disquiet0674 ShuSwampSample

Composition pour le Naviar Haïku Music challenge 575.
Sur un haïku de Kagami Shikō:
Even though afar
a feeling of coolness comes
from those mountain pines

www.naviarrecords.com/haiku-music-challenge/

Coolness feeling

The Assignment: What if you could?

There is just one step to this project. The idea that one cannot “unring a bell” is a fairly common saying, at least in English. But what if you could? What might it sound like? And what use might the unrung bell serve in the making of music. Please record a track in which you try to unring a bell.

More on the 682nd weekly Disquiet Junto project, Unring a Bell — The Assignment: What if you could? — at https://disquiet.com/0682/

unrung [disquiet0682]

7Feb25
My naviarhaiku579 track
https://naviarlab.tumblr.com/post/774654210380808192/naviarhaiku579-mount-asama
:D

fumes and ash [naviarhaiku579]

using 20 resonance tones I recorded on a toy piano and acoustic guitar, I've responded to this week's @naviar-haiku music challenge, of which you can find details about here: https://www.naviarrecords.com/haiku-music-challenge/

quiescence!
touching not the blossoms,
temple bell's voice

Kawakami Fuhaku was a tea master and the founder of the Edosenke, a school of tea ceremony. He was also an accomplished haiku poet.

Haiku by Fuhaku

Extract of picture by Ming Han Low

bell's voice (naviarhaiku580)

Composition pour le Naviar Haïku Music challenge 580.
Sur un haïku de Kawakami Fuhaku:

quiescence!
touching not the blossoms,
temple bell's voice

www.naviarrecords.com/haiku-music-challenge/


Temple quiescence

This was my contribution for Disquiet Junto Project 0688: Sign Up. The Assignment: Interpret a routine public sign as a musical instruction.

At the end of a short cul-de-sac in a residential neighborhood in the town where I live, is a yellow triangular road sign with the words “END” (see image). Something about the finality of the words and the placement of it in front of the vast expanse of the Pacific Ocean, makes me a little sad and a touch melancholic every time I see it. Especially when the air is misty or foggy, which happens often along the coast. It’s as if the sign is trying to prevent one from further experiencing more joy, hope or happiness. The solid red secondary sign adds to that feeling. I tried to convey that thought with this piece.

This was created using Ableton Live using Native Instruments Playbox, Slate+Ash Spectres, and a field recording from a local beach. Also used built-in reverbs and Spectral Resonator effects within the DAW.

More on the 688th weekly Disquiet Junto project, Sign Up — The Assignment: Interpret a routine public sign as a musical instruction — at https://disquiet.com/0688/

Last Wave [disquiet0688]

Calm Down Repeatedly

Ambient guitar improvisations by Paul Landry
www.ambientguitarmusicguy.com/

Buddhist monks astrally project to Mars and set up a hermitage to attain Nirvana on Olympus Mons.

Improvised and Performed by Paul Landry in The Progulator
November 13th to November 30th 2024
Mixed and mastered by Paul Landry


Download

Monks of Terra Sabaea

The past, immutable -
an icicle stabs
directly downward
     
haiku by Saitō Sanki

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/



ima wa ima (naviarhaiku588)

CJ McGregor

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CJ McGregor

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