Beloved to Follow

Also appearing on this episode was Newfoundland artist,
Judy Daley ~ When Our Babies Move Away
& 
Irish Artist - The Arran Jackson Band ~ Karma

Unsigned Radio Hour #7

Related tracks: You Can't Go Wrong!

Related tracks: Dreamless Elyana

Chillin part 2

Favorite Songs

This set also included Newfoundland Artists:

Kitchinparti ~ Who Knit Ya 
(**Check out their SoundCloud page for other great songs)

Twin Brooks ~ Swimming In The River

Unsigned Radio Hour #32

made from music i collect from soundcloud

just good music 15

Written 1982 by Terry Reeves
Performed By: Vocals- Terry Reeves, Guitar- Terry Reeves,Brian Reeves, Bass- John Palmer,Drums-Gary Reeves,Saxophone - Unknown
Recorded: Wallington, London 1983


Even now I still love the energy of this song. Everything being reported in the news at the time was provoking a reaction within me but I had no one to really share these thoughts and frustrations with. I still really love the feeling  I get inside when I hear and play this song although, now a little older, I am no longer going off all the world one by one and have become a bit more tolerant and selective.

LYRICS

Met a friend from years gone by
Both remarked how time did fly
Said he couldn't give a toss
About the workers now he's boss

Watched a hero of the past
Say he'd seen the light at last
Hope and prayed that all his fans
Would put their lives in tory hands

CHORUS
Yes I'm going off the world one by one
Guess it wasn't meant to be any fun
Yes I'm going off the world one by one

People ring the radio
To get their views heard on the show
Can't believe the things I hear
Makes me want to disappear 

Freddie Laker he's gone broke
Some feel sorry for that bloke
Send him money such a shame
He's only got five million to his name

CHORUS

Got a visit from the Pope
Kissed the ground Christ what a dope
You could hear the people cheer
Was it love or was it fear

If what I've said gets through to you
But don't reflect your point of view
There is only one thing I can do
You're just another join the queue 


Yes I'm going off the world one by one
Yes I'm going off the world one by one
Yes I'm going off the world one by one
Yes I,m going off the world one by one
Yes I'm going off the world one by one
Yes I,m going off the world one by one
Yes I'm going off the world one by one

One By One

I Think Of You (Acoustic Live + Perc, Bass and Pad)

a slow burn still in progress, as music should be...in a fluid state

a slow burn

Up It

Fortune Favors the Bold

HUSTLERS (feat. Tyga)

Everything you hear has been written/arranged/produced and performed by me. Trying something new

Let Me Out

I composed this song many years ago but I updated the tune in 2023. 

Lyrics

I’m sitting here thinking
What are you doing 
I hope you’re doing fine; I do miss you so

That sweet smile you have
Leaves a picture in my mind
All I can do, is just think of you

Everybody needs someone to be close to
Everybody needs someone to confide with
Cause being lonely, never helped nobody, and all I can do s just think of you

When I’m with you
Everything seems so fine
I give you all I have, just give me love in return

I’ll share my love with you
If only you stay near
I really don’t know what I’d do, if some day you were gone

Music and Lyrics by Len Bennati FM Folk Copyright 2023
Production and Mastering by Tom Hanson

Everybody Needs Someone (Remaster)

Composed, arranged, performed and produced by:
Leon Pajer

orlando51music © 2023

Dreamless Elyana

Orchestra, Sexy, Love, Dating, Beautiful Women, Bedroom, Fulfilling

Good Girl Gone Great

Thanks for BVs from Ed The Daniel

Photo by Eileen Pan on Unsplash

I have a great attraction
To all the ones
Who don’t have one distraction
From what they want

I can’t fault what you’re doing
I wish I could
If I get lost pursuing
Just carry on 

Every step that is taken
We take alone  
In search of what we’re craving 
A thing unknown

I don’t think something’s missing
In all the ones
Who through their indecision
Get left behind

I’ve got such admiration
For all the ones
Who know no deviation
From all their plans

And where there’s satisfaction
In your way
Of living in the action
It’s not my way

A great attraction

Opus80

Taken from the upcoming full length debut album (TBR mid-2024)
(p) & (c), 2023.
Youtube link: https://youtu.be/F8sinHhDbp8
---------------------------------
Lyrics:
Listen from far beyond
listen you crowd of loss
listen you all, a generation of pain 
that felt destruction so close

listen people who wheep
that you are the chosen sheep
a sheep that will live, forever you will
and without any bleed

and the seasons are changing
and the days are passing by, while fighting the good fight
and the time feels like raging, an unstoppable light 
and now i am saying...you can't go wrong! 

