fantastic composition. I dig that metallic sound effect on the keys.

Nice arrangement on this one Carolyn.  Nice pic too.  Some carnival monster gone rogue.  Hope I have a chance to finish my funnel cake before I'm devoured.

2nd listen on this one and really enjoying the visual symbolism it drums up.  That shimmering effervescent guitar patch (at least that's what I think it is) makes this track.  Props and success to you this year.

Love this oriental feeling with a so nice guitar ! Gorgeous work !

A Moment in Time

Little Spontaneous Unpretentious Friendly Live Jam 05/25
Alto Sax Klaus-J. Paul (Pauli)
Git Andreas Besinger (Besen)
Original by the legendary J. Coltrane

Naima (Little Live Jam, May 2025) Original by J. Coltrane

The train to nowhere has no end
As far as you can see around the bend
There always is another curve
Another chapter to the story
So we can continue to pretend
Not to see how our story ends

We try so hard to never see
The end of tracks go on endlessly
We hear them rumble beneath our feet
We feel the sway in perfect time
An effect for every cause we find
Creates our end in harmony

A life of storms with wind and rain
Teaches us to weather pain
There is no sense to lie and blame
Hardships on bad timing
The train that I am riding
Is my story just the same

The Train To Nowhere

The Inners (1989) - Joe Hisaishi - Piano Cover

- It's been about 20 years since I got hold of the sheet music for this beautiful piece, composed by Joe Hisaishi in 1989, and I've finally been able to record it. It took a lot of trial and error to interpret and express the piece, but I performed it with all my heart. Thank you very much for listening!

The Inners - Joe Hisaishi - Piano Cover -

We welcome your feedback!

Composed, produced & performed by Srouly Frank

Every day

Some years ago I had posted this piece, some of you might remember it.... and to my surprise just recently Benjamin Rößler (YurOb) has let me listen to what he had done with it....
I hope you will like listening to it as much as I do….

To listen to more of his music
https://soundcloud.com/yur0b

A video link to my original piece….
https://youtu.be/c1u-mhzvoZU?feature=shared

Les Hirondelles by Elisabeth Dicker and YuRob

Theo Bina: Music, Arr., Guitars,Bass Mix
Bodo Bremer: Cover
Release : 2025-06-19

Washing Machine

Washing Machine (Theo Bina)

Guitar, vocals, arrangement - Lizzie Taypen
Photo - Dunavon Woods - Lizzie Pentland
Recorded early this morning on my phone, a simple take when it was quiet.
I am finding it quite difficult to play my guitar now because of my arthritis, so  good to play a little. 
Happy Solstice to all of you!!

She moved through the fair ( Trad Cover)

"There is always a road back, if we have the courage to look for it, and take it." - Louise Penny

"The road back is always longer than you think, but generally never as long as you fear. " (Usually attributed to F. Scott Fitzgerald)

This composition draws inspiration from those who've traveled "the long road back"—whether to find their way home, reclaim their health, or revive a cherished dream. The composition begins slowly and tentatively, mirroring the first steps of such a journey. Around the 2:20 mark, the music gains momentum, signaling that the end of the long road is near. The piece ultimately resolves on a major chord, symbolizing a successful and hopeful return.

The Long Road Back

Oppenheimer

Dark Spaces

Dark Spaces (Decision)

Music is a great unifier.  Through music, we bridge the gap between race, gender, age, etc., to raise our unified voice, the voice of the human race.  I am thankful for making friends from around the world through music, and I thank these friends for embracing me as I am.  We can't allow people to suffer oppression based on differences.  Instead, we should leverage our differences to make the world stronger and better, and build each other up instead of tearing each other down.  We are one people.  Love, not hate, is the answer.

Thanks for stopping by my page!  I compose music for all types of media in multiple genres, but favor cinematic orchestral or orchestral-synth hybrids with a strong melody.  I'm currently furthering my skills at Berklee College of Music Online, scored the end credits for the Indie film short "Sides," have music available in various film libraries, and have won awards in several film scoring contests, most notably the "Emerging Composer Diversity Award for Outstanding Achievement in Music Composition" in the Marvin Hamlisch Film Scoring Competition 2018.  You can contact me via Soundcloud or my website listed below if you have need of some custom original or sync music from my library.  Happy listening!

Dark Spaces (Decision)

Carolyn Barela

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