So frat

music

Corrine's Favorite Riddims

2000's

Clipse- Lord Willin'

theres no way to describe me I'm just different


Trap Queen

K Camp - Slum Lord Anthem (Prod. by Supreme Team)
www.TheSlumLords.net

K Camp - Slum Lords Anthem

large variety of my remixes that are available on my website jakwoot.com 

underage

REMY BOYZ- 679 (NEW 2014)

Again

Download This Song And More At http://DigitalDripped.com

DL http://ddrip.co/bhuq

Facebook.com/DigitalDripped

Twitter.com/DigitalDripped

Lil Herb - Im Rollin (DigitalDripped.com)

New single off of LD's debut album "Professional Rapper" (hits the streets 7/31).

I'm tryna be driving around in my 2002 Avalon and hear this on the radio tho

$ave Dat Money (Feat. Fetty Wap and Rich Homie Quan)

Uncle Murda Ft Greatness "Real Niggas Back"

Famous Dex - Stuck In The Sky

Instagram: https://www.instagram.com/thatgirlbishop/
Twitter: https://twitter.com/thatgirlbishop?
Spotify: https://open.spotify.com/artist/0yb46jwm7gqbZXVXZQ8Z1e
iTunes: https://geo.itunes.apple.com/us/album/river-single/id1078099216?mt=1&app=music

Scream: Music From Season 2

River

Bob Moses - Tearing Me Up (RAC Mix)
Out Now: http://smarturl.it/RACBobMoses
Spotify: http://smarturl.it/RACBobSpot

Remix by André Allen Anjos.
Original by Bob Moses

Here's my brand new remix for the great @The-Bob-Moses!
I really like how they mix songwriting elements with dance music. Ultimately I wanted to maintain that while changing the feel. The shuffled beat was a lot of fun to play with and a breath of fresh air to the normal 4 on the floor beat. I really hope you like it!

Intro To RAC: http://smarturl.it/RACINTRO
RAC Discography: http://smarturl.it/RACDISCOGRAPHY

http://rac.fm
http://twitter.com/rac
http://facebook.com/remixartistcollective
http://instagram.com/rac
http://soundcloud.com/rac
http://youtube.com/user/rac

PRE-ORDER THE NEW ALBUM EGO: smarturl.it/RACEGO

RAC ON TOUR - smarturl.it/RACTOUR
SEP15 - Neumos, Seattle, WA
SEP16 - Wonder Ballroom, Portland, OR
SEP17 - The Imperial, Vancouver, BC
SEP20 - The Fonda, Los Angeles, CA
SEP22 - Life Is Beautiful Festival, Las Vegas, NV
SEP24 - Bluebird Theater, Denver, CO
SEP26 - Trees, Dallas, TX
SEP27 - Mohawk, Austin, TX
SEP29 - The Republic, New Orleans, LA
SEP30 - The Basement East, Nashville, TN
OCT1 - Terminal West, Atlanta, GA
OCT2 - Cat’s Cradle, Carrboro, NC
OCT4 - Paradise Rock Club, Boston, MA
OCT5 - Black Cat, Washington DC
OCT7 - Coda, Philadelphia, PA
OCT8 - Brooklyn Steel, Brooklyn, NY
OCT11 - Mod Club, Toronto, ON
OCT12 - Newport Music Hall, Columbus, OH
OCT13 - Metro, Chicago, IL

RAC MERCH - smarturl.it/RACSTORE

Tearing Me Up (RAC Mix)

Bob Moses - Tearing Me Up (RAC Mix)

Birdman

What Happened To That Boy (feat. Clipse)

Lord Willin'

Grindin'

Young Boy

Cot Damn (feat. Ab-Liva & Rosco P. Coldchain)

Intro

Grindin' (Selector Remix - Main) [feat. Sean Paul, Bless & Kardinal Offishall]

Virginia

Hell Hath No Fury

Wamp Wamp (What It Do) [feat. Slim Thug]

Come Clean

She Hates Me

Stay Fly (4 Pack)

Stay Fly

Simply Deep

Dilemma (feat. Kelly Rowland)

SremmLife

Lit Like Bic

Summer On You with @lucasandsteve is now available on Spotify and iTunes: https://spinnindeep.lnk.to/SummerOnYou

Official Music Video: https://youtu.be/Ey1_nkmS54g

Be sure to repost on Soundcloud if you like it and let me know what you think by sending a tweet to @samfeldtmusic.

Cheers, Sam

Listen on Spotify

Sam Feldt x Lucas & Steve ft. Wulf - Summer On You

A Boogie FT Pnb Rock "IDK"

Back from the Dead 2

Stupid

Mama

Mama (feat. Jussie Smollett)

Alkaline - Dem Red Eye - Official Music ( May 2017)

Unbound

Rosalee ft. Chevvalier - Want You

CROP OVER 2017 
DJ SPIDER | GW MUSIC 
PRESENTS 
JAGWA De CHAMP - HIT IT CHAMP  (BANK RIDDIM)
BANK RIDDIM CROP OVER 2017 RELEASE 
Produced By DJ SPIDER|GW MUSIC 
Mixed by Hector 'Mr.Legz' Thomas 
Mastered By Adrian Bailey

BANK RIDDIM

JAGWA De CHAMP - HIT IT CHAMP  (BANK RIDDIM)

CROP OVER 2017 
DJ SPIDER | GW MUSIC 
PRESENTS 
MARZVILLE + ALISON HINDS + STABBY - BRUK IT  (BANK RIDDIM)
BANK RIDDIM CROP OVER 2017 RELEASE 
Produced By DJ SPIDER|GW MUSIC 
Mixed by Hector 'Mr.Legz' Thomas 
Mastered By Adrian Bailey

MARZVILLE + ALISON HINDS + STABBY - BRUK IT  (BANK RIDDIM)

Vibes - Single

Vibes (ProdByJust)

Monday (Finnebassen Remake)

Edit of the absolutely AMAZING James Blake! He is truly an artist. Respect. This is a Finn Pilly edit. I just had fun with it and this is what came out. I like the result! Do you? 



Thank you for all the amazing comments on this Edit. I haven't looked through the comments in ages and its really heartwarming to see that this is my most streamed track on Soundcloud. So thank you for the love and support and i can tell you all that there are more things to come in 2020 

<3

Retrograde (Finn Pilly Edit)

DJ Mustard ft Joe Moses & YG from is upcoming mixtape, Ketchup, dropping June 3rd. 

"