I hear some people sing, 
i hear some people scream,
i know we all, being under the sky  
in this place where we breathe and dream

listen around the globe,
embrace what u  really love
with body and soul you have to give in
 and never let it go!

Rock and Roll Kills

You Can't Go Wrong!

Durante 1973 mi banda "Rata Intelectual" formaba con bajo, batería y guitarra líder. 'Opus 3' es un tema preparado para trío que modifiqué cuando se agregó un nuevo integrante y yo pasé del bajo a la guitarra rítmica.
'Segundo Tema' quedó llamado así ('Second Theme') porque era el segundo de cuatro temas de una suite que finalmente no terminé. Esta versión cuenta con el agregado de teclados que no estaban presentes en la original. El resto es igual y reproduce los arreglos de mi extinto amigo Daniel Eusebi (RIP), profundo admirador de Jan Akkerman. Sobre el final hay una aproximación al estilo de Steve Howe de quien era fan yo por aquellos años.
Esta segunda parte cierra el período que pude recuperar de 1973 basado en registros conservados en viejos cassettes.

During 1973 my band "Rata Intelectual" was formed with bass, drums and lead guitar. 'Opus 3' is a song prepared for trio that I modified when a new member was added and I went from bass to rhythm guitar.
'Segundo Tema' was called so ('Second Theme') because it was the second of four themes from a suite that I finally did not finish. This version has the addition of keyboards that were not present in the original. The rest is the same and reproduces the arrangements of my late friend Daniel Eusebi, a deep admirer of Jan Akkerman. At the end there is an approximation to the style of Steve Howe, of whom I was a fan in those years.
This second part closes the period that I was able to recover from 1973 based on records preserved on old cassettes.

Opus 3

John Stone: Music, lyrics, piano, lead vocals
Dave Wagoner: Production, backing vocals, guitar, accordion, six string banjo

She was born on an isle off an island
In the midst of the Emerald Sea
Her daddy spied a light in her eye
That showed what she was born to be

And they called the girl Virginia
Named for an ancient queen
Who knew how to fight in a world of men
And the lessons learned
Should be learned again

Oh Virginia, Virginia wild and free
Though waters flow and winds may blow
You should be what you were born to be

Now Virginia knew that she was loved
But she knew that she was poor
One morning when out gathering
Between the strand and the old sea shore
A pirate blown by cruel fate
Slipped his anchor close to land
When he spied the girl his pirate mind
Thought he’d take the girl in hand

Oh Virginia, Virginia wild and free
Though waters flow and winds may blow
You should be what you were born to be

He took our fair Virginia
Set course for the Isle of Man
He hoped that on the island
There he could complete his plan
But the ocean storms were brewing
And they blew them out to sea
Till the ship was was smashed on the distant shore
That we now call Cape Henry

And the land was called Virginia..

Now Virginia swam towards the shore
Though the company was drowned
But she gathered strength and she walked the way
that leads to James’ town
Now Virginia saw Virginia
And knew that the land was good
And that she could build a better life
than ever she’d have thought she could

Oh Virginia, Virginia wild and free
Though waters flow and winds may blow
You should be what you were born to be

Now Virginia came with nothing
But nothing was enough
To build herself a better life
Though the going would be very tough
She had an eye for business
And she had an eye for style
And she became the richest soul
In the county by a country mile

Oh Virginia, Virginia wild and free
Though waters flow and winds may blow
You should be what you were born to be

Then one fateful morning
A stranger came to town
She saw at once the hated face
Of the man who’d tried to drag her down
A gun was on the table
She held it to his head
And as he begged for mercy
This is what the lady clearly said

“You brought me to Virginia
Named for an ancient queen
Who knew how to fight in a world of men
And the lessons learnt should be learned again
Its true that life’s been good to me
Since you took me from my home
But leaving all that I held dear
That choice was mine and mine alone”

Oh Virginia, Virginia wild and free
Though waters flow and winds may blow
You should be what you were born to be

Virginia  (John Stone + Del Wags)

Casey

Casey - Full song

'gem' 

Jim/James 'jesus vegas' English: mule tricon resonator
Scotty: Yamaha storia II, harmonica, lyrics, vocals
art: Oliver Barr

Recorded live. 

