KRONOS QUARTET
David Harrington, violin
John Sherba, violin
Hank Dutt, viola
Jeffrey Zeigler, cello
GAMELAN ELEKTRIKA
Aaron Woolsey, kempli
Ryan Meyer, ceng-ceng
Dewa Ketut Alit & Evan Ziporyn, kendangs
Kronos & live gamelan recorded & mixed by Scott Fraser
March 29, 2012 at Studio Trilogy, San Francisco, CA


Super Collider

Male wolf spiders produce inaudible vibrations when they purr to woo females, researchers recently found. This is what those vibrations would sound like to the female spider.

Credit: Alexander L. Sweger & George W. Uetz (University of Cincinnati)

Male Wolf Spider "Purring": Vibration



Male wolf spiders produce inaudible vibrations when they purr to woo females, researchers recently found. At the same time, they produce a low frequency sound that's audible to humans, as well. 

Credit: Alexander L. Sweger & George W. Uetz (University of Cincinnati)


Male Wolf Spider "Purring": Sound

Christine Southworth (b. 1978), through her work with robots and automated music systems as co-founder and Director of Ensemble Robot, is making groundbreaking music based on the interaction between technology and creativity.  Compared to Thurston Moore (Boston Phoenix) and Laurie Anderson (Boston Globe), Southworth is introducing a brand new genre of music to Boston, born out of the area’s complex community of scientists and artists.  Her 2005 & 2007 performances of Zap! overfilled the Boston Museum of Science’s Theater of Electricity with energized crowds of students, professors, artists, children, and adults. The Boston Phoenix called the show “truly electrifying,” describing that “Ever since Bob Dylan, ‘going electric’ has had many connotations, but this was something different: though Zap! utilized the talents of a flutist, two keyboardists, a cellist, a guitarist, a bassist, a drummer, a vocalist, a double-helix-shaped robotic xylophone, sound engineers, and computer programmers, the centerpiece of Southworth’s performance was electricity itself, as millions of volts buzzed, fizzled, and sparked in deafening cracks that punctuated her music.” (Will Spitz, Boston Phoenix)
Southworth received a B.S. from MIT in 2002 in mathematics and music and M.A. in Computer Music & Multimedia Composition from Brown University in 2006. She composes for Western ensembles, Balinese gamelan, and mixed ensembles of gamelan, western instruments, electronics, and robots. Her compositions draw from her interests in modern American and European music, jazz, Balinese music, and rock and roll, and have received awards and recognition from the LEF Foundation, American Composers Forum, Meet the Composer, New England Foundation for the Arts (NEFA), the MIT Eloranta Fellowship, and Bang on a Can. Her music has been played throughout the U.S., Europe, and Indonesia by ensembles including Gamelan Galak Tika, the Calder Quartet, and Ensemble Robot.
As a performer, Southworth plays with, as well as manages, the acclaimed Gamelan Galak Tika.  She also plays Highland Bagpipes, which she performs with robots and musicians from Ensemble Robot. 
Southworth recently released her debut recording, "Zap!" which features several members of the Bang on a Can All-Stars and was named "Pick of the Week" by WNYC's prestigious Soundcheck program in August 2008, as well as Bronze Age Space Age, a new Gamelan Galak Tika album featuring her "Heavy Metal."  She was recently commissioned by the Bang on a Can Peoples Commissionoing Fund to write a new work for the Bang on a Can All-Stars, Concerning the Doodle, to be premiered at Merkin Hall in February 2010. She is also writing a new work for the Kronos Quartet and Gamelan Galak Tika’s Pocket Gamelan, Super Collider, to be premiered at Lincoln Center Out-of-Doors Festival in August 2010.


Super Collider

christinesouthworth

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