Huge thanks to Len Rice https://soundcloud.com/lenrice and Clint Collins https://soundcloud.com/user-836903146 for sourcing a scratchy violin sample!!

Photo by Morgan Petroski on Unsplash https://unsplash.com/photos/ZCX1Nyok66c?

I’d like to write a song for you
I could even try to write a happy one
If I force myself to
All about the good times that we shared
the laughter and the joy and the funny things we said
About all the things that just fell into place
About the birds and the bees and the blue skies and the tall trees
and flowers and the sunshine and the sound of mountain streams
I’d like to write a happy song for you

CHORUS:
If you’re looking
For somewhere to rest your head
Don’t keep fighting with yourself
Just talk about the weather instead
Because loving is easier
If we’d just make it breezier
So let’s keep it light and simple
And talk about the weather instead

I’d like to play a tune for you
I could even write a happy tune
If you want me to
You could hum it on your way to work
And whistle while you’re in the park
And play it on your old violin
A sweet happy tune that you could sing, sing, sing
to your children as they’re dreaming of the next new thing
I’d like to write a happy tune for you

CHORUS

I’d like to dedicate this song to you
I tried to make happier than I usually do
I thought you’d like me to
There’s always something new to say
the weather changes day by day
Sunshine or an arctic freeze
Or the floods or the droughts or the rising seas 
or the gutters that are blocked up with the fallen leaves

I’d like to dedicate this song to you
I tried to make it happier than I usually do
The way you want me to

CHORUS + REFRAIN

Keep it light and simple

falcon....  we are developing a new sub genre - 'Ambi-Prog'. We do not use A.I. at all, each track comes from a session of ideas and feelings that we make up as we go along, then developed accordingly while keeping the energy and feelings of the original Jams

"I'm not a good talker, so music becomes my voice." 

I'm an east London producer, song writer, sound designer and vocalist. 'Fluff' is my solo project. (I'm the other half of trip-hop duo www.soundcloud.com/silverstreaks). 

Fluff-music combines traditional songwriting, indie, electronic, goth, ethereal/synth pop and experimental/cinematic sound design into powerful, emotional sound scapes. Manipulated field recordings and audio textures add suggestive sounds to evoke raw and visceral emotions in the listener. 

Influences: 
Indie/art rock, darkwave and the electroclash scene in the mid 00s. 

Discography:

'Down the Rabbit Hole' (Album, 2023).
In stores since 19th September. https://open.spotify.com/album/4Iq21rBQvgXesED9Hv8GEc 
I will be uploading high res tracks here over time.
'Down the Rabbit Hole' is a reflection on our world as it is today. Greedy, destructive, homogenised, selfish and exploitative. But we're resilient creatures. There are some fun, light-hearted tongue-in-cheek stories of adaptation and survival by becoming pretty fabulous.

'Slate Horizons' (Album, 2018) - Collaboration with @metalogue, London producer and cinematic sound designer. fluffling.bandcamp.com/album/slate-horizons
Indie-electronica, industrial, ambient, cinematic and experimental sound design.
A dark, sonic post-apocalyptic nightmare vision, dealing with events of the recent past, present and not so distant future: Social apathy, lethargy and indifference, public obedience, compliance and conformity, social paranoia, genetic mutations, nuclear threat, post apocalypse and human extinction.

'Black Cats and Criminals' (Album, 2015). https://fluffling.bandcamp.com/album/black-cats-and-criminals
A mix of ethereal electro/synth, pop and piano. Exploration of various topics of complicated human emotions.

'Down the Rabbit Hole' (Album) available on Bandcamp:
fluffling.bandcamp.com/album/down-the-rabbit-hole

'The Asylum' (Single) available on Bandcamp:
fluffling.bandcamp.com/track/the-asylum

'Fallout' (Single) available on Bandcamp:
fluffling.bandcamp.com/track/fallout

'Cherry Blossoms in March' (Single) available on Bandcamp: https://fluffling.bandcamp.com/track/cherry-blossoms-in-march

'Rings of White Ice [Club Remix]' (Single) available on Bandcamp:
fluffling.bandcamp.com/track/rings-o…ce-club-remix

'The Trailer' (Single) available on Bandcamp:
fluffling.bandcamp.com/track/the-trailer

Fluff on facebook: www.facebook.com/Fluffling
Fluff on Instagram: https://www.instagram.com/fluffmusic/
Fluff on Twitter: https://twitter.com/fluffmusic
Fluff on TikTok: https://www.tiktok.com/@flufflingmusic
Fluff on Spotify: http://open.spotify.com/artist/2FmSKvGh3PtXaPkEjjP3IH
Fluff on YouTube Music: https://music.youtube.com/channel/UC0KgGwLAq4CZQkHUVegGACA
Fluff on Amazon: http://music.amazon.co.uk/artists/B0CJLY9HWD/fluff
Fluff on AppleMusic: http://music.apple.com/mg/artist/fluff/1708934773

