Track starting at 3:00 is absolutely amazing ! 

Croatia 2018

Defected Croatia Sessions

Dave Lee plays an exclusive set from his famous Record Room. 

Featuring lots of upcoming and unreleased music fresh off the mixing desk!

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Dave Lee socials:
Twitter: https://twitter.com/daveleezr
Insta: https://www.instagram.com/davelee.zr/
Facebook: https://www.facebook.com/daveleezr

Z Records Website: https://www.zrecords.ltd.uk/
Z Records Insta: https://www.instagram.com/thezrecords/
Z Records Facebook: https://www.facebook.com/thezrecords

The Music played -

GWEN MCCRAE “DOIN IT” JN SOULFUL REPRISE
APX “PUT YOURSELF TO THE GROOVE” JN FUTURE BOOGIE EDT
LEROY BURGESS “ONE + ONE” DAVE LEE EXTENDED MIX
MARCEL KING “REACH FOR LOVE”
SYBIL “FALLING IN LOVE”
KON & THE GANG / RICK JAMES “WE LIKE IT”
DAVE & OMAR “STARLITE”
STAPLE SINGERS “SLIPPERY PEOPLE” PACKER EDIT
METROPOLIS “I LOVE NY” REFLEX REVISION 
ROLAND WRIGHTANGLE “IN YOUR BLOOD”
COLONEL ABRAMS “BAD TIMING”
SHARON REDD “BEAT THE STREET”
PHLASH AND SHEA SOUL “RUNNIN”
KYM MAZELLE “I’M A LOVER”
CHERRELLE “I DIDNT MEAN TO TURN YOU ON”  DAVE LEE EDIT
STANLEY CLARKE “NEW YORK” DAVE LEE BOOGIEFIED MIX
PARIS FORD “IF WE GOT TO FAR” PAL JOEY MIX
RHYZE “DO YOUR DANCE” MOODENA MIX
DOUG WILLIS “DOUGDASTARDLY BEATS”
FOREAL PEOPLE “IN THE MOOD TO GROOVE”
DOUG WILLIS “THE MIGHTY DOUGLAS”
THE DELLS “ALL ABOUT THE PAPER” JN EDIT
THE VISION “MOUNTAINS” DAVE LEE LIVE & DIRECT MIX
KERRI CHANDLER “ESC” WITH JN LINDA CLIFFORD “WON’T LET GO” ACCAPELLA
GUY “GROOVE ME” KAI ALCE REMIX
TEN CITY “BE FREE”
ARKANOID. “THEME FROM ARKANOID”
PATRICK COWLEY “CAN YOU FEEL IT”
FAZE ACTION “I WANNA DANCER”
HERBIE MANN “STOMP YOUR FEET” DAVE LEE TRIBUTE TO PATRICK ADAMS MIX
FRANCINE MCGEE “DELIRIUM”
KABBALA “ASHEWO ARA”
WE ARE KING “MISTA CHAMELEON” DJ SPINNA MIX
DAVE LEE “POWER OF THE MIND” MOODY MIX
CRAKAZAT “TIGERS EYES”
LONI CLARKE “SEARCHIN”
UNDERGROUND RESISTANCE “HI TECH JAZZ” 
SUNBURST BAND “HE IS”
KENNY LATTIMORE “DAYS LIKE THIS” MAW MIX 
LONNIE LISTON SMITH “SPACE PRINCESS” JN SPACE GODDESS
VOYAGE “FROM EAST TO WEST”
MACHO “I’M A MAN” DL EDIT
LINDA CLIFFORD “SHOOT YOUR BEST SHOT”
NORTH AND CLYBOURN “O BAN 1”

Dave Lee ZR in the mix, The Record Room Sessions #2

Join in: www.facebook.com/theclassicmixcdseries
Buy it here: www.discogs.com/sell/list?master_id=95624&ev=mb

So this came out of the blue in 2000 and was a new mix compilation that gained a lot of fans not just from its unique theme (what's not to like!) and retro artwork which stood out on the shelves. Not only that but the music was damn good too. Dimitri from Paris delivers a driving soulful collection which had its own unique flavour and was perfect for nights out, driving, after parties and whatever else. Shout out to Just Lance in Dubai for reminding us about this one!

