Fantastic composition and production, catchy beat and synth-work

it's a first draft of the piece certainly worth investigating the sonic possibilities it offers. 
the synth always behaves differently in re-proposing the sequence, depending on the envelope phase in which it is found, I am fascinated by it, I have been looking for a sound like this for a long time.
I find it very meditative, so much so that it reminded me of seeing the splendid paintings of the painter Aldo Mondino, more than twenty years ago, in an exhibition at Villa delle Rose in Bologna. 
I immediately fell in love with those fantastic paintings. 
On the cover a detail of the work: Master of Fantasmagorie.
 
work in progress

Sufi's Dance In Slow Motion

We invite you to hear the 2nd of three album preview pieces.

“Practical guide to shamanism for young people”,
Is from the album “Above a Darkness of Earth.”

Paulo Chagas initiated this trio piece with his wind instrument part. Henry Koek added many sound textures in addition to his voice, I finished with percussion and my MaaTeeSaa1 sounds.

This piece continues the shamanist inspired tone of the album.

Hear and/or download the album from BandCamp: 
https://darkpebble-bluewave.bandcamp.com/album/above-a-darkness-of-earth

Enjoy!
Wilhelm Matthies

A practical guide to shamanism for young people

phantom ember
naviarhaiku579

– Visual narration here: https://www.instagram.com/p/DF7ubABgFeX/ –

Mount Asama 
amidst its fumes and ash 
fresh young leaves!

– Yosa Buson –

The event Bosun refers to is the eruption of Mount Asama in 1783, which instantly killed over 1,000 people. The toxic ash traveled 100 miles to Edo, making farmland useless and causing many more people to starve.
One of the four great haiku masters, Yosa Buson studied both Japanese and Chinese poetry. He was also an accomplished painter, and most of his poems were accompanied by paintings, resulting in a more diverse and individual set of works than the one by his main historical influence, Basho.

+++
Contribution for naviarrecords:
https://www.naviarrecords.com/naviarhaiku579-mount-asama/

Enjoy!

phantom ember

Composition pour le Naviar Haïku Music challenge 580.
Sur un haïku de Kawakami Fuhaku:

quiescence!
touching not the blossoms,
temple bell's voice

www.naviarrecords.com/haiku-music-challenge/


Temple quiescence

violet ex machina | feature-reel here: https://www.instagram.com/p/DGy6GSnAQ3a/

here and there 
upon scorched field
s wild violets
 
– Arii Shokyu-Ni – 

Arii Shokyu-Ni was a haiku poetess during the Edo period who began a wandering life after running away from her husband at 29 with the haiku poet Kohaku. Just like Matsuo Basho, "the Nun Shokyu" traveled to the Deep North of Japan.

Contribution for naviarrecords’ Haiku 582.

https://www.naviarrecords.com/naviarhaiku582-here-and-there/

violet ex machina

The 688th Disquiet Junto prompt invited us to consider a common road sign and interpret it as a musical instruction. There's a sign in the alley behind my house that reads

SLOW 
CHILDREN
AT PLAY

So, my response. The instrumentation is simple, just four layers: my favorite grumbly piano, a juicy analog synth bass, an eerie motion pad, and a custom feedback patch on the Sculpture physical modeling synth. The percussion is a hand clap performance that I recorded for the piece. But I am most proud of the vocals: they are not synthetic, they are not samples, they are an organic vocal performance that has been heavily processed.

I really enjoyed doing the research for this piece, digging into the origin of children's rhyming, clapping, and jumprope games. 

I learned that Miss Mary Mack was a performer in a Black-owned circus and tent show that toured the American South in the 1880s. I discovered the "Ta-Ra-Ra-Boom-De-Ay" connection between Lizzie Borden and The Cat Came Back: the Lizzie Borden rhyme was often sung to the tune of "Ta-Ra-Ra-Boom-De-Ay", a popular vaudeville song; and according to one variation of the cat chant, the seemingly indestructible cat is finally done in when he hears an organ grinder playing "Ta-Ra-Ra-Boom-De-Ay" and drops flat dead.

Fair warning, I went full-on creepy for this one.

More on the 688th weekly Disquiet Junto project, Sign Up — The Assignment: Interpret a routine public sign as a musical instruction — at https://disquiet.com/0688/

The Slow Children at Play (disquiet0688)

A deep journey

14Mar25

My naviarhaiku584 track
https://naviarlab.tumblr.com/post/777828233117876224/naviarhaiku584-heaven-and-earth
:D

snow fluttering down [naviarhaiku584]

24Mar25
My naviarhaiku585 track
https://naviarlab.tumblr.com/post/778462363239301120/naviarhaiku585-a-splash-of-colour
:D

a splash of colour [naviarhaiku585]

Edited, mixed & mastered on 03 Apr 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa, USA. 

Synths, samples, piano, effects. 

This piece uses a few bits of samples from Craig Smith’s Vintage Fire pack, which was taken from nitrate optical recordings from the 1930s & 40s. 

(https://freesound.org/people/craigsmith/packs/27308/)

Photography - Jim Lemanowicz, 07 Aug 2016, Massapequa, NY, USA

©2025 Jim Lemanowicz

---

This original version of “First National” was submitted as part of Disquiet Junto Project 0692: Combust a Move. The Assignment: Make music using fire for the rhythm track.

More on the Disquiet Junto at: disquiet.com/junto/

More on the 692nd weekly Disquiet Junto project, Combust a Move — The Assignment: Make music using fire for the rhythm track — at https://disquiet.com/0692/

#disquietjunto #disquiet0692 #piano #memorymoog #soundart #electronicmusic #sounddesign #ableton #combust #fire

First National Dander (disquiet0692)

This track was created for the Naviar Haiku group.
588
https://www.naviarrecords.com/naviarhaiku588-the-past-immutable/

phantom ember

Wanja Olten

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