I also write commercial music for BlackBirdBlue - TV work/Sound Design/Soundtracks/Advertising/Movie/Trailers: @blackbirdblueproductions

I'm putting up new original material on my Spotify channel https://open.spotify.com/artist/2PtcG937rHfQWJwv0Zi4um?si=t1ppLngORgmuqz9qeoDOzw 
Mostly original tracks, a few covers here and there. Thank you for even getting this far. Thoughts, opinions, suggestions all welcome. It's pretty lonely out here toiling over every sound wave and grubby plugin. Any feedback is appreciated and if you've got a track you want me to hear send it over - what comes around goes around etc. A huge shout out to Len Rice for all his production suggestions on this and other tracks of mine - a true expert, check him out https://soundcloud.com/lenrice
One day I hope to get some collaborations going and a far off dream is to re awaken all these tracks in a live environment with a live band and maybe even a live audience. For now the dream keeps me going. Thanks for listening.

I'm trying to use as much real instrumentation as possible: a Taylor and a Norman acoustic guitars, a Fender Strat Roadhouse that goes out of tune if I even look at it, a cheap Vintage mandolin that hurts to play and listen to, an 80 year old zither banjo that screams 'I was never destined for this' and a borrowed Aria Pro II bass that a friend can never be bothered to take home on the bus. Synths are a plasticky Roland FA06 and a fun but dumb Korg minilogue. Throw in some Native Instruments software primarily for smoochy piano and strings, a £15 melodica full of tramp spit, some harps in impossible tunings, and a box of percussion and assorted prehistoric flints (are you really still reading this??). 

All recorded on Logic Pro X on an ancient iMac that is going to explode any minute and take my entire oeuvre with it. And most likely burn the house down.

musical sketchbook
DIY, low skill, low fidelity

i just love the creativity,its so rewarding in its self, myself being a work in progress/ I also consider my music to be the same...Love & ☮️ peace

Natural Songwriter & Singer
Sept 2025 - NCFH Album on Digital plateforms
Stop Devaluing Music https://artistrightsnow.medium.com/200-artists-urge-tech-platforms-stop-devaluing-music-559fb109bbac

2:45 is an independent duo formed by Melakki, who writes the lyrics, sings and plays the drums and Boolapp-Goro, who plays the bass guitar, sequences the synthesizers and also is in charge of the artwork. Both were born and raised in Buenos Aires, Argentina. Since they met there, they started making music together, traveling and living in some different parts of the world. It wasn't until the year 2018, that they started sharing their music with the world.

Their sound is electronic rock, with a blend of each of their own musical tastes and influences mainly combining psychedelic rock with several electronic music genres.
They grew up listening and loving music from Syd Barrett, The Doors, Lou Reed, Jimmy Hendrix, Nirvana, Brian Eno, Peter Gabriel, Einstürzende Neubauten, Nine Inch Nails, Aphex Twin, Joy Division, Sumo and Fela Kuti among others conforming an extensive list.

In these past years they focused in listening, discovering and connecting with other great indie artists. A loving and supportive community of independent musicians and artists, fans, radio hosts, curators, DJs and producers emerged stronger than ever during these 'pandemic times'. Many of these artists also described 2:45's music saying that it contained elements of indie rock, shoegaze, post-punk, indie pop, world music and kraut rock.

ambient music + Photograph = tominagayuki

Welcome back to my page. After a week of 'technical issues', I'm back in my Producer role.  Hope you all have had a wonderful time while I was away... but I'm back so lets get this show on the road!!

Be excellent to each other!

"For we wrestle not against flesh and blood, but against principalities, against powers, against the rulers of the darkness of this world, against spiritual wickedness in high places."
--Ephesians 6:12

"Now may our Lord Jesus Christ Himself and God our Father, who has loved us and given us eternal comfort and good hope by grace, comfort and strengthen your hearts in every good work and word."
--Thessalonians 2:16

Enter through the narrow gate. 
For wide is the gate and broad is the road that leads to destruction, and many enter through it. But small is the gate and narrow the road that leads to life, and only a few find it.
--Matthew 7:13-14

For am I now seeking the favor of people, or of God? Or am I striving to please people? If I were still trying to please people, I would not be a bond-servant of Christ.
-- Galatians 1:10

"No man can serve two masters: for either he will hate the one, and love the other; or else he will hold to the one, and despise the other. Ye cannot serve God and mammon."
--Matthew 6:24

Keep it light and simple

C h r i s t i a n T W a l s h