Name: Conformity by >GASTON<
Duration: 4 min 18 s
Description: Midweek Modular Improvisation featuring Tiptop Z8000.

About a burned house

just realized i never re-uploaded the other half of this album... oops😅

"blooming" is a collection of ethereal, dream-like ambient pieces recorded between 2018 and 2020.

originally released in 2020
remastered Jan 2021

written, arranged, recorded, mixed, and mastered by uncle joe
special thanks to:
cogito for his contributions to windows
frost for her contributions to hospice
kiara for the lovely album artwork

after thoughts

Midweek Modular Improvisation featuring Tiptop Z8000.

Conformity

FADE IN [or ECHOES OF SILENCE?]:

INT. THEATRE - NIGHT [or DARK ENSEMBLE?]

The curtains slowly rise on the blank stage, revealing an enigmatic presence fixed in a trance-like state. Emerging gradually from the shadows, the unidentified figure initiates their art with an opening chord. Instantly, the atmosphere is transformed with a velvet-black ambiance [or twilight abyss?] and a mysterious glow that seems to swirl and dance in the background [1].

CUT TO:

AN INTRICATE TAPESTRY OF VERNACULAR [or LANGUAGE LABYRINTH?]

We hear a cacophony of colliding sounds and reverberations, accompanied by a palpable intensity that fills the chamber. The camera pans across the chaos of cross-talking and crests and troughs as the music ebbs and flows, before settling on a serenely secret scintilla of spliced synesthesia that emerges from the pandemonium [2]. A suggestive sprightly spillage of entwined euphony ignites the air with an escalating fervor as the music hums and hastens, with rogue and ruse rippling in a raft of rabble [3].

CUT TO:

A SYMPHONY OF CHUCKLES AND CHISELS [or LAUGHTER AND LITERARY LINES?]

A deliriously dissonant chaos of cloverleaf cloistering, a melodious medley of sparks and embers that arise and swirl with each crescendo [4]. We hear the enigmatic energy taking form, bewildering and befuddling with its bold babbling. It blurs and then burgeons into a symphony of chuckles and chisels, each sculpting and savoring its way into a sonic sensuality [5].

CUT TO:

A BIZARRELY BEGUILING VISTA [or ENCHANTING EERIE LANDSCAPE?]

The journey winds through a warbling world, whirling through wryness, whimsy, and wit before finally delivering us to a bizarrely beguiling vista [6]. The camera lingers on this strange and foreign place, capturing its surreal and disorienting beauty [7].

CUT TO:

INT. THEATRE - NIGHT (LATER) [or REVERBERATING RUINS?]

The enigmatic figure is now in full view of the camera, but their identity is obscured by the atmospheric distortion that now fills the room [8]. The music has reached a frenzied crescendo, and the camera shakes and shudders with the vibrations [9]. Suddenly, there is a loud crash, and the figure disappears from view.

CUT TO:

INT. THEATRE - NIGHT (MOMENTS LATER) [or POST-APOCALYPTIC AFTERMATH?]

The music has stopped, and the atmosphere is beginning to clear [10]. The camera pans across the stage, revealing a scene of chaos and destruction. The unidentified figure is lying on the ground, their instrument shattered into pieces.

DIRECTOR (off-screen)
Cut! Cut! What the hell was that?

CAMERAMAN (off-screen)
I don't know, man. It just went to hell.

DIRECTOR (off-screen)
We can't use any of this. We need to reshoot the whole thing.

CUT TO:

INT. THEATRE - DAY (NEXT DAY) [or MORNING MOURNFULNESS?]

The curtains rise once again, and the enigmatic figure initiates their art anew. This time, the music is slow and mournful, and the camera focuses on the shattered remains of the instrument on the ground [11]. As the music continues, we see the figure begin to piece a campfire from the broken fragments of their creation [12].

CUT TO:

A GENTLE FADE OUT [or THE FINAL NOTE?]

As the music fades to silence, the curtains slowly close, and the camera lingers on the crackle of the [1].

[1] Flames? Or more of an ethereal light?
[2] Maybe a more specific example of the synesthesia? Or focus on the harmony?
[3] Consider simplifying this sentence - too much alliteration?
[4] Sparks and embers seem repetitive - change one?
[5] "Salivating" could be "savoring"?
[6] Mention specific visuals?
[7] How can we show this beauty? What does it look like?

[9] What if the camera's shake is more subtle?
[10] Could the smoke clear to reveal a specific image/message?

[13] Does the guitar need to play a significant role throughout?

https://www.youtube.com/shorts/KbHTR5DusbM

‘˘ •Øö Oπ°∑ø˚'¨

No/Sugar is solo unit from '' PUNSCA' and ' WUUUM' .
Each sounds are so amazing and original based on real Japanese underground sound .
https://twitter.com/WUUUN1
https://twitter.com/punsuca

Oriental Force ' is small Live / Dj Bar in Koenji , Tokyo .
This space is organized by Oriental Love a.k.a. Kaya Takada.
If you will visit Tokyo , Please come to my space

(Oriental Force)
https://lit.link/orientalforce
Twitter : https://twitter.com/oriental_force
Instagram : https://www.instagram.com/oriental_love_kaya_takada/

VIDEO

No/Sugar @ Oriental  Force 2023-02-11

„Klang meines Lichts“  (13.05.2023 )

Klang meines Lichts ich höre dich. Dieser strahlende Klang ist in mir erwacht.
Er schwingt und tanzt mit mir in tiefer Resonanz in allen meinen Träumen Tag und Nacht.
Mein inneres Licht durchflutet mich. Alles in mir ist Klang.

