I hear a thoughtful interpretation of a temple bell's voice...

another contribution to the haikuchallemge of naviar records

stillness:
the sound of petals
sifting down together.
              -Miura Chora-

petals (naviarhaiku571)

This track was created for the Naviar Haiku group.
574
https://www.naviarrecords.com/naviarhaiku574-on-new-years-day/

2025-01-02

On New Year's Day  (Naviarhaiku 574 )

#4068 (89.68% 468 left): Feb. 2 2025: Like April hoar-frost spread (E.H.Coleridge from Sep. 2, 2024) 

Today's pure primal piano music here. Happy if this music makes you feel peaceful.. : )

Looking for absolute natural beauty every day for Piano Ten Thousand Leaves. Target number is 4536:
This piece may might have good 1/f fluctuation characteristic although I stopped investigating it each piece.

######## Latest Album: 28th SELECTION ALBUM JUST RELEASED ########
"Forest in Moon Light" - the 28th selection album of piano ten thousand leaves

youtube: FULL VIDEO with 20 full songs in very high quality sounds
https://youtu.be/CwTVgfDHCn4?si=1QktmBR1FEGA-tQH

spotify
https://open.spotify.com/intl-ja/album/1RxJBVCU5vdt5O6kGUMbnv?si=hLjW3kbTThegEBOjgTHUbw

appleMusic
https://music.apple.com/jp/album/forest-in-moon-light/1773383143

amazonMusic
https://amazon.co.jp/music/player/albums/B0DJVSVF5K?marketplaceId=A1VC38T7YXB528&musicTerritory=JP&ref=dm_sh_V1XCbECO4uUYzRVs8apKAEEBl

all music streaming services:
https://linkco.re/SYNa3ueY?lang=en

like April hoar-frost spread - #4068 (89R68 percent 468 left) by chair house 250202

DANCE WITHOUT DANCERS

Horcrux 1

Inspired by Naviar Haiku 580:
https://www.naviarrecords.com/naviarhaiku580-quiescence/

Thanks to Marco Alessi from Naviar Records for the weekly challenge!

Photo by zenbytes (Morvan, France, 2024)

touching not the blossoms - Naviarhaiku580

Composition pour le Naviar Haïku Music challenge 580.
Sur un haïku de Kawakami Fuhaku:

