the synth/strings/organ blending into her high notes is seriously trippy 👍👍

the hell is this stupid shit, the fckn mighty kebap

Is there a video version of this? I'm pretty sure the visual performance will boost this 1000x

Johann Sebastian Bach: "Erbarme dich"

Nicole Pieper, Mezzosoprano 
Ensemble Il Profondo

Anaïs Chen, Violino (solo)
Eva Saladin, Violino 
Sonoko Asabuki, Violino 
German Echeverri Chamorro, Viola 
Amélie Chemin, Violoncello 
Federico Abraham, Contrabasso 
Daniele Caminiti, Arciliuto
Josías Rodríguez Gándara, Tiorba 
Johannes Keller, Clavicembalo

Tonmeister: Johannes J. Wallbrecher 
Aufnahme im Kloster Beinwil, Oktober 2010

Bach: Erbarme dich

Lamento Dell’Addio

Lamento Dell’Addio is a poignant and emotional duet for piano and violin, blending rich harmonies and deeply expressive melodies. The piece speaks of farewell and longing, with the violin’s voice soaring in melancholy contrast to the piano’s delicate accompaniment.

This haunting composition captures the bittersweet nature of parting, evoking deep emotions through every note. The interplay between the two instruments creates an intimate dialogue, weaving a tapestry of sorrow and beauty.

Lamento Dell’Addio is a tender expression of loss, resonating with the timeless language of music’s most profound emotions.

Contemporary Classical - The Essential Collection

Lamento Dell’Addio

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Serenata Del Prato Fiorito

Serenata Del Prato Fiorito is a lively and charming string quartet that evokes the beauty and serenity of a blooming meadow. With its vibrant melodies and playful rhythms, this piece brings to life the joy and warmth of a spring evening, where nature’s colors and sounds come together in perfect harmony.

The strings dance through the composition, with each instrument contributing to a lively conversation, weaving together delicate phrases and sweeping passages. The interplay of dynamics creates a sense of movement, painting a picture of flowers swaying in the gentle breeze.

Serenata Del Prato Fiorito is a celebration of nature’s beauty, capturing the essence of a sun-drenched meadow in full bloom.

Serenata Del Prato Fiorito

Chopin – Fantaisie De La Tempête

Fantaisie De La Tempête is a dramatic and evocative composition inspired by the Romantic genius of Chopin. This piano masterpiece captures the raw power and emotion of a storm, blending tumultuous flourishes with moments of serene introspection.

The piece opens with a surge of passionate cadences, evoking the chaos and intensity of tempestuous winds. As the storm subsides, lyrical passages emerge, offering a poignant contrast that mirrors the calm after the storm. The virtuosic interplay of dynamics and textures showcases both the technical brilliance and emotional depth of the composition.

Fantaisie De La Tempête is a thrilling homage to the Romantic era, weaving together passion, beauty, and drama in a captivating musical journey.

Fantaisie De La Tempête

"Closing Time" is a raucous and witty comic opera track that perfectly captures the universal chaos of a pub's final call. With jaunty rhythms and sharp, humor-laden lyrics, this piece takes listeners on a boozy journey from the last hurried sips of beer to the kebab-laden stumble home.

The playful verses weave a tapestry of late-night camaraderie, complete with impatient landlords, questionable food choices, and the eternal quest for "just one more." From the absurd stampede out the door to the greasy glow of Stavros' kebab shop, every detail is drenched in comedic flair and relatable antics.

Beneath the hilarity lies a nod to the bittersweet ritual of nights spent chasing fleeting joy, ending with the promise of tomorrow's inevitable repeat. Lighthearted yet grounded, "Closing Time" is a delightful blend of operatic whimsy and pub culture hilarity, making it a track to sing (or shout) along to with a pint in hand. Cheers! 🍻

BRITS

Closing Time

Closing Time - Feat: Emily Arden

Chopin’s Revenge – III. "Joanna’s Regret" by Tom Connell

The third piece in the Chopin’s Revenge suite, Joanna’s Regret is a deeply expressive solo piano work that captures a sense of longing and introspection. Rich with Chopin-esque virtuosity, delicate arpeggios, and sweeping flourishes, this composition also ventures into haunting impressionist jazz harmonies, adding a unique modern touch.