Play it loud, share the mix and enjoy!

032 - A Night at the Playboy Mansion mixed by Dimitri from Paris (2000)

ESSENTIAL MIX - JAN 2009
Uploaded on 17.01.10 and exclusive to SoundCloud. Available for the first time without voiceovers and jingles,12 months on from original Radio 1broadcast on 17.01.09.


EMAILSHOT A FEW DAYS AHEAD OF MIX BEING AIRED:
2009 kicks in for me this weekend with my first gig of the year for Udio (1st birthday) at The Gramaphone Club in Shoreditch, London on Friday night, which coincides with the airing of my only just completed in the nick of time Essential Mix on Radio 1, made up of 43 tracks in just under 2 hours.

Given that the 5th anniversary of my DJ comeback has only just passed, I decided to take the opportunity to make the mix totally representative of this period, with all the selections being amongst the biggest tracks I’ve played since I made my second debut at Music Is Better in Manchester.

Five years represents a significant package of time, a fixed point from where I can reflect on what’s been a continually snowballing sequence of events, set in motion when Danny Webb asked me to appear in Manchester on that December night back in 2003.

There were less than 100 people there that night, but they were the right people, and I was taken aback by the response to my return, both on the night itself and during subsequent days, when people who were there began to post on the forums. I’d never expected all the feedback be so totally positive!

I’d figured that I’d play that night, using the combination of laptop and reel-to-reel for the first time, then go away and think about what worked and what didn’t before I made my next move. I would never have believed that things could come together so immediately, it was as if I’d hit a completely unexpected hole in one, especially when two of the people who were there, Ralph Lawson, DJ from Back To Basics in Leeds, and one of my fellow DJ’s that night, Richard Hardcastle (Solid State) from Society in Sheffield, both asked me to play at their nights no sooner had I finished my spot.

One thing kept leading to another and, in Sheffield, I was approached by Tony Daly to play at the now legendary Tyneside Cinema party in Newcastle, a bespoke event where he took on the substantial risk of presenting me in a city I’d never DJ’d in previously (unless you count the 1983 TV appearance on The Tube, which was filmed in the Tyne Tees studio). Then, of course, there was London, where Steve Kotey and Bill Brewster booked me for their parties, bringing me to the capital within the first few months of my return for Ouch and Low Life.

The bookings kept coming, and I found myself driving up and down the country on an increasingly regular basis. Later in 2004 I was approached by Sav Remzi, from Tirk / Nuphonic, with the idea of putting together an edits album, which would be issued the following year as ‘Credit To The Edit’. This would help bring my name to the attention of people outside the UK. There was soon a need to step things up further, now that I was receiving enquiries from Europe, and so began a fruitful relationship with my agent, Matt Johnson (Matty J), who’s done a wonderful job of representing me during recent years.

The last few months have been, to say the least, manic for me, with 25 flights, including 6 long haul, taking me to gigs in the US, Japan, Australia, Brazil and Europe. From a personal perspective I still find it remarkable the way everything has developed, pretty much organically, since I made the decision that I was going to be a DJ once again – had I concocted some sort of comeback masterplan, it could never have worked out anything like as well as it has. It’s definitely been a case of ‘from small acorns’.

It still never ceases to amaze me that people from another continent are interested in my DJ past. Back in the early 80’s, before I went into retirement for 20 years, the furthest I travelled (with the exception of the appearances I made in the South of England as part of The Hacienda Review in late ’83) was to places like Birmingham and Nottingham, when I played at All-Dayers, so to find myself in clubs on the other side of the world is pretty nuts!

