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Management: jmcdonald@2plus2.net

North & South America: Mariesa Stevens - Mariesa@liaisonartists.com and Marlena Holland marlena@liaisonartists.com

Rest of World Bookings: jmcdonald@2plus2.net

A record label + artist duo

home of Soul Clap, No Regular Play, PillowTalk, Slow Hands, Nick Monaco, Navid Izadi, Wolf + Lamb & friends...

Booking:
North & South America
inbal@prismaartists.com

Rest of World
jmac@crewlove.us

The House of Venus is and arts & music collective born out of nightlife.  

We're an artist management company, record label & music publisher with offices in Los Angeles and Sydney. Est 2014.
Hit us up: contact@futureclassic.com

Tomas started his career in the golden era of minimal and glitch techno and helped to define the genres. 
His live performance at the inaugural Mutek festival in 2000 caught the ear of Force Inc who signed him shortly after, just eking-out Akufen to become the first Canadian on the label. In the era where vinyl still ruled, and digital downloads were just a twinkle in some corporation's eye, Tomas dropped albums on Traum, Klang Elektronik, Revolver, Audio.NL, and more. 
Since then, two decades of producing has seen Jirku manipulate house on Arbutus Records; hip-hop with his laser-gun-rap project The Killaz; dub on his highly regarded "Entropy" album; electro, ambient, and other experiments that defy genres. With experience performing around the globe and having made his mark on innumerable record labels, Tomas has been honing back in on techno, aiming to maximize the brain and body connection that deep techno can provide.
His recent releases on Seattle's Innerflight, Berlin's Thoughtless, Vancouver's Subspec, and Rome's Concrete record labels further prove that the Canadian producer has built a strong repertoire by not doing anything straightforward or ordinary.

dOP have been on a journey that has travelled from sweat-drenched saloons to the
most prestigious club and festivals since they first hit the road back in 2007, more
than a thousand shows around the world.
Releasing on many of the most prestigious electronic music labels
from their roots in the Parisian hip hop scene to the world of unconventional
house and techno of Berlin.
This winter Damien and JAW are celebrating the 12th release on their own label
dOP Only exclusively focused on their own music inviting great remixers on each
release. (Agoria, Nastia, Acid Pauli , Nico Stojan , Davide Squillace, Paul Ritch, Dave Aju, Ezechiel Palhies, Boombass from Cassius , SIS , Depart,  and many more).
They are soon releasing an NFT album, a winter fairytale in 25 parts, 3 new
dOPonly's are on the way and an EP with Ivan Dorn with remixes by Claude
VonSTroke, Ark & Philipp Gorbachev (vynil only), They are working actively on
their new album "The Darkside of the cool",
dOP never cease to create, reinventing themselves constantly without fear, a pact with an eternal creativity.

Italo Deviance (real name Marcello Giordani) began his artistic journey in the
1990s in Italy, during the height of the House Music phenomenon. He was an
avid attendee of record fairs, always on the hunt for USA-style Disco vinyl,
amassing an extensive collection. He also performed at some of Italy’s best
parties, such as Cocoricò, Echoes, Matis, Kinki and more.

In the early 2000s, he developed a passion for and began collecting Italo
Disco vinyl, often for just a few cents. In 2008, he founded a blog called Italo
Deviance with the mission of promoting the most obscure tracks and
versions of early 1980s Italian dance music.

From 2011 to 2023, he became part of the duo Marvin & Guy, which has
since evolved into Circle Point Circle. At the start of 2024, Marcello resumed
work on his label, Italo Deviance Music, embarking on a rebranding effort.
This new phase explores underground electronic music without sticking to a
specific genre, discovering and producing talented artists in both digital and
vinyl formats. He places no particular emphasis on their social media hype,
focusing solely on the music.

This philosophy gave rise to the motto:
“Italo Deviance, where only the music matters.”

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