The piece unfolds with a melancholic yet graceful elegance, weaving moments of tenderness and passion through intricate passagework and dynamic contrasts. With its heartfelt melodies and evocative harmonies, Joanna’s Regret tells an emotional story—one of nostalgia, sorrow, and unresolved yearning.

A showcase of both technical brilliance and profound emotion, this piece is a must-listen for lovers of expressive, virtuosic piano music.

Chopins Revenge

Chopins Revenge - III. Joanna's Regret

Chopins Revenge - III. "Joanna's Regret"

Who Likes A Bit Of Deep Fried Then? – A Hilarious Operatic Tribute to British Cuisine

From BRITS, Tom Connell’s satirical exploration of British culture, comes Who Likes A Bit Of Deep Fried Then?—a grand operatic parody celebrating (and poking fun at) the UK’s deep-fried obsession. Performed by the London Contemporary Opera Society and featuring the magnificent voice of Julian Westbrook, this track transforms Britain’s love of battered and fried delicacies into a dramatic, full-throttle operatic spectacle.

With sweeping melodies, exaggerated vocal flourishes, and a tongue-in-cheek libretto, this piece fuses high art with low cuisine, proving that even a battered Mars bar can be worthy of a standing ovation. Witty, theatrical, and undeniably British, Who Likes A Bit Of Deep Fried Then? is a must-hear for lovers of satire, opera, and fish and chips alike.

Who Likes A Bit Of Deep Fried Then?

Leaves on the Line – An Operatic Ballad About the British Commute

From BRITS, Tom Connell’s satirical deep dive into British life, comes Leaves on the Line—a beautifully dramatic ballad about the daily struggles of the UK’s famously unreliable rail system. Featuring the stunning mezzo-soprano of Emily Arden and performed by the London Contemporary Opera Society, this piece transforms every commuter’s frustration into a sweeping operatic lament.

With soaring melodies, heartfelt despair, and a touch of British irony, Leaves on the Line captures the absurdity of train delays, signal failures, and weather-induced cancellations with grandeur and grace. It’s a must-listen for anyone who has ever stared helplessly at a departure board, waiting for a train that may never come.

Leaves On The Line

An Englishman Abroad – A Culinary Operatic Misadventure

From BRITS, Tom Connell’s witty operatic satire of British life, comes An Englishman Abroad—a hilarious musical tale of the traveler who, despite being surrounded by the finest international cuisine, insists on ordering fish and chips. Featuring Emily Arden and Julian Westbrook, and performed by the London Contemporary Opera Society, this piece turns British stubbornness into high drama.

With grandiose melodies and playful lyrics, An Englishman Abroad captures the comedic contrast of Michelin-star menus and desperate requests for ketchup. Whether you love fine dining or just want a proper cup of tea, this operatic gem is a must-listen for any Brit who’s ever turned their nose up at “funny foreign food.”

An Englishman Abroad

Still here

We missed the last train

Classical Music is a diverse and vibrant SoundCloud profile dedicated to celebrating the full breadth of classical music across all eras and genres. From the timeless compositions of the Baroque period to the emotional expressiveness of the Romantic era, and from the impressionistic soundscapes of the early 20th century to the bold, experimental voices of contemporary composers, Classical Music brings together works that span centuries of musical evolution.

The profile features a wide range of classical compositions, including iconic orchestral works, intricate chamber music, virtuosic piano pieces, and modern symphonic innovations. It showcases masterpieces from legendary composers such as Johann Sebastian Bach, Ludwig van Beethoven, Frédéric Chopin, Claude Debussy, and Igor Stravinsky, while also embracing the contributions of 20th and 21st-century composers who continue to redefine the genre.

Classical Music is a platform where classical enthusiasts and newcomers alike can explore the emotional depth, technical brilliance, and unique beauty that defines classical music in all its forms. Whether you're drawn to the grandeur of Beethoven’s symphonies, the delicate melodies of Chopin’s piano works, or the groundbreaking innovations of contemporary composers, this profile offers a rich and varied listening experience.

In addition to showcasing beloved classics, Classical Music also highlights lesser-known gems and fresh interpretations that offer new perspectives on traditional works, making it a space for both discovery and deep appreciation of the genre's enduring power and relevance.

Closing Time - Feat: Emily Arden

Classical

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