"Sarah McDonald effortlessly segues from applying a dash of tropical swelter to thirties standards, tinkering with Thelonius Monk torch songs to a soul jazz rendition of an Amy Winehouse classic." 

Joel Shortman, Rathdowne Records.

"..deceptively laid back and self-assured, with an undercurrent of emotions waiting to sweep you by. When she sings “Rusted brandy in a diamond glass”, it’s the rust she focuses on, not the diamond. Tom Waits would approve...

..There’s a lot of nostalgic glamour associated with the ’20s and ’30’s era. Singers who choose to sing this material often end up as replicas of the sultry divas of the past, dressing up in satin gowns and pearls and stale femininity. Not Sarah McDonald. She approaches her material with a tomboyish attitude, phrasing the classic jazz and obscure torch songs that comprise her set list with a punk sensitivity and a kind of modern-day angst delivered by this beautiful, soulful chili-infused chocolate voice of hers. When she opens her mouth, she showers her audience with raw emotion. No pretense, no polished femininity, no nonsense. It helps that she’s sexy as hell when she does it; and that she’s surrounded by a killer band: Ron Romero on tenor sax, Kumar Shome on guitar, Ben Hanlon on the bass and Lewis Pierre-Humbert on the drums. As these musicians spew fire from their instruments, people get up and dance to her singing, even if she sings Monk’s “I mean you” (not the most danceable song out there)."

Nikos Fotakis, australianjazz.net

Sarah McDonald evokes cool smoky jazz club atmosphere with expressive melifluous phrasing contrasting with rhythmic dexterity.  She is a singer who has been as influenced by horn players and drummers as she has by the great vocalists. Having delved deeply into music, she draws from the greats of the history of jazz, blues and soul and selects choice standards, along with original, contemporary and more esoteric repertoire that she infuses with a soulful authenticity.

For bookings contact: info@sarahmcdonaldvocalist.com


DEADWØOD - (Dj & Producer)

I was active on the (Montreal.CA) techno scene in the years 1994/2006 under the name SECKTOR.

Between [1994 / 2006] I played in big rave events. during the year [1998 / 2000] I was a resident of the Techno evenings at Felix Bar (Montreal.CA) and I played sometimes at LAIKA (Montreal.CA) downtempo set. 

From 2006 to present I focus on production and I play on the name DEADWØOD.

ᴄᴏɴᴛᴀᴄᴛ : deadwood.mtl@gmail.com

✺ Bookings / MGMT: zigmon@stoneseedmusic.com
✺ Find me on Spotify: https://spoti.fi/3C2IqSo

✺ Stone Seed
✺ SixthSense Australia
✺ Digital Structures
✺ Recovery Collective
✺ Open Records

✺ Bio ✺

Distinctive blends of growling psychedelic techno and beautifully intricate soundscapes define the unmistakable sound of Tom Baker.
 
Writing his chapter in the electronic dance music culture, Baker injects genius and creativity into every piece of soulful storytelling and acute technical finesse.
 
A first-choice remixer/remixed producer, Baker has coupled with the likes of Perfect Stranger, Electrypnose, Käse Kochen and Doppel. As a core member of the Stone Seed label family, he also consistently collaborates with distinguished imprints Recovery Collective, Digital Structures and Open Records.
 
Masterfully formulating signature dancefloor experiences across Australia and around the world, Baker has landed an array of top tier festival bookings across Boom Festival (Portugal), Fusion Festival (Germany), Bucht Der Traumer (Germany), Groove & Bass (Canada), Rabbits Eat Lettuce, Earth Frequency, Esoteric and many more.
 
Without any further ado… Listen, and let the music do the talking.

Remix Inquiries/Booking: 
caution.oficial@gmail.com

https://radiozora.fm - We are all connected through the same frequency...

info@radiozora.fm

Clay Ravin was the erstwhile drummer for The Thing! and Dirtbird, and creator of soundscapes for theatre.
Clay's favourite music style is minimal tech house, but he's also a great fan of experimental, ambient, electronica, alt folk country, and many other music styles.
Clay's side-project Altair is shortly to release its own CD.

SACA LA MOIS DJ!! (a.k.a. Moses Iten) is a Melbourne-based DJ who has toured all over Australia and the world as a Cumbia and Bass specialist, playing tropical music from his vast crates of vinyl and digital dubplates.  As a producer Saca La Mois DJ!! is best known as CUMBIA COSMONAUTS, and with Christoph H. Mueller (Gotan Project/Roedelius/Plaza Francia) is part of the THE SWISS CONSPIRACY.  Saca La Mois DJ!! is also a co-founder of the CUMBIA MASSIVE platform showcasing DJs and producers of tropical electronic music inspired by Mexican sound system culture, and recently assisted in the English translation of the book Ojos Suaves/Soft Eyes: Sound System Cumbia from Mexico to the World by Mirjam Wirz.  Saca La Mois DJ!! mixes have been commissioned by national radio in Australia (ABC RN), Germany (Funkhaus Europa), Austria (FM4), and until recently was host of Space Is The Place on Melbourne's top music station PBS 106.7 FM.  By day, Moses is doing a PhD on DJ performance at RMIT University in Melbourne.  The Saca La Mois DJ!! mission is to keep learning and sharing music from all over the globe, exposing Melbourne to unreleased and undefined new sounds sourced straight from producer to you on the dancefloor.

VISIT http://torley.com FOR MORE MUSIC OMG!

You press down a special key that plays a little melody, a thread in a vast tapestry spanning alternate timelines and parallel universes. You've joined me on a creative quest to recover aurelics, the sonic artifacts that unlock the gateways to the mind's ear.

<i>Next track? The Torley Zone.</i>

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