record label :
https://www.discogs.com/fr/label/1119605-yoyaku
owning yydistribution
http://www.yydistribution.fr

Every event, statement or idea has its own circumstances that define the setting in terms of which it can be fully understood. And to fully understand KNTXT, the techno concept guided and hosted by Charlotte de Witte, you must experience it.

KNTXT has already profiled itself as a force to be reckoned with in the Techno landscape. Its objective is a clear one: to serve a quality techno experience driven by both national as international acts, while staying true to a genuine underground spirit.

All of this has resulted in some mind-boggling editions showcasing an impressive all star wall of fame and also receiving praise from several media such as Mixmag, DJ Mag and Red Bull Elektropedia (Best Really Big Party).

Manifest:
KNTXT /ˈkɒntɛkst/ noun
“The circumstances that form the setting for an event, statement, or idea, and in terms of which it can be fully understood.”

Upcoming Events: https://awak.enin.gs/32Satn1

Welcome Aboard Techno Music, Artists, Clubs & Festivals ✈

Demo & Premiere & AIRCAST: records@technoairlines.com

2D, Murdoc Niccals, Noodle & Russel Hobbs

At this moment, demo submission are closed.

Matthew ‘Bushwacka’ B, a percussionist in the London School Symphony Orchestra who was converted into a member of the infamous Rat Pack after a warehouse party in ’88, has been DJing for over 30 years now. From that first Acid House experience Matthew quickly started playing all over London, holding residencies at four of the most famous clubs in town by the time he was 18 years old. From London the gigs spread countrywide, doing up to 8 shows a weekend, and then into Europe and the USA by 1992.
 
It was via a mutual friend Mr C that Layo & Bushwacka! first met, whilst Matthew was working at his studio, and by the mid 90s the two had started writing music together. Over a decade later, the partnership has yielded three artist albums, three mix albums, internationally renowned club residencies and a superb record label. 

By 1999 they’d already composed their debut album, ‘Low Life’, released on End Recordings, the label spawned by The End. The album announced the arrival of the duo as a force in electronic music, with a record that brought together electro, house and breakbeat fused with blues, dub and downtempo, all underpinned and informed by their collective experience of underground culture. This inclusive and open minded approach to sound became the blueprint for their future work.

Their sophomore album followed in 2002, this time released on the mighty XL Recordings. Entitled ‘Night Works’, the record featured their unforgettable top ten hit ‘Love Story’, and took their sound onto a bigger and broader canvas, charting all over the in the process. The accompanying live show brought further acclaim with stunning shows from Homelands to Sonar, whilst their famous DJ sets had now garnered residencies at some of the world’s finest clubs including Space in Ibiza, Warung in Brasil and of course The End in London. While this explosion was happening, Matthew was also achieving huge solo success with his remixes for Depeche Mode, his bootleg of Michael Jackson’s Billie Jean, and getting phone calls from Madonna wanting him to work on her music. It was a crazy time. 

Their End residency, known as All Night Long, became one of the capital’s most revered nights with Layo & Bushwacka! taking the club through an edifying tour-de-force of electronic music.
 
When The End closed its doors for the last time in 2009, Layo and Bushwacka! started the Shake It brand and threw amazing warehouse parties all over London, booking Carl Cox, Richie Hawtin, Magda, Laurent Garnier and many other friends, and created dancefloor destruction for 4 years. The parties were legendary, the energy incredible.


Layo & Bushwacka!’s reputation as two of the world’s foremost DJ duos is rock solid. Four artist albums have proven them remarkably talented producers, capable of mixing styles, tempos and genres to create enduring and engaging electronic music. Their trio of mix albums and international club residencies have shown they are masters of the turntables, sonic connoisseurs who can guide a dance floor on an epic journey through the many facets of their sound. Their label Olmeto meanwhile has become a bastion for quality, a label that, much like its figureheads, has become a rubber stamped seal of class, and many of their vinyl only releases have become sought after rarities.
 
In 2013 Bushwacka! took some time out to focus on his solo Just Be project, recording on Crosstown Rebels, Get Physical and Intec, while Layo created a new empire in Soho, of world class restaurants, applying his magic touch to everything he does. Five years later, Bushwacka! started touring and recording again under his original name, only on select shows and keeping it special for the fans, old and new.

Booking Contact
Territory :World (except Japan,Southeast Asia)
Deep'art 
http://www.deep-art.net/
info(at)deep-art.net
for Japan,Southeast Asia 
info(dot)satoshifumi@gmail.com

Satoshi comes from Tokyo. Influenced by the 90's Detroit,Chicago and New York house/Techno scene. He managed to create within the years his own unique style by providing the world with a variety of dance music styles such as Deep House, Techno, and Acid. 
He has already released many tracks in labels such as Bedrock,Sudbeat,Get Physical,Moodmusic,We Play House Recordings,Detone,Motech,King Street 
Sounds,UNKNOWN season etc and as a result has managed to gain the recognition and respect of many key DJs such as Laurent Garnier, Ken Ishii, John Digweed,Hernan Cattaneo, Chris Coco, Ashley Beedle, Terry Farley,  just to name a few.
He run a label Sequent:Recordings and has monthly radio program Outerspace on Proton Radio.

Cigitas Chong is following