Best of the Cloud 04 08 2020

Long time ago in the Scottish Highlands. A tribe that lives in a rough and harsh surrounding, strengthened over generations by the unfriendly environment. The borders of the tribes territory are not exactly known. In particular, in the North, the saying goes that vast areas of unoccupied lands will belong to those that first dare to claim it. So a small troup of currageous military men sets foot to the Northern Frontier ...

Composition-wise: The piece explores the change of atmosphere when the same motive is played with different accompaniments. The same theme can be found for instance @ 0:00 ff,  0:23 ff and 1:05 ff. The accompaniment increases in intensity and rhythm for these three instances, ranging from a meditative intro over a – to my ears – tribal dance or chant towards a first  climax of the piece which might make a good soundtrack for a battle in the Scottish Highlands. The track then settles down to the second theme @ 1:33 which again is repeated with much more agitated accompaniment @ 1:55 ff. 

While the track is in general in 4/4, it raises the tension by sometimes breaking the metrum into more unconventional rhythmic structures. This holds in particular for @ 0:46 ff where the metrum changes to a succession of ¾, 4/4, ¾, 6/4, 6/4, 4/4, ¾, 4/4, ¾, ¾, ¾ and then reverts to the original 4/4. Also @ 2:09  there is in insert of a ¾ bar and at the very end @ 2:30, there is a 2/4 break just before the final chord. 

I did some Youtube Shorts in Case with more details on some composition tweaks that I used in this track:
Varying the Accompaniment: https://youtube.com/shorts/7HAWSz2Mg14?feature=share
Breaking the metric structure: https://youtube.com/shorts/tUvaq8D6nUo?feature=share
Ligature Bows: https://youtube.com/shorts/-WBf6Du040g?feature=share
Keeping the attention until the end: https://youtube.com/shorts/qnJl5BQ4yxU?feature=share


The track has been recorded on a Roland FP-90 and mastered in Cubase by adding  reverb, a Stereo enhancer and fiddling a bit with the EQ. 
The picture was created with Stable Diffusion. 

The track can also be found at 
Youtube (including the scores): https://youtu.be/FIQZc7JakvQ
Spotify: spotify:album:5YG7dpoBElKImcbmX7eWTU

The Northern Frontier

The Northern Frontier (Solo Piano)

London is part of the solidarity album "Twelve cities" for the Homeless Entrepreneur foundation. It is inspired by this cosmopolitan, sophisticated and classic city. 
It is also the city where I discovered my beloved composer Ludovico Einaudi, and it has also been my source of inspiration. Thank you for so much.
London is the Fifth song linked to a humanitarian project aimed at helping "homeless people". London will be part of the soundtrack of the report to be presented in the European Parliament through the organization Homeless Entrepreneur. 
www.homelessentrepreneur.org/en/solidar…lve-cities

This song is part of the "twelve cities" project. If you want to collaborate with a donation to be able to continue in the project you can do it through this link: donorbox.org/twelve-cities

London

Une ode aux perdants , à ceux qui n'arriveront jamais les premiers ...
Compositeur - Musique : Philippe SEGUINARD
Auteur mélodiste - Chant : Guillaume DULER
Chant : Sylvie TIRET
An ode to the losers, to those who will never get there first ...
Composer - Music : Philippe SEGUINARD
Songwriter - Vocals : Guillaume DULER
Singer : Sylvie TIRET
Lyrics:
Quand est-ce qu'on boit à nos étoiles
Même si le ciel est déjà mort
C'est vrai qu'elles brillent encore
Mais la plupart ont mis les voiles

Quand est-ce qu'on boit à nos défaites
A la puissance des vaincus
Nous nos blessures ont survécus
Quand leurs victoires sont obsolètes

Quand est-ce qu'on boit à nos amours
A celles qui saôulent de souvenirs
Celles qu'on n'a pas pu retenir
Mais auxquelles on pense toujours

Quand est-ce qu'on boit à nos héros
Aux révoltés aux cœurs ouverts
Ceux qu'ont joué avec l'enfer
La vie tatouée sur la peau

