Full Track here : https://soundcloud.com/sweetmelodicmusic/premiere-hrrsn-talul-new-home-kellerkind-remix-click-records <3

Kaotik - Clique (David Hasert Mix) (David Hasert remix) - Elite Records. Bios are overrated. Let's just welcome back our poland uprising producer Kaotik, this time he brought his german friend David Hasert so the party just got even better.

Kaotik - Clique (David Hasert Mix)

Stores & Downloads - https://ffm.to/74568ej

Ocean Breeze

When the lights blur and time disappears, ENDLESS keeps playing - powerful, melodic, and made for nights that never want to end. A soundtrack for those who keep moving, feeling, and living the moment.

Endless

Mononoid - Pure blue (Beatamines remix)

HRRSN & Talul - New Home (Kellerkind remix)

Bjoern Nafe - Perpetual Emotion Machine EP
Track: Perpetual Emotion Machine
Out: 29.09.2016
Facebook:
www.facebook.com/POURLAVIERECORDS/
www.facebook.com/bjoernnafe.music/?fref=ts
www.facebook.com/eggomusic/?fref=ts
www.facebook.com/Rich.and.Maroq/?fref=ts
@bjoern_nafe
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@richandmaroq

Bjoern Nafe - Perpetual Emotion Machine

♫ Read More ♫: 
http://www.deephouseamsterdam.com/premiere-olaf-stuut-evolve-tutor-original-mix

"ET" is available 16 December on Atomnation.

https://soundcloud.com/olafstuut
https://soundcloud.com/atomnation

♫ MORE ♫

Premiere: Olaf Stuut - Evolve Tutor (Original Mix)

Devil (Midas 104 Remix)

This is my Remix for East Cafe - Aviophobia! I hope you like it.

Review Progressive Astronaut:
Since delivering his first remix for the label in July of 2013 Micrologue seems to have found a comfortable home on Soundteller. Now returning for his fourth remix in as many years the German artist brings a traditional melodic techno approach to the track. The production is pristine as you would expect and the melodic elements translate very well. The key thing here is the emotion of the original is not lost which might often be the case in a mix of this ultra polished style. it just travels on a different plane if you will and very effectively at that. Great remix from Micrologue. 

LINK:
http://progressiveastronaut.com/east-cafe-aviophobia-soundteller-records/

Booking Micrologue:
booking@micrologue.de
contact@micrologue.de

Mastering & Mixdown by:
https://www.facebook.com/peter.bnvtra

Aviophobia

Beatport

East Cafe - Aviophobia (Micrologue Remix) Snippet

True dedication is difficult to find these days, as is motivation when digital media has overthrown old school methods, which makes running a label an even more sinuous mission. Despite a wealth of hurdles that increasingly come with the territory, this hasn’t put an end to people’s desire to push out their own imprints. Concurrently, the same digital revolution that has thrown off the industry has also made it possible for many projects to come into the spotlight, and many of these have made a spectacular difference. Whether it’s smaller side projects of well known artists, serving up quirkier, more experimental tracks, enabling further sonic exploration, or newborn collectives doling out fresh takes on contemporary sound, 2017 has been a prolific year for record labels.
But it’s not just the approach related to creating and promoting labels that has shifted recently. In recent times, the way we make and consume music has transformed as well. A label’s role has changed into that of a full on curator, influencing current musical trends based on their selection of outputs. But it’s not a status that is easily achieved, by all means.
Moving at its own pace, ten years in the world of dance music come as a century in real life, as dancefloor trends fluctuate. In such a surrounding, creating timeless pieces is essential when maintaining a high calibre establishment. But thanks to platforms such as Soundcloud or the ever-pervasive social media channels, it’s easy to showcase tracks and kick off labels without needing the once coveted record deal. Nevertheless, record labels serve as beacons in a world where we’re inundated by more and more content.
More than just a release platform, labels are indispensable partners in artists’ careers as the one to curate only the best music, accompany it with according designs, as well as bringing in new marketing ideas or even music videos. Shir Khan’s Exploited label has been a true example of such a label, hand-picking new producers to showcase, nurturing them from early beginnings into popular household names.

Shir Khan’s strong ear for talent has seen him responsible for launching the careers of Claptone, Adana Twins, Joyce Muniz through their releases on Exploited, the label also providing a platform for established remixers and artists such as Siriusmo, Freeform Five, Munk, Modeselektor, John Tejada, Phil Weeks, Cosmin TRG, Locked Groove, Deetron, Detroit Swindle, Acid Pauli, Ralph Lawson...
Now the label Exploited celebrates ten years of releasing amazing eclectic club music with some of the best tracks from its catalogue (from 2007 until 2017). 

Artist: Various Artists
Release: 10 Years Exploited 
Label: Exploited 
Cat: EXPDIGITAL160
Publishing: Exploited Ghetto Music Publishing
Releasedate: 25.12.17 (Beatport) / 25.12.17 (I-Tunes)

10 Years Exploited

The Thing

Nils Penner - The Thing | Exploited

Available on Juno - bit.ly/1a07Yul

Just Be has been riding a wave of success in the past year and further cements this new incarnation with next installment for the mighty Crosstown Rebels. The massive ‘Don’t Make Me Wait For You’, featuring Jesse Monroe is a wonky slice of pent up tension and swelling moods, reminiscent of proto garage house classics with a touch of modern slinkiness. As the diva vocal narrative builds with a dirty bassline groove, hypnotic echoes of “Don’t Make Me Wait For You” propel the track higher to truly captivate the dancefloor. The more tangled ‘5am remix’ comes courtesy of Rebel wunderkind Subb-an.

Launching his career as Matthew B in the midst of the UK acid house explosion, Just Be’s identity and sound has undertaken many a metamorphosis, from Bushwacka!, The End Soundsystem, to Layo and Bushwacka! and now embarking on the ambitious solo project JUST BE.

An exciting 2012 saw releases for Just Be on Get Physical, Maison D’etre, Plus 8, and Intec Digital plus gigs at some of the best clubs and festivals on the circuit. In total Just Be’s output under various guises has been phenomenal with six artist albums and a seventh due this year. The super producer has also delivered over 120 remixes, and 160 tracks for labels such as XL Recordings, End Recordings and his own labels Olmeto, Plank and Oblong. Just Be is a true dance music icon.

Subb-an has recently been on tour with the Rebels celebrating 10 years of the historic label. With an album forthcomngg on Crosstown and huge releases on labels such as Visionquest, Spectral Sound and his own One Records. His hectic touring schedule is testament to the steep rise of this underground star and seminal gigs are lined up this year at the likes of Panorama Bar and DC10.

CRM112 - 02 Don't Make Me Wait For You (Magic Dub)

Amsterdam based record label founded in 2014 by Stefano Richetta (https://soundcloud.com/stefano-richetta) & Lake Avalon (https://soundcloud.com/lakeavalon)

Demos: clickrecordsamsterdam@gmail.com

HRRSN & Talul - New Home (Kellerkind remix)

Click Records

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