Mixed for Lillithe

Axel Weiß_  and  Vicente Bueso music
Conover  v0cals and pixie Dust

Pixie Dust by Axel Weiß/Conover 2/ 23 /23

Words and Composition by Sean Drysdale

Sean Drysdale: Guitar, Bass, Vox 
A. Reed: Programming, Keyboard

Freeway

Recorded in Modesto, Ca.  Featuring Hammond B3 Organ solo. Tenor saxophone solo. Acoustic Bass. Gibson L5 Electric Guitar Rhythm. Acoustic Steinway Piano Rhythm. Acoustic Bass. Trap drum set. Percussion Timbales, Cowbell, Zildjian Crash cymbal.

Kick'n Back

COtu - Production, Programming, Keys, Guitar. Mix
Marc Felish - Mastering

Producer Schmaducer

tertiary vector calibration before descent

bouncing down backwards

Rampant Teenage Lesbian Ghost Sex With Electric Guitar Accompaniment

A Place To Be

Ball Bag

I stumbled across this sample pack that featured an artist just rhythmically exhaling and I knew I HAD to do something with it! A few tutorials and new effects later and this mixed-genre, oud-infused song was born! 

I started learning about proper spacing and balance in the process!

Bass-ic Breathing

Recorded live in our studio back in the 70'
Music : Fin Valentin
Linie 18 is.
Drums : Niels Enevoldsen
Bass : Fin Valentin
Saxofon: Søren Blet
Rythm guitar : Hans Kvisgaard
Lead guitar : Per Jensen

Gangster W/ Linie 18

Old track found (just freeing up some space)

'GO'

Virgo is the last piece that closes all the work of the Zodiac Concept You can listen to all of Concept Zodiac's Sound at https://on.soundcloud.com/yyaE4 Cover Art designer Rosa Scognamiglio

Virgo

Gallop

This recording is a completed work of Wild Christopher's work "Jolene (Ever Find Your Forever Man)" with my guitar playing. "Jolene" is based on "Let Me Know", one of the "Paploviante Open Collab" pieces.
I received warm compliments and words of welcome from both of them. I am very grateful.I would like to thank them from the bottom of my heart for including me in their wonderful work.

This work is over 6 minutes long. My guitar playing starts with a low volume and rhythm. About a third of the way through, my guitar starts playing to complement Christopher's great singing.

Below are links to each work.

Wild Christopher-Jolene (Ever Find Your Forever Man) - Paploviante Open Collab
https://soundcloud.com/neon-blur/jolene-ever-find-your-forever-man-paploviante-open-collab

Let Me Know - Offer Open Collaboration 80 Bpm(Paploviante and friends)
https://soundcloud.com/paploviante-and-friends/let-me-know-offer-open-collaboration-80-bpm

"Let Me Know" by Paul (one of the "Paploviante Open Collab" pieces)
A few days after the release, he received a number of really excellent works. I was really surprised by the ability of the artists to finish such amazing works in such a short period of time.

Results Offer Open Collaboration Let Me Know(Paploviante)
https://soundcloud.com/paul-racle/sets/results-offer-open

Chord= A ,E
Key = E

After listening to the above works, I realized immediately. Simplifying the scales that form the melody, assuming the case of playing the guitar, it was divided into the case of  Cm/E pentatonic, and the case of  Cm/E and Em/G pentatonic. I thought, ``This is a great exercise for me. For example, putting four songs together on one track, listening to them all in order, and playing the guitar along with each scale is a very useful daily practice. I could imagine that this would be useful not only for myself, but also for most people who are learning to play the guitar.

For example, alternately play the following:
1)Cm/E　Pentatonic scale(Key = E)
2) Cm/E, Em/G Pentatonic scale(Chord = A7,E7)
2) '  Am/C,Cm/E,(Em/G) Pentatonic scale

It's easy to envision it that way, but first, what do I do with the first one? So I started playing guitar while listening to Wild Christopher's "Jolene".
I found it possible to use two chords, A and E7, and finish off with some rock'n'roll backing, but it's too simplistic a way to spice up Christopher's cool and passionate vocals. 

So I took the plunge and tried using the A7 and E7 chords to make a blues rock song. And I was convinced that depending on the way I played, I could proceed without discomfort. An image of the rough blues rock of the early 1970s came to mind. However, I was conscious of keeping the taste of the country blues that was popular before that.

I thought that Wild Christopher's wonderful singing voice would suit slightly rough guitar playing based on precise rhythm composition. A playing style that many great guitarists and predecessors have developed over the decades. I hope that people who come across this piece will want to listen to it again and again :))

Wild Christopher - Jolene - Paploviante Open Collab ft.JUNZO on electric guitars

Wild Christopher - Jolene - Paploviante(Let Me Know) ft.JUNZO on electric guitars

Recorded in Modesto, Ca. Featuring Flute solo. Soprano Saxophone solo. Steinway Acoustic Piano solo. Vibraphone solo. Acoustic Bass. Trap Drum kit full set 22" Zildjen Ride & crash Cymbal.

Swinging

Smooth Swing

Smooth Swing.WAV

Laura`s Theme

Bigfoot is a friend of mine. We like to make music and share it with our friends. See our YouTube channel and A Journal of Nonsense for more fun.

Ball Bag

Clay Young

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