Quand est-ce qu'on boit à nos succés
Ces étranges malentendus
C'est à peine ce qu'on a voulu
Et tout juste ce que l'on pouvait

Quand est-ce qu'on boit à nos enfances
Illusions perdues à jamais
Comme la douleur d'un condamné
Qui sait qu'il va mourir d'avance

Levons nos verres aux regrets
Aux perdants de la gloire
Cicatrices laissées
Dans un coin de mémoire
Aux survivants sans médailles
A nous les moins que rien
Sur nos champs de batailles
Ombres du quotidien

Quand est-ce qu'on boit à nos fantômes
Toutes ces peurs qui nous soutiennent
Main dans la main elles nous souviennent
Vers la dernière demeure des hommes

Quand est-ce qu'on boit à nos futurs
Retournons nous voir s'ils nous suivent
Mais y'a personne pas âme qui vive
Y'a même pas de rats sur les ordures

When do we drink to our stars
Even if the sky is already dead
It's true they still shine
But most of them are gone

When do we drink to our defeats
To the power of the defeated
Our wounds have survived
When their victories are obsolete

When do we drink to our loves
To those soaked in memories
The ones we couldn't hold back
But still think of

When we drink to our heroes
To the rebels with open hearts
Those who played with hell
Life tattooed on their skin

When we drink to our successes
These strange misunderstandings
It's hardly what we wanted
And only what we could

When we drink to our childhoods
Illusions lost forever
Like the pain of a condemned man
Who knows he's going to die in advance

Let's raise a glass to regrets
To the losers of glory
Scars left
In a corner of memory
To survivors without medals
To us less than nothing
On our battlefields
Shadows of everyday life

When we drink to our ghosts
All these fears that sustain us
Hand in hand they remind us
To the last resting place of men

When we drink to our futures
Let's go back and see if they follow us
But there's no one, no soul
Not even rats in the garbage

© Philippe SEGUINARD/Guillaume DULER  Novembre 2023

Ivre"S" (feat Sylvie Tiret) Version intégrale TRANSLATED

White Valley

Piano Solo 6 Notes on Sand

"The steadfast love of the Lord never ceases, his mercies never come to an end; they are new every morning; great is your faithfulness."   Lamentations 3:22-23 (ESV)

Grateful for every new morning, every new year, and the chance to begin again.  Best wishes to all in 2024!

Morning Praise

Cast of characters:
The Mysterious Decibel -- @themysteriousdecibel – MD – First vocals and lyrics 
Tea R. Sea @tea_are_sea  -- Terry – Synthesizers, beats, composition, production, and mix
Llanpsych– @llanpsych  –Tez–Electric guitar
TexMex Shaman– @texmex-shaman  –Stephen– Electric guitar, mix, and production 
K2 and the Three [and the Four]-- @k2andthe3,  @k2-kara –Ken–drums, lyrics, and vocals at the end
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –five-string fretless bass

This song began with Terry sharing an intriguing Eastern sounding synth and minimal beat with Ken, who added a really solid beat to bring out the strong rhythm of the song. Once they had a solid foundation and skeleton, they shared it with the rest of the Eclectic Collective. Josh added his four string fretless bass in a dubby line that was inspired by Tez's hot skank part.  Stephen came up with the floating ambient guitar throughout and the shocking dynamic lift towards the end, and Tez piled on to light it up. Then MD got a hold of it and wrote and sang some of his trademark, fun lyrics and vocals in the first part of the song. Ken, not to be left out of the melodic experience, added the vocals at the end. 
  After we all had everything in the can, the Texas Tea combo of Stephen and Terry produced and mixed the whole thing down. This wasn't their first rodeo mixing a project together, and it really shows in the end quality. They also have several duo projects up on both of their pages that are worth checking out.  
  We think the end result is reminiscent of Massive Attack and Thievery Corporation, two big influences on a few of us. We all hope you enjoy listening to this song as much as we enjoyed creating it.