I want to be happy again.
I hope you see that you are more than a friend.
You're my gem. 

I'm so sorry for not being me.
I hope to mend.
But, I must believe that I'll see it through to the end.
And just maybe then...

gem (with Jim 'jesus vegas' English)

Everything's Moving

MUTT

VIBES DON'T LIE

HOW FAST

LUCID DREAMS

This is a song about treading new paths, and the footwear required :-)

"New Ways" written by KL
Recorder (Blockflöte) by SL (my 8 year old daughter)
Guitar by MJW (a good friend of mine)
Vocals, Bass guitar, Drums and Synthesizer by KL

Feel free to turn up the volume :-)

Chorus:
Can´t find...can´t find new ways…
can´t find new ways in worn-out shoes…
Can´t break...can´t break new ground…
can´t break new ground in worn-out shoes...

New Ways

Full video: https://www.youtube.com/watch?v=aEQ5ZeRbQGc
"To be enjoyed as you walk out of winter days into the warmth of the sun, Sunsets and Skylines is a song about being at the right place at the right time. Because you transcended the lower levels of your life's journey. Golden compass in hand, you now know yourself better and you know which direction you are headed in. 
Trusting in every step you take as you feel like luck is finally on your side. It's almost like the Universe is forming to your every wish and desire."
Much love and positive energy, 
Jordana and Tom aka MOON AND ARIES
www.moonandaries.com

Sunsets and Skylines

Submit Unreleased demos: https://artistsunlimited.com/latropical/premiere
Submit Released tracks: https://artistsunlimited.com/latropical/submit

This and many others PRE-RELEASED on Youtube --> bit.ly/LaTropicalExclusive

show a little love & give it a heart on hypem <3
--> http://goo.gl/ZtNBQy

We're happy to bring you this Summer House remix of Cape Cub's jam 'Keep Me In Mind' by the homie RAMI

Viva La Musica
VIva La Revolucion

/ S U P P O R T /

C A P E . C U B 
Soundcloud --> https://soundcloud.com/capecub
Instagram --> https://instagram.com/capecubmusic/
Facebook --> https://www.facebook.com/capecubmusic
Twitter --> https://twitter.com/capecubmusic

R A M I
Soundcloud --> https://soundcloud.com/ramiofficial
Instagram -->https://instagram.com/offrami/
Facebook -->https://www.facebook.com/RamisMusic
Twitter --> https://twitter.com/offRami

D O W N L O A D

Cape Cub | Keep Me In Mind (RAMI Remix)

Covering Pat Benatar for a film submission. Recorded and produced by Daniel McMains.

Hit Me With Your Best Shot

Help!

Strength

Clap Your Hands (Live) [feat. John P. Kee]

No Support 2

Kingg Mike G - Been Thru It

Exposed Thoughts

Nick Fiyah - Veracity

Nick Fiyah - Believe

Corazon Espinado (Santana - Mana Cover)

Download Now! 

https://Empire.lnk.to/PRIME

Download Now!

bamboo

Tribute to Marillion's "Script for a Jester's Tear"

Script For A Jester's Tear

Marillion - Script For A Jester's Tear (Fleesh Version)

Loreena McKennitt - The Dark Night Of The Soul (HQ)

Going Big (Bonus Track)

Download Now!

https://Empire.lnk.to/SHINE

House (feat. Mike Sherm)

Your Fool by Keri Johnson

photo/credit "Danny G" Unsplash
Album cover design: Judy Thang

There's a smoke signal rising in the night sky
should've listened to the voice warning me inside

