When, 
10,000 years ago
In cities far apart
Two people shared one heart
And put their trust in all the

Words
Across the wires that drift
Four thousand hours a year
A balm for lonely nights
Across the ocean they did

Fly
In cheap seats in the clouds
Burning up all the hours
Then a taxi to the street
An Eastside walk up in the
Heat
 
Why 
Why can’t we
Fall, in love, again
Let’s 
Let’s try to see
Things differently
Let’s not pretend

She
Laid out on satin sheets
Gold bracelets on her feet
Naked beneath a shawl
The headboard banging on the

Wall
Young lovers that devour
And tread upon the flower
With little care or shame
And Never asking Who’s to

Blame
And When are you coming home
This food is getting cold
We sound so very old

Long Distant Longing

I'm putting up new original material on my Spotify channel https://open.spotify.com/artist/2PtcG937rHfQWJwv0Zi4um?si=t1ppLngORgmuqz9qeoDOzw 
Mostly original tracks, a few covers here and there. Thank you for even getting this far. Thoughts, opinions, suggestions all welcome. It's pretty lonely out here toiling over every sound wave and grubby plugin. Any feedback is appreciated and if you've got a track you want me to hear send it over - what comes around goes around etc. A huge shout out to Len Rice for all his production suggestions on this and other tracks of mine - a true expert, check him out https://soundcloud.com/lenrice
One day I hope to get some collaborations going and a far off dream is to re awaken all these tracks in a live environment with a live band and maybe even a live audience. For now the dream keeps me going. Thanks for listening.

I'm trying to use as much real instrumentation as possible: a Taylor and a Norman acoustic guitars, a Fender Strat Roadhouse that goes out of tune if I even look at it, a cheap Vintage mandolin that hurts to play and listen to, an 80 year old zither banjo that screams 'I was never destined for this' and a borrowed Aria Pro II bass that a friend can never be bothered to take home on the bus. Synths are a plasticky Roland FA06 and a fun but dumb Korg minilogue. Throw in some Native Instruments software primarily for smoochy piano and strings, a £15 melodica full of tramp spit, some harps in impossible tunings, and a box of percussion and assorted prehistoric flints (are you really still reading this??). 

All recorded on Logic Pro X on an ancient iMac that is going to explode any minute and take my entire oeuvre with it. And most likely burn the house down.

My page for re-posting great Souncloud music...whatever the genre. Listen to Pelegrim at https://www.soundcloud.com/belial-pelegrim

-Boston Area storytelling.  Remember you are only a true artist if you recognize the genius in somebody's else's work. Keep your ears open there is genius all around us.

Violin
 
https://www.youtube.com/channel/UC75yod6RSSe4JLRdhnW8StA

Deutscher Singer-Songwriter über fünfzig Jahre alt. Seit fast vierzig Jahren schreibe und singe ich Lieder. Mein Hauptinstrument ist die akustische Gitarre, aber ich mag auch Perkussionsinstrumente (Cajon, Maracas, Gurio). Ich liebe es, melancholische und poetische Balladen zu komponieren. Aber manchmal schreibe ich auch (schwarze) humorvolle Songs, Jazzstyle und -Rocksongs. Meine Hauptsprache ist Deutsch. Aber in Zukunft will ich mehr Songs auf Englisch und vereinzelt auch Französisch schreiben.
In meinen Kompositionen bin ich inspiriert von Leonard Cohen, John Lennon, Jacques Brel, Van Morrison und Bob Dylan. Auf meinen Platten spiele und singe ich alles alleine. Meine Vision für die Zukunft ist es, Musiker aus verschiedenen Kulturen zu finden, die gerne ihre Tracks mit mir teilen wollen.
Mein persönliches Mantra ist ein Satz, der von Paul Mccartney auf dem Beatles-Album "Abbey Road auf dem Track "In the end" vor fast Fünfzig Jahren geschrieben wurde:

Die Liebe, die Du bekommst ist gleich der Liebe, die Du gibst.

German singer-songwriter over fifty years old. For almost forty years I have been writing and singing songs. My main instrument is the acoustic guitar, but I also like percussion instruments (Cajon, Maracas, Gurio). I love composing melancholic and poetic ballads. But sometimes I also write (black) humorous songs, jazz style and rock songs. My main language is German. But in the future I want to write more songs in English and occasionally also in French.
In my compositions I am inspired by Leonard Cohen, John Lennon, Jacques Brel, Van Morrison and Bob Dylan. On my records I play and sing all by myself. My vision for the future is to find musicians from different cultures who would like to share their tracks with me.
My personal mantra is a sentence written by Paul Mccartney on the Beatles album "Abbey Road on the track "In the end" almost fifty years ago:

The love you take is equal to the love you make.

Just enjoying myself with all kinds of music 
I like to share.

If you like what you hear, please also listen via my Spotify page. Always grateful for the support. Thank you.
https://open.spotify.com/artist/0dMBWuIwRXXEduU7VwJunr

I love the sounds of the 60s and 70s especially. I try to write songs that I would enjoy listening to myself. It’s the only gauge I have. My songs are just the sum total of all my positive listening experiences. I'll let you try to guess who they are!

Composer of Quirky Lyrics and Squiggly Melodies.
Author of "The BumbleBeatle Battle" Novel.

And a Part of this Grand Orchestra.
The One And OliBoli.

Long Distant Longing

C h r i s t i a n T W a l s h