cinematic creations

Just fooling around with sounds in my head and really tried to do my best. Have my difficulties how to categorize this music in a certain genre, but ... I had a fun time. Used a lot of different configs of "Gentleman" together with Spitfire Audio sounds.

The Real Gentleman

My cover for Dragon Age inquisition theme, unsure if this will get taken down, but I will try anyway. I am a huge Trevor Morris fan, I love his work in Dragon Age and Vikings, so it was a blast to cover something he made.

VST Libraries used in this is as follows:
Vertigo Strings
EW Hollywood Strings
EW Hollywood Brass
EW Stormdrum 3
EW Voice of the empire
8Dio synthetic shadows
Marcos Ciscar-Etheral Keys
Dronar Live Strings
Olympus Choir Micro
EW Hollywood Choir
EW Hollywood Violin Solo
EW Hollywood Cello Solo
EW Symphonic Orchestra

Dragon Age: Inquisition Theme cover

Sharpnesses and Tremors

Sharpnesses And Tremors

This piece opens with a gentle warmth, its harmonies flowing like a serene stream under soft light. Rooted in A-flat major, it delicately balances serenity and quiet strength, with each phrase thoughtfully shaped to evoke introspection.

The tender yet purposeful melody weaves seamlessly through a subtle accompaniment, creating moments of poignant stillness and heartfelt resolution. Embracing simplicity, the composition allows the emotional depth of each note to shine, while gentle modulations trace a narrative of reflection and quiet hope.

Co-producer: Blaž Pavšič
Mixed and mastered by @a7-recording-studio (www.a7recordingstudio.com/)

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Prelude in A-flat major

Get the lossless version on Bandcamp: telquelsounds.bandcamp.com/album/decaying-lull

Decaying Lull

Endless Horizons (Ambient Version)

You'd walk past it
Most do
Paint chipped like bad decisions
One leg shorter than it used to be
Still, it waits
Under that half-dead tree

Enters girl, maybe seventeen?
Big sunglasses, bigger bubble tea
and a mop of joy named Pickle
Yes, she named the dog Pickle

She sits, cross-legged, like a question mark
tells Pickle he's a star
Snaps twenty-five angles
of one floppy ear and one historic bench

Caption?
"Look who found the philosopher's throne
😊😊😂❤️
#deepbarkthoughts"

Pickle pees on the tree
Bench approves
Tree does not comment

Then: a man and a woman
The date
They bring mulled wine in a thermos
Sit sideways, legs tangled like headphones in a drawer
He says something about stars
She says something about Lady Gaga
They kiss somewhere in the middle

A busker walks by singing Wonderwall
They tip him a sandwich and a smile
Bench approves
God of music sighs

Third act: Old man
Corduroy jacket in summer
Hands folded like quiet apologies

He doesn't speak
Doesn't blink much either
Just feeds pigeons one crumb at a time
like each one is a password to another day

He might be waiting
Or forgetting
Or remembering wrong on purpose

Bench knows his name
And age
And weight
And history
Doesn't say it out loud
Not polite

Pickle runs past again
He is twice as large now
The couple, now maybe married, maybe not, walk by
With a stroller

The old man doesn't come anymore
The bench doesn't judge
It just
Is there

The Bench

The Alchemist

A 90s new man called Stan - In a 60s phone booth

Tout m'est merveille - Remix

A Matter of Trust

A quiet storm of guitars: a gentle, clean intro opens like a cautious promise. Then a peaceful yet hard guitar soundtrack unfolds—warm chords meet powerful riffs. Between passages, shrill, heart-touching guitar interludes cut through the calm and let the tension pulsate.
“A Matter of Trust” tells of the delicate balance between closeness and vulnerability: beginning gently, building resolutely, with a chorus that lingers long after it ends.

A Matter Of Trust

This is not a traditional song, but a musical scene – a cinematic moment based on the true story at the heart of the epic novel "Hinter uns das Land" (The Land Behind Us).

The text is a direct, unabridged translation of a key passage from the novel, depicting an authentic, handed-down moment from the author's mother's, Inge Feyerabend's, escape from East Prussia in the winter of 1945. It captures the intimate vow of familial solidarity as their homeland disappears into the dark.

This is the most direct link between true history, literature, and music within the "Soundtrack Universe".

---

Dies ist kein klassischer Song, sondern eine vertonte Szene – ein filmischer Moment, der auf der wahren Geschichte im Herzen des Roman-Epos "Hinter uns das Land" basiert.

Der Text ist eine direkte, ungekürzte Übersetzung eines Schlüsselmoments aus dem Roman, der auf den authentischen Erlebnissen der Mutter des Autors, Inge Feyerabend, während der Flucht aus Ostpreußen im Winter 1945 beruht. Er fängt das überlieferte, intime Versprechen des familiären Zusammenhalts ein, während die Heimat im Dunkel verschwindet.

Es ist die direkteste Verbindung zwischen wahrer Geschichte, Literatur und Musik im "Soundtrack Universe".


What The Land Has Given Us (From the Original Novel Soundtrack)

A dreamy reflection on loss and memory, where grief becomes light in the echoes of home.

Echoes of Home

Slow to mid tempo track, written, arranged & produced by John Hardman, performed live by Beats Working who are: John Hardman -lead vocals & lead guitar, Chris Glover - drums & percussion, Lynn John Sheppard - Bass & backing vocals, Dave Rea - rhythm guitar and backing vocals.
A Swamp Music production
(c)(p) Swamp Music (UK) & Swamp Records (UK) for all territories.
Original studio recording on Putting It About album with artwork by Tristan Greatrex.


Putting It About

Achin' Heart live

Achin' Heart live - Beats Working

Submarine

I thought I’d build a submarine to travel deep under the sea
My computer drew some custom blueprints just – for - me
It will have a viewing port below and a periscopic view above
And a captain’s chair in calfskin leather that will fit me like - a – glove

My submarine is sleek and gold a fantastic sight to behold
Passersby who saw it couldn’t help - but – gawk
I put it on my old trailer and hitched it to my new volvo
And headed out for its maiden launch from the public City dock

I’m gonna see this world like I have never seen before
I’m gonna see this world like I have never seen before

I don’t have any deep sea knowledge as I head into the blue
But I have a clever chatbot that can tell me what – to – do
My friends seem somewhat skeptical; they’re clearly jealous I can tell
that none of them has thought of such a great idea too

When I return, if you’re lucky I will tell you all the things I saw
Cuz surely I’ll have stories that will fascinate and awe
Before I go let me tell you one thing you can know
You’ll never see what’s outside if you don’t open up the door

I’m gonna see this world like I have never seen before
I’m gonna be in this world like I have never been before


Submarine

Echoes of Voltage - Black Sun Reign

Welcome to my artist page!

Music is more than just sound—it's emotion, experience, and storytelling. Through my compositions, I strive to give melodies a voice that speaks of the moments, memories, and feelings that move me. Each piece is a reflection of my journey, a way to capture and share the depth of emotions that words alone cannot express.

My greatest wish is to create music that resonates with you, that evokes emotions, and that perhaps even becomes part of your own story. Whether it's a feeling of nostalgia, peace, or inspiration, I hope my sounds accompany you on your path and bring you beautiful, meaningful moments.

If you enjoy my work and would like to support me, I’d truly appreciate it. You can find all the relevant links below.

Thank you for being here, for listening, and for sharing this journey with me.

With love and music,
Reýem

I love amphibians and have an affinity for fried okra, loud guitars, and sick beats. expedition 33 and port wine are my thing at the moment, along with a glass of ouzo and rise of the ronin.

A Matter Of Trust

Reýem

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