quiescence!
touching not the blossoms,
temple bell's voice

www.naviarrecords.com/haiku-music-challenge/


Temple quiescence

"𝘛𝘪𝘮𝘦 𝘱𝘰𝘳𝘵𝘢𝘭𝘴 𝘶𝘴𝘶𝘢𝘭𝘭𝘺 𝘪𝘯𝘴𝘦𝘳𝘵 𝘶𝘴 𝘢 𝘥𝘢𝘺 𝘰𝘳 𝘵𝘸𝘰 𝘩𝘪𝘬𝘦 𝘢𝘸𝘢𝘺 𝘧𝘳𝘰𝘮 𝘰𝘶𝘳 𝘵𝘢𝘳𝘨𝘦𝘵𝘴, 𝘴𝘰 𝘵𝘰𝘯𝘪𝘨𝘩𝘵 𝘸𝘦 𝘤𝘢𝘮𝘱𝘦𝘥 𝘳𝘰𝘶𝘨𝘩𝘭𝘺 𝘩𝘢𝘭𝘧𝘸𝘢𝘺 𝘵𝘰 𝘵𝘩𝘦 𝘳𝘶𝘪𝘯𝘴 𝘢𝘤𝘤𝘰𝘳𝘥𝘪𝘯𝘨 𝘵𝘰 𝘰𝘶𝘳 𝘴𝘱𝘢𝘤𝘦-𝘵𝘪𝘮𝘦 𝘮𝘢𝘱𝘴. 𝘐𝘵 𝘸𝘢𝘴 𝘥𝘢𝘳𝘬 𝘸𝘩𝘦𝘯 𝘸𝘦 𝘧𝘪𝘯𝘪𝘴𝘩𝘦𝘥 𝘳𝘢𝘪𝘴𝘪𝘯𝘨 𝘵𝘩𝘦 𝘦𝘭𝘦𝘤𝘵𝘳𝘪𝘤 𝘧𝘦𝘯𝘤𝘦 𝘢𝘯𝘥 𝘴𝘦𝘵𝘵𝘭𝘪𝘯𝘨 𝘪𝘯𝘵𝘰 𝘤𝘢𝘮𝘱. 𝘛𝘩𝘦 𝘵𝘦𝘢𝘮 𝘤𝘰𝘯𝘨𝘳𝘦𝘨𝘢𝘵𝘦𝘥 𝘢𝘳𝘰𝘶𝘯𝘥 𝘢 𝘮𝘢𝘬𝘦𝘴𝘩𝘪𝘧𝘵 𝘧𝘪𝘳𝘦 𝘧𝘰𝘳 𝘥𝘪𝘯𝘯𝘦𝘳. 𝘊𝘭𝘢𝘳𝘬𝘴𝘰𝘯 𝘳𝘦𝘮𝘢𝘳𝘬𝘦𝘥 𝘵𝘩𝘢𝘵 𝘰𝘶𝘳 𝘵𝘪𝘮𝘦 𝘦𝘹𝘱𝘦𝘥𝘪𝘵𝘪𝘰𝘯𝘴 𝘦𝘯𝘤𝘢𝘱𝘴𝘶𝘭𝘢𝘵𝘦 𝘣𝘰𝘵𝘩 𝘵𝘩𝘦 𝘱𝘪𝘯𝘯𝘢𝘤𝘭𝘦 𝘢𝘯𝘥 𝘱𝘳𝘪𝘮𝘪𝘵𝘪𝘷𝘦 𝘰𝘧 𝘩𝘶𝘮𝘢𝘯 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦𝘴. 𝘏𝘦 𝘱𝘰𝘪𝘯𝘵𝘦𝘥 𝘰𝘶𝘵 𝘩𝘰𝘸 𝘸𝘦 𝘤𝘳𝘰𝘴𝘴 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 𝘵𝘩𝘦 𝘗𝘰𝘳𝘵𝘢𝘭 (𝘵𝘩𝘦 𝘮𝘰𝘴𝘵 𝘦𝘭𝘢𝘣𝘰𝘳𝘢𝘵𝘦 𝘮𝘢𝘤𝘩𝘪𝘯𝘦 𝘦𝘷𝘦𝘳 𝘤𝘳𝘦𝘢𝘵𝘦𝘥) 𝘤𝘢𝘳𝘳𝘺𝘪𝘯𝘨 𝘢 𝘭𝘪𝘮𝘪𝘵𝘦𝘥 𝘯𝘶𝘮𝘣𝘦𝘳 𝘰𝘧 𝘦𝘴𝘴𝘦𝘯𝘵𝘪𝘢𝘭 𝘱𝘰𝘴𝘴𝘦𝘴𝘴𝘪𝘰𝘯𝘴, 𝘮𝘰𝘴𝘵𝘭𝘺 𝘱𝘰𝘳𝘵𝘢𝘣𝘭𝘦 𝘴𝘶𝘳𝘷𝘪𝘷𝘢𝘭 𝘢𝘯𝘥 𝘭𝘢𝘣 𝘦𝘲𝘶𝘪𝘱𝘮𝘦𝘯𝘵, 𝘢𝘯𝘥 𝘳𝘦𝘷𝘦𝘳𝘵 𝘵𝘰 𝘢𝘯 𝘦𝘢𝘳𝘭𝘺 𝘏𝘰𝘭𝘰𝘤𝘦𝘯𝘦 𝘴𝘵𝘢𝘵𝘦. 𝘛𝘩𝘦𝘳𝘦 𝘪𝘴 𝘯𝘰 𝘕𝘦𝘶𝘳𝘢𝘭 𝘔𝘢𝘵𝘳𝘪𝘹 𝘰𝘳 𝘎𝘗𝘚 𝘪𝘯 𝘥𝘦𝘦𝘱 𝘵𝘪𝘮𝘦, 𝘢𝘯𝘥 𝘩𝘪𝘨𝘩𝘦𝘳 𝘥𝘪𝘮𝘦𝘯𝘴𝘪𝘰𝘯𝘢𝘭 𝘤𝘰𝘮𝘮𝘴 𝘢𝘳𝘦 𝘭𝘪𝘮𝘪𝘵𝘦𝘥 𝘵𝘰 𝘦𝘴𝘴𝘦𝘯𝘵𝘪𝘢𝘭 𝘪𝘯𝘧𝘰𝘳𝘮𝘢𝘵𝘪𝘰𝘯 𝘵𝘰 𝘏𝘘 𝘰𝘯𝘭𝘺. 