Lyrics by MD:
Time again and on, and on, and on, we fall in slumber
Dreams never wait
Ashes to ashes we all fall down 
Ooooo Circles break
Ashes to ashes we all fall down
When we wake
When we wake
Is this a new Simulation?
When I wake
When I wake

Lyrics by Ken:
Feed the fire or the fire flames out

Coherent Fire  - (Eclectic Collective) w/ Tea R. Sea

Psychic Moths

Après avoir découvert cette voix atypique sur ce site, DelhyA ( @user-945711181 ) a accepté de partager cette aventure musicale avec enthousiasme et gentillesse. Le concept que je vous propose d'écouter ici, vous permettra d'entrevoir toutes ses particularités vocales et de parolière. N'hésitez pas à parcourir sa page musicale, où vous découvrirez son talent éclectique. Une prévision de moments d'écoute agréable.

Échos d'Automne

"Si l’automne vient surprendre les amants que juillet a laissés « naufragés »
C est le temps des regrets, le temps dépassé: celui de tout donner, il faut abandonner.
(All summer can bring may just leave in autumn with a breeze)
Le temps d’une larme,le temps d’un regard, il est déjà trop tard…
Le temps des silences, de l’indifférence, puis de l’évidence que le Doré vire au Noir…
C’est le mois des “mais”, le mois des “mais “, plus de mois de mai…du mois d’aimer!
Le temps de l’automne, le temps où tout détonne, le temps désormais se conjugue au passé
Le temps des tourmentes, le temps de ne plus prétendre,
Le temps le temps qui court et qui s arrête et puis…
Le temps,qui s en va, qui s en va, qui s en va, tout se fane!
Le temps de s’entendre, le temps de se comprendre, le temps d’apprendre, le temps dépassé, le temps des regrets, de tout donner!" ....

*******************************************************************************************************
Echoes of Autumn ....

After discovering this atypical voice on this site, DelhyA ( @user-945711181 ) agreed to share this musical adventure with enthusiasm and kindness. The concept I'm offering you to listen to here will give you a glimpse of all her vocal and lyricist particularities. Don't hesitate to browse through her music page, where you'll discover her eclectic talent. A forecast of pleasant listening moments.

"If autumn comes to surprise lovers that July left "shipwrecked"
It is the time of regrets, the time exceeded: that of giving everything, we must give up.
(All summer can bring may just leave in autumn with a breeze)
The time of a tear, the time of a look, it's already too late
The time of silences, indifference, then evidence that gold turns dark
It is the month of "buts", the month of "buts", no more months of May... the month of love!
The time of autumn, the time when everything stands out, time is now combined with the past
The time of torments, the time to no longer pretend,
Time the time that runs and stops and then
Time, who goes, who goes, who goes, everything fades!
The time to wait, the time to understand each other, the time to learn, the time exceeded, the time of regrets, to give everything!" ....

Échos d'Automne .... With DelhyA

All men, women and children around the world, all together, breathe... and the breath comes from their souls who aspire to a better world (perhaps not all...) without abuse, hatred and destruction.. .
This is my music for PIano Day 2024: simple music that comes straight from my soul, crosses the skies, flies over the mountains and glides over the wide grassy plains... and screams peace and serenity!
Good luck to all !!

I thought of sending the same impro on my Youtube channel and making it the soundtrack of a slideshow on Villa Giulia in Palermo  (Sicily) and surrounding areas :  https://www.youtube.com/watch?v=G-3FLOnJmP4

The breath of Humanity ( Piano Day 2024)

Atmospheric and catchy pop tune.
Music by Samuel Aalto, vocals by Krissi and Catrione.

Krissi Treganna & Samuel Aalto featuring Catrione- I Feel You

Untitled

"Begin (Light)" is one of three songs in the "Begin" series.  

"Begin (Darkness)," a collaboration with Walter Mmari, will be the first scheduled for release July 31st, 2020.