No, I never stopped believing in your light
something I could not imagine, it was blindsight

You're a liar- and I'm your fool

You're a liar-and I'm your fool

Caught up in your web, believing what I wanted to
slowly dying every day that I deny my truth

Now I'm picking up the pieces all that I been thru
kept me tied, I'll never go back tho you ask me to

Keri Johnson's Album

Your Fool

Boogie Down Gangsta

Jonathan Beckenstein: Guitars, bass, musical composition and mix http://soundcloud.com/jonathan_beckenstein
Clarence Paisley-Cheesemont: Drums
Wheelwright: Vocals, vocal melody, lyrics and sampled cello

This track is available on Immaculate Distraction https://fictivesisters.bandcamp.com/album/immaculate-distraction

I am a great admirer of Jonathan's work and when he approached me with this wonderful piece of music asking if I might have a go at lyrics and a vocal I felt really privileged. I wanted to try to do as good a job as I could, but initially I struggled, and then, feeling extremely despondent I took a break from it. On my second attempt I think I started to listen properly to what the music was saying – rather than imposing too much of myself on it – and I  began to get melodies and word patterns that seemed like they were there under the surface already.

This has been an amazing project to work on, and Jonathan has been hugely supportive throughout. I've done my bit for sure, but it would have been nothing without the music.

Jonathan's posting of the song is here:

http://soundcloud.com/jonathan_beckenstein/we-all-know-how-it-ends

---

Last night I dreamed that I could play the guitar
I was on The Titanic trying to sing
My heart will still go on
But I kept getting it wrong and
I couldn't get the high notes but
At least we hadn't hit the iceberg yet and

All the stars above us shone
Like cheap sequins in the sky
Like they'd all just been stuck on
By someone who didn't try

I was studying Kate Winslet
She was standing by a ventilation inlet
In a girly dress despite the cold and
I could see that she was not impressed
By my extraordinary rendition
I said you're looking nice and
I need relationship advice and she replied
Let's take a walk on the starboard side

And the stars above us shone
Like cheap sequins in the sky
Like they'd all just been stuck on
By someone who didn't try
When life's too flattering too sweet
We all like to pretend
But we all know how it ends

We're listing to port and
Kate's politely listening as
I'm listing all the things I should have said to you but
Never did
And realistically I think she's thinking
Less about you and me and
Rather more about the fact that
We've all started sinking yeah
Into the unforgiving sea oh

But the stars above us shone...

bandcamp

We All Know How It Ends (Wheelwright + Beckenstein)

I'm putting up new original material on my Spotify channel https://open.spotify.com/artist/2PtcG937rHfQWJwv0Zi4um?si=t1ppLngORgmuqz9qeoDOzw 
Mostly original tracks, a few covers here and there. Thank you for even getting this far. Thoughts, opinions, suggestions all welcome. It's pretty lonely out here toiling over every sound wave and grubby plugin. Any feedback is appreciated and if you've got a track you want me to hear send it over - what comes around goes around etc. A huge shout out to Len Rice for all his production suggestions on this and other tracks of mine - a true expert, check him out https://soundcloud.com/lenrice
One day I hope to get some collaborations going and a far off dream is to re awaken all these tracks in a live environment with a live band and maybe even a live audience. For now the dream keeps me going. Thanks for listening.

I'm trying to use as much real instrumentation as possible: a Taylor and a Norman acoustic guitars, a Fender Strat Roadhouse that goes out of tune if I even look at it, a cheap Vintage mandolin that hurts to play and listen to, an 80 year old zither banjo that screams 'I was never destined for this' and a borrowed Aria Pro II bass that a friend can never be bothered to take home on the bus. Synths are a plasticky Roland FA06 and a fun but dumb Korg minilogue. Throw in some Native Instruments software primarily for smoochy piano and strings, a £15 melodica full of tramp spit, some harps in impossible tunings, and a box of percussion and assorted prehistoric flints (are you really still reading this??). 

All recorded on Logic Pro X on an ancient iMac that is going to explode any minute and take my entire oeuvre with it. And most likely burn the house down.

A great attraction

C h r i s t i a n T W a l s h