Hört den Klang des Lichts in Euch. Ihr alle seit Klang.

Vielen Dank für Eure geschätzte Aufmerksamkeit.
SOUNDCLOUD: https://soundcloud.com/cloppenburg-music

Musik : Björn Cloppenburg  Alle Rechte vorbehalten
Foto	:    Björn Cloppenburg
Es wurden für dieses Projekt virtuelle Instrumente der folgenden Firmen verwendet: 
Spitfire Audio Soft String Textures 
Orchestra Tools ARKHIS Solo Strings 


"Sound of my light" (05/13/2023)

Sound of my light I hear you. This radiant sound has awakened in me.
It vibrates and dances with me in deep resonance in all my dreams day and night.
My inner light floods me. Everything in me is sound.

Hear the sound of the light within you. You all are sound.

Thank you for your valued attention.
SOUND CLOUD: https://soundcloud.com/cloppenburg-music

Music :   Björn Cloppenburg All rights reserved
Photo:    Björn Cloppenburg
Virtual instruments from the following companies were used for this project:
Spitfire Audio : Soft String Textures
Orchestra Tools ARKHIS Solo Strings

Sound of my Light

Sound Of My Light

Remix of Osphravel by @boson_spin

Used samples:

Title: Osphravel
Author: Boson Spin
Link: soundcloud.com/boson_spin/osphravel

Title: small_freezer_lid_shut_noEQ.wav
Author: strangehorizon
Link: freesound.org/people/strangehorizon/sounds/685980/

Title: noise wav
Author: Ambiabstract
Link:  freesound.org/people/Ambiabstract/sounds/584730/

Title: 110719_glasgowdemolish.wav
Author: Andy Gardner
Link: freesound.org/people/Andy_Gardner/sounds/125424/

Rite of passage

Dream On

TRAMPELFÂD
rec.name: " " Feldman De Kooning re-form first 8 min  "
credit: m.feldman
date: 01-06-2023

Re-form De Kooning 2

one-hand-piano n°2 [you to play with, if you like it]

/ 𝗣𝗟𝗘𝗔𝗦𝗘 𝗣𝗟𝗔𝗬 𝗧𝗛𝗜𝗦 𝗥𝗘𝗖𝗢𝗥𝗗 𝗥𝗘𝗔𝗟𝗟𝗬 𝗟𝗢𝗨𝗗, EVEN TO THE POINT OF INCONVENIENCE – EXTREMELY SOFT SOUNDS & ABRUPT VOLUME CHANGES ARE ESSENTIAL FOR THE DYNAMISM OF THE FORM AS A WHOLE | 𝗛𝗘𝗔𝗗𝗣𝗛𝗢𝗡𝗘𝗦 𝗦𝗧𝗥𝗢𝗡𝗚𝗟𝗬 𝗥𝗘𝗖𝗢𝗠𝗠𝗘𝗡𝗗𝗘𝗗 | 𝗕𝗜𝗡𝗔𝗨𝗥𝗔𝗟 𝗔𝗨𝗗𝗜𝗢 /

« minor differences » for virtual, physically-modelled, 10 metres long, microtonal piano(s) & electroacoustic sound layer (2019)

/dedicated to Olga Miriam Michałowska/


***
This piece is a study of displacement. It is an examination and investigation into degrees of "MINORITY" of a chord. It is a form of simultaneously permutated, entangled note chains (organised using a specified quantisation also undergoing its own alterations in time), an excerpt from an “endless” modulation occurring within a MINOR “hemisphere” of a soundspace determined by transition between 24-, 15-, 19- & 21-EDOs as well as my own, non-octave scale.

In « minor differences », almost everything was derived from the ratio of 13/11 – an interval of tridecimal minor third, measuring 289 ¢. The scale incorporated in the majority of the piece had been developed on the basis of the mentioned ratio of 13/11 as well. It has “too small” or "too wide" thirds, no pure fifths at all and octaves being almost pure, yet not exactly so (deviations vary between -21 ¢ and +10 ¢). This carefully calculated exertion provides slight beatings, mildly rough interference patterns and therefore gives an overall impression of an expanded space – as seen in dual intra-cavity of a two layer mirror. At the same time, those “compressed” thirds in the scale are responsible for an “endless collapse” impression of presented chord progression. The listener can realise that the harmonic charges are being resolved and transferred in several directions simultaneously, thus giving those once castellated, quantised patterns a touch of organically geometric refinement. In due course, mentioned quantisations also become intervalised; by this I mean different scale variants being entangled, superimposed and shifted, all in a specific order. As they start to modulate into one another, they contribute to building a meta-scale of presented musical material. Almost like an error that somehow happens to designate an additional dimension. Not far from a flaw; a small, unjustifiable irrationality that surprisingly reveals its carefully calculated and attentively designed essence. A factor that shifts piece's global “displacement paradigm” to another level. 

Thanks to the virtual modelling software capabilities it was possible to design and administer several “impossible” multiphonics (for ex. those with the structure of 13 and 11 partials mainly, without the even ones present at all), as well as map them further on the steps of my minor-third-oriented, non-octave scale. 10-metre-long strings applied in the virtual piano(s) used in the piece reduce the inharmonicity significantly, thus rendering the micro-intervals much clearer to one’s ear and their minor differences much more important.

minor differences

minor differences (2019)

Sound Artist /  Experimental /  Ambient Electronic music / Tape Loop /Sonic sculpture /field recording and Eurorack Modular improvisation .   https://christophergaston.bandcamp.com/follow_me

Conformity

>GASTON<

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