Electric guitar, effect pedals, unsynchronized loops, two tube amps, voice, field recording (gulls and swans at Urban Hafen, Kreuzberg, Berlin). All sounds, voice, mixing and production: VSS. Image: Reflection of graffiti on the bank of Panke, a brook running through Berlin, 2021 (photo: VSS).
Part of "Sea Pieces" by VSS: https://soundcloud.com/velvetsomethingsuperdark/sets/sea-pieces

Lyrics: Poem by Emily Dickinson (1830-1896)

The Sea said "Come" to the Brook,
The Brook said "Let me grow!"
The Sea said "Then you will be a Sea - 
I want a Brook, Come now!"

The Sea Said Come

Optimistic

a sprint along the shore perhaps... a variant of https://soundcloud.com/muterial/shoreline-runner

Piano Runner

RPR08_80

Texture 09

Watch the video on Youtube:
https://youtu.be/ALV3XnLu01A
Here's another demo I made with Garageband from the time when I was learning to make songs in a DAW environment.

It´s over (Demo 2016)

Sometimes a junto challenge inspires me and makes me go for something new and unexpected. Rarely (very rarely) is it the other way around. 
This week's junto seems to be inspired by what I just did (have been doing for the last 2 days).

I mentioned in a previous post my new instrument, the Ronroco built by Argentine luthier S. Vazquez a couple of months ago.
I am recording a mini album (at the request of a producer) and this particular track had the working title “Concerto for Ronroco and Strings”. I wanted to create a little piece of music in which the orchestra would play around this peculiar little guitar.

I wasn't planning to share it (I have a meeting with the producer tomorrow to show him the first mix), but here it is. I'm quite proud of this, two long days of work.
Regards 
dd

https://llllllll.co/t/disquiet-junto-project-0649-concerto-for

pseudo-concerto for ronroco and strings (disquiet0649)

Halcyon 2

Interpretation of Marco Lucchis esatonale 5 compresso. Cello improvisation

Summerrain Rework Of Marco Lucchis Esatonale 5 Compresso.

One Step Ahead

Waiting for Life
From my series “Music for Images” — this time a composition inspired by an image created by my friend Michael Stiedl (c). A meeting point of sound and silence, of motion and stillness — where an astronaut waits, not for departure, but for life itself.


Optimistic

Christopher Hanlon