Korg N364 workstation
Mahalo Flying V Electric Ukulele
Yamaha tenor saxophone
Garageband keyboard and drums sounds
Even more bum notes than usual.

The Hands That Smelt Like Public Transport Soap

Thanks for BVs from Ed The Daniel

Photo by Eileen Pan on Unsplash

I have a great attraction
To all the ones
Who don’t have one distraction
From what they want

I can’t fault what you’re doing
I wish I could
If I get lost pursuing
Just carry on 

Every step that is taken
We take alone  
In search of what we’re craving 
A thing unknown

I don’t think something’s missing
In all the ones
Who through their indecision
Get left behind

I’ve got such admiration
For all the ones
Who know no deviation
From all their plans

And where there’s satisfaction
In your way
Of living in the action
It’s not my way

A great attraction

Need Your Love So Bad (Acoustic Live)

Patmos Island - Πάτμος

Scott Tumino ~ Original Composition / Live Guitars ~ Vox ~ Drums
Chris Dargay ~ Additional Comp. / Bass / Production / Mix / Master ...

Soul Quivers

F- Minor

Ian Greaves

A Product Of The Funk

Funky Lunatics Style with a great flowing Saxophon
https://soundcloud.com/joerxworx

Lunatics 155 Grooving Funky // Joerxworx & Ratzzz

Lunatics 155  Funky Dream // Joerxworx & Ratzzz

Far Away

MARI'S WEDDING - Alan Ingall Melody And Bass Accordion; Hilary Dirlam Guitar And Banjo

9 sept., 15.10​

I'm putting up new original material on my Spotify channel https://open.spotify.com/artist/2PtcG937rHfQWJwv0Zi4um?si=t1ppLngORgmuqz9qeoDOzw 
Mostly original tracks, a few covers here and there. Thank you for even getting this far. Thoughts, opinions, suggestions all welcome. It's pretty lonely out here toiling over every sound wave and grubby plugin. Any feedback is appreciated and if you've got a track you want me to hear send it over - what comes around goes around etc. A huge shout out to Len Rice for all his production suggestions on this and other tracks of mine - a true expert, check him out https://soundcloud.com/lenrice
One day I hope to get some collaborations going and a far off dream is to re awaken all these tracks in a live environment with a live band and maybe even a live audience. For now the dream keeps me going. Thanks for listening.

I'm trying to use as much real instrumentation as possible: a Taylor and a Norman acoustic guitars, a Fender Strat Roadhouse that goes out of tune if I even look at it, a cheap Vintage mandolin that hurts to play and listen to, an 80 year old zither banjo that screams 'I was never destined for this' and a borrowed Aria Pro II bass that a friend can never be bothered to take home on the bus. Synths are a plasticky Roland FA06 and a fun but dumb Korg minilogue. Throw in some Native Instruments software primarily for smoochy piano and strings, a £15 melodica full of tramp spit, some harps in impossible tunings, and a box of percussion and assorted prehistoric flints (are you really still reading this??). 

All recorded on Logic Pro X on an ancient iMac that is going to explode any minute and take my entire oeuvre with it. And most likely burn the house down.

A great attraction

C h r i s t i a n T W a l s h