Begin (Light)

Don't miss the video: 
https://www.youtube.com/watch?v=f9vqX68K9x0&feature=emb_title

Para Lia - 'Riders On The Dike' (Feat. Amanda Kim Sanderson)
Taken from the new album ‘Gone With The Flow’
https://paralia.bandcamp.com/album/gone-with-the-flow

3D virtual art exhibition:
http://www.sophisticatedape.com/gone-with-the-flow-exhibition/

Thank you everyone for listening and supporting Para Lia!

words and music by René Methner, Copyright 2020
mix and production: René Methner
mastering: Thomas Heimann-Trosien, TurnstyleMastering, Berlin
cover artwork: Louis Renzoni

Follow Para Lia on:
www.facebook.com/paraliamusic/
www.instagram.com/paralia.music/
twitter.com/para_lia_band
www.youtube.com/channel/UCNABsfHKaCDk28fOj91Dc1g

‘Riders On The Dike’ features the vocals of UK singer/songwriter Amanda Kim Sanderson. Thank you for your friendship and the way you rock the track Amanda! :) It is such a pleasure to work with you and we are mighty proud that you joined us for this song! Follow the amazing Amanda Kim Sanderson on Soundcloud: @phoebeelena


The cover artwork comes from an original idea from the New York Artist Louis Renzoni, who said something like that Para Lia uses the same colors like he does - so the idea of a collaboration was born. Louis artwork runs throughout the album where the artists’ work features more extensively with both featuring in an online virtual music/art exhibition:
http://www.sophisticatedape.com/gone-with-the-flow-exhibition/

Thank you @mrcagey @three-photons @andrew-borderick @subjecttorevision @terrywigmore @fadysporz for your feedback on the mastered stuff!

follow me, we're on the way
to make more out of today
and when we fail we change course
milestones won't move
but our creeping paths are pretty cool
we're the today's soft option fools
i don't know if it's too late
i don't know how long we'll stay
the idea is to go higher
fly over by my side
with curiosity in mind
we are on the loose
we are the riders on the dike
hand me over my fate
and stay with me along the way
if you come around i am okay
i don't know if it's too late
i don't know how long we'll stay
the idea is to go higher
fly over by my side
with curiosity in mind
we are on the loose
we are the riders on the dike
the riders on the dike

Riders On The Dike (Feat. Amanda Kim Sanderson)

Bandcamp

*** VIDEO NOW ON YOUTUBE ***
https://www.youtube.com/watch?v=9hQ8DbjOXzw

We hope you enjoy this instrumental version of our song Rise. It may surprise you to know that, other than the computer-generated drum sounds, there are no keyboards or synthesisers: all of the sounds were created with electric and bass guitars!

Rise (Instrumental)

Rise  (INSTRUMENTAL) by  RhuneStar 3

Piano quintet

Music is a great unifier.  Through music, we bridge the gap between race, gender, age, etc., to raise our unified voice, the voice of the human race.  I am thankful for making friends from around the world through music, and I thank these friends for embracing me as I am.  We can't allow people to suffer oppression based on differences.  Instead, we should leverage our differences to make the world stronger and better, and build each other up instead of tearing each other down.  We are one people.  Love, not hate, is the answer.

Thanks for stopping by my page!  I compose music for all types of media in multiple genres, but favor cinematic orchestral or orchestral-synth hybrids with a strong melody.  I'm currently furthering my skills at Berklee College of Music Online, scored the end credits for the Indie film short "Sides," have music available in various film libraries, and have won awards in several film scoring contests, most notably the "Emerging Composer Diversity Award for Outstanding Achievement in Music Composition" in the Marvin Hamlisch Film Scoring Competition 2018.  You can contact me via Soundcloud or my website listed below if you have need of some custom original or sync music from my library.  Happy listening!

http://francoispierremorin.com  Home of storytelling , 
 I do play Music for the love of it, playing guitar,  percussionist  ,composing  on a computer and Guitar, Piano, creator of mood and sound design

Begin (Light)

Carolyn Barela

Related tracks