillage 
(SEE-yahz)
(n.) The lingering sense of someone's presence, like a perfume left in a room, evoking memory and absence.

Sillage

Neoclassical / ambient piano, slow tempo, warm & meditative. Perfect for gentle yoga, study, evening calm.
Written by Francesco Adornetto & Monika Lao • Performed by Monika Lao 

Scarlet Whispers

Donde El Gesto Habla (“Where the Gesture Speaks”) was born from an unexpected invitation to perform at an international animal-rights event. I wasn’t ready for the stage, yet the gesture—someone truly caring about my music and what it stands for—spoke louder than words.
The piece doesn’t run; it walks. Two even steps, like two hands reaching for each other. Deep down a low heartbeat holds the breath; above it, a gentle voice answers in fragments—one held word, then two whispers—climbing and descending in small steps. The wave swells, lays down, grows quiet again. And often, before it fades, it leaves a tiny falling sigh, like a softly spoken “yes.”
Dedicated to those who give voice to the voiceless.

Donde El Gesto Habla

I was trying to keep it light today... 

Enjoy

Free Download

-MaybeOneDay-

This is a night where I see past the music. Production or writing doesn't matter. I just want to make note of where I am, where I've come from and where I plan to go. I've been back and fourth about the Aeuria project for some time. Wishy-washy, they say. But really, what is it about? Like really really....its about nothing. Its expression, it doesn't have to be good or set a standard. Everyone's handwriting is different. Everyone's voice is different. We all share these brief moments of ultimate understanding, and ignorance. We lose ourselves in eachother, and ultimately us.... As a whole.

if this is it, than I am happy with it. I am content 

Photo by me :)

if this is it then I am happy

If this is it, then I am happy [Download]

3rd track of "34" EP

Cover Art by Alexandra Ciricic

iTunes

Cobalt ["34" EP]

Download

Waltz For Dreamers

i feel too much. my mind won’t rest
4 am, lying here sleepless yet.
i hope this song will help someone. just like it helped me.
to get an outlet for my emotions, as overwhelming as they can be
love, lunae ⋆

spotify: https://open.spotify.com/track/7xSVmysBbnnIuCx1eakPVI
free download: https://www.toneden.io/lunaemusic/post/hold-me-close

🌙 free download 🌙

hold me close

Julien Marchal
https://facebook.com/julienmarchalmusic 
https://soundcloud.com/julienmarchal
https://twitter.com/julienmarchal
http://marchaljulien.fr
Licensing Info: info@visionsfromtheroof.com

Julien Marchal - Insight XXX

7:12 AM

You Stay, I Go

Yann Tiersen - Comptine d'un autre été

Piano solo of the Domenico Scarlatti K466 music piece (first part).
Hope you like it..... it's available with a license for commercial use now here: https://audiojungle.net/item/scarlatti-k466/30331726

Scarlatti K466

Gymnopedie no. 1 from Erik Satie, piano solo. Hope you like it....
The piece can be purchased with a license for commercial use, here: https://audiojungle.net/item/erik-satie-gymnopedie-no-1/30402639

Gymnopedie No. 1 - Erik Satie

2021-02-13

frozen time

In my early years I took piano lessons, regretfully I stopped them in my teens. I've always had a piano in the house and over the years have composed a number of songs (without words). What’s important to me is the melodic nature of the pieces and I wanted to share them with others. The origins of the music are probably influenced by my early classical lessons, Chopin and Schubert to name a couple. I love Liszt’s Hungarian and Rachmaninoff’s Russian styles but sadly my technical ability hampers the inclusion of their techniques.
Today’s home recording software allows many opportunities to develop compositions using other instruments to compliment the piano however, using the software has been a challenge, trying to get the “right” sound for the piano has been the most difficult part of the process. I’m slowly learning and will probably remix some of my current tracks as my experience grows.
Once I have recorded my heritage pieces, I plan to write a new selection of music predominantly piano but also experimenting with more or different instruments, watch this space!
Thank you for listening and commenting on my compositions and for the reposts, please don’t hesitate to offer constructive criticism, it could speed up the learning process.
Best Wishes,
Chris Cummins

And in the End, She Loves You So

Chris Cummins Music