𝘈𝘯𝘥 𝘯𝘰𝘸, 𝘩𝘦𝘳𝘦 𝘸𝘦 𝘢𝘳𝘦 𝘢𝘴 𝘴𝘵𝘳𝘢𝘯𝘨𝘦 𝘢𝘱𝘦𝘴 𝘨𝘢𝘵𝘩𝘦𝘳𝘦𝘥 𝘢𝘳𝘰𝘶𝘯𝘥 𝘢 𝘤𝘳𝘢𝘤𝘬𝘪𝘯𝘨 𝘧𝘪𝘳𝘦 𝘰𝘯 𝘢 𝘷𝘪𝘵𝘢𝘭 𝘮𝘪𝘴𝘴𝘪𝘰𝘯 𝘵𝘰 𝘶𝘯𝘥𝘦𝘳𝘴𝘵𝘢𝘯𝘥 𝘵𝘩𝘦 𝘴𝘰-𝘤𝘢𝘭𝘭𝘦𝘥 '𝘈𝘯𝘰𝘮𝘢𝘭𝘪𝘦𝘴.' 𝘌𝘷𝘦𝘯 𝘸𝘪𝘵𝘩 𝘰𝘶𝘳 𝘴𝘤𝘪𝘦𝘯𝘵𝘪𝘧𝘪𝘤 𝘪𝘯𝘵𝘦𝘯𝘵𝘪𝘰𝘯𝘴, 𝘪𝘵'𝘴 𝘪𝘮𝘱𝘰𝘴𝘴𝘪𝘣𝘭𝘦 𝘯𝘰𝘵 𝘵𝘰 𝘥𝘳𝘢𝘸 𝘤𝘰𝘮𝘱𝘢𝘳𝘪𝘴𝘰𝘯𝘴 𝘵𝘰 𝘰𝘶𝘳 𝘢𝘯𝘤𝘦𝘴𝘵𝘰𝘳𝘴 𝘢𝘯𝘥 𝘵𝘩𝘦𝘪𝘳 𝘰𝘸𝘯 𝘮𝘺𝘴𝘵𝘪𝘤𝘢𝘭 𝘫𝘰𝘶𝘳𝘯𝘦𝘺𝘴. 𝘈𝘴 𝘐 𝘭𝘰𝘰𝘬𝘦𝘥 𝘶𝘱𝘸𝘢𝘳𝘥𝘴, 𝘵𝘩𝘦 𝘵𝘳𝘦𝘮𝘦𝘯𝘥𝘰𝘶𝘴 𝘱𝘰𝘸𝘦𝘳 𝘰𝘧 𝘵𝘩𝘪𝘴 𝘱𝘭𝘢𝘤𝘦 𝘧𝘪𝘭𝘭𝘦𝘥 𝘮𝘦. 𝘛𝘩𝘦 𝘣𝘳𝘪𝘨𝘩𝘵 𝘛𝘳𝘪𝘢𝘴𝘴𝘪𝘤 𝘯𝘪𝘨𝘩𝘵 𝘴𝘬𝘺 𝘪𝘴 𝘤𝘰𝘯𝘴𝘵𝘢𝘯𝘵𝘭𝘺 𝘧𝘭𝘪𝘤𝘬𝘦𝘳𝘪𝘯𝘨 𝘸𝘪𝘵𝘩 𝘢 𝘷𝘢𝘴𝘵 𝘤𝘢𝘳𝘱𝘦𝘵 𝘰𝘧 𝘮𝘦𝘵𝘦𝘰𝘳 𝘴𝘩𝘰𝘸𝘦𝘳𝘴. 𝘐𝘯 𝘵𝘩𝘦 𝘥𝘪𝘴𝘵𝘢𝘯𝘤𝘦, 𝘸𝘦 𝘤𝘰𝘶𝘭𝘥 𝘩𝘦𝘢𝘳 𝘳𝘦𝘷𝘦𝘳𝘣𝘦𝘳𝘢𝘵𝘪𝘯𝘨 𝘩𝘰𝘰𝘵𝘴 𝘢𝘯𝘥 𝘣𝘦𝘭𝘭𝘰𝘸𝘴 𝘧𝘳𝘰𝘮 𝘢 𝘱𝘢𝘤𝘬 𝘰𝘧 𝘈𝘴𝘺𝘭𝘰𝘴𝘢𝘶𝘳𝘶𝘴."


- Excerpt from Ponda Baba's 𝘛𝘦𝘮𝘱𝘰𝘳𝘢𝘭 𝘍𝘳𝘰𝘯𝘵𝘪𝘦𝘳 𝘍𝘪𝘦𝘭𝘥 𝘕𝘰𝘵𝘦𝘴, 𝘓𝘰𝘨 2324.4.27

Under The Triassic Night Sky

miXture_08

In the words of T.S. Eliot, "Time present and time past / Are both perhaps present in time future"2. "Aurora Fracture" embodies this timeless wisdom, crafting a soundscape that is both a nostalgic glance backward and a hopeful gaze forward, all within the eternal present of sound.

Temple quiescence

Anne Versailles

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