Anyhow, I’d like to wish everyone all the best for 09. Big thanks to all the promoters who booked me and everyone who danced to the tunes I played during ’08 in Adelaide, Barcelona, Belfast, Berlin, Birmingham, Blackburn, Brighton, Bristol, Dublin, Dundee, Edinburgh, Fukuoka, Glasgow, Hamburg, Leeds, Lisbon, Liverpool, London, Los Angeles, Manchester, Melbourne, Milan, New York, Newcastle, Nottingham, Paris, Porto Alegre, San Francisco, Sao Paulo, Sheffield, Sydney, Tokyo and Warsaw. Also the festivals and special events that I appeared at - Bestival (Isle Of Wight), Big Chill (England), Camp Bestival (England), Garden Festival (Croatia), Ibiza, Lovebox (England), Notting Hill Carnival (England), Rockness Festival (Scotland), Sonar (Spain) and the Southport Weekender (England).

Hope to see you soon.

Greg


FORUM POST DURING FOLLOWING DAYS:                                                        
Thanks for all the positive words. The feedback has been pretty phenomenal, far exceeding what I’d hoped for, especially on the BBC page, where I’d expected that some people would criticize the amount of older music included - the Radio 1 audience is used to current stuff ('in new music we trust'), so I’d anticipated a more mixed reaction. What’s particularly pleasing is that they were all made without the people seeing what each other wrote (they all came online at once, having been checked first by whoever moderates the BBC pages, I presume for swearing etc following the Ross / Brand controversy).

You always hope something you've done will be well received, but the response to this has blown me away.

Greg


ANSWER TO POST RE MIXING PROCESS:                                                      
It was quite a laborious process. Before I could start the actual mixing part I had to edit every track to a coherent length of around two and a half minutes average, inclusive of in and out points. I had a pool of about 90 tracks that fitted the criteria I'd set (a representative selection of the biggest tunes I've been playing during the past 5 years). It wasn't as straightforward as just editing the 43 tracks I ended up featuring - in order to have the necessary options once I started to piece the mix together I needed to have all the tracks at my disposal, just as I would have if I was out deejaying in a club, so the only thing to do was edit all 90 to the required length, even though I knew that only half would make the cut .

Once that was finally done they were all taken across into my laptop, enabling me to vari-speed them via PCDJ whilst I recorded across to my home computer into Cool Edit Pro, where I put the mix together track by track, before adding overdubs (fx, samples, textures) in a similar way to what I do live using the Revox (reel to reel).

I could quite easily have spent another day, tweaking bits here and there and adding more overdubs (the older I get the more finicky I become), but I had a deadline to work to, so, as it moved ever nearer, it became a race against time, with me doing as much as I could before the cut off point arrived.

Greg
                       

Greg Wilson - 2009


ESSENTIAL MIX (by greg wilson for bbc radio 1 2009)

had a great night dropping all these old skool tunes in edinburgh - the energy was really amazing! hope this comes across a little here ;)

lovebirds@cabaret voltaire,edinburgh

The Sound of Glitterbox - Greg Wilson is the second instalment in a series of mixes from our Glitterbox Resident DJs and Guests.   

Defected presents Glitterbox Ibiza 2015, available to pre-order now: http://defct.de/GBa

Defected Presents Glitterbox: a weekly playground for an international party crowd of all persuasions, where the DJs have free reign to educate and entertain - there’s no slavish following of ‘trends’, charts or genres – just the chance to hear true masters of their craft on one of the world’s best soundsystems.

Buy on iTunes

The Sound of Glitterbox - Greg Wilson

All the music from the Faxos late 40th, 10 yr anniversary, Christmas party

LNTG

★ Available at Traxsource: http://www.traxsource.com/title/585315/traxsource-live-54  ★ 

Check out Miguel Mig's recent Traxsource Live radio show mix "Sunday Spectrum" featuring an exclusive edit of his latest cut 'Eyes For You' with Martin Luther, along with a laid back flowing melodic mélange of Deep, Soulful and Nu-Disco sounds for your listening pleasure... Much love and respect to all the artists...

Unfortunately the FREE DOWNLOAD was disabled by Soundcloud.

For more info and track listing, visit: bit.ly/djmix2016

Miguel Migs - Sunday Spectrum - Radio Mix

Nearly 2 hours of big hitters from my New Years eve set in the main bar at the Horse Meat Disco NYE party in Manchester.

Neil Diablo live mix @ Horse Meat Disco NYE 17 at The Deaf Institute, Mcr

Tune in to this exclusive mix from the Amazing DJ and producer, Sophie Lloyd, featuring her stand out anthem with Dames Brown, Calling Out! You can catch her this summer in Tisno at Defected Croatia 2018!

Defected Croatia 2017 | Aftermovie: defct.de/Croatia2017am
Defected Croatia 2018 | Tickets: po.st/Croatia2018

Calling Out Download & Stream: https://cmc.lnk.to/callingout

Defected Croatia Sessions - Sophie Lloyd Ep.15

Lock into this exclusive live mix from heavy hitting house DJ and producer Dario D'Attis. You can catch Dario in Tisno at Defected Croatia 2018, this August!

Defected Croatia 2017 | Aftermovie: defct.de/Croatia2017am
Defected Croatia 2018 | Tickets: po.st/Croatia2018

Defected Croatia Sessions - Dario D'Attis Ep.24

Lock into this exclusive mix from the world-renowned Mambo Brothers. You can catch the pair at Defected Croatia 2018 this August!

Defected Croatia 2017 | Aftermovie: defct.de/Croatia2017am
Defected Croatia 2018 | Tickets: po.st/Croatia2018

Defected Croatia Sessions - Mambo Brothers Ep.25

Lock into this exclusive mix from the New York based house and disco evangelist Eli Escobar. You can catch Eli at Defected Croatia 2018 this August!

Defected Croatia 2017 | Aftermovie: defct.de/Croatia2017am
Defected Croatia 2018 | Tickets: po.st/Croatia2018

Defected Croatia Sessions - Eli Escobar Ep.26

Lock into this exclusive live mix from BBC Radio 1 presenter, producer and DJ, Danny Howard! You can catch Danny in Tisno at Defected Croatia 2018, this August!

Defected Croatia 2017 | Aftermovie: defct.de/Croatia2017am
Defected Croatia 2018 | Tickets: po.st/Croatia2018

Defected Croatia Sessions - Danny Howard Ep. 27

Lock in to the sounds of Ninetoes! Ninetoes makes his return to the Garden resort this year for Defected Croatia 2018!

Defected Croatia 2017 | Aftermovie: defct.de/Croatia2017am
Defected Croatia 2018 | Tickets: po.st/Croatia2018

Defected Croatia Sessions - Ninetoes Ep.28

In recent years Late Nite Tuff Guy has stood out as one of the best DJ / Producers in the re-edit game. His productions and live sets are loved by DJs, musicheads, ravers and people who just want to have fun.

LNTG headlined the Rabbit Hole's Funkingham Palace on the Thursday night of Glastonbury 2019, setting the tone for a long weekend of musical bliss.

That day he played hours and hours of Prince tracks at The Spike, then made his way up to the Rabbit Hole to close the night after excellent sets from the FP Footmen, Flying Mojito Bros and Algy Strutt.

The next night LNTG played after Fatboy Slim on the Glade Stage in front of thousands, a career highlight for a man on the top of his game.

LATE NITE TUFF GUY - Live From The Rabbit Hole's Funkingham Palace - Glastonbury 2019

Live recording from the Stonebridge tent at Glastonbury Festival 2013.

Read the accompanying blog post, 'Glastonbury - The Greatest Show On Earth' here:
http://www.gregwilson.co.uk/2013/07/glastonbury-the-greatest-show-on-earth/

Check out my label's music at: https://superweirdsubstance.bandcamp.com

GLASTONBURY STONEBRIDGE 27.06.13 (greg wilson live mix)

Established in London, 1999.

#HouseMusicAllLifeLong

The Classic Music Company by Luke Solomon & Derrick Carter continues to play the game under their own conditions. As a label it never died it just retreated for a while in order to come back stronger. All hail the king because the king is back. Long live Classic!

Defected Croatia Sessions - Sophie Lloyd Ep.15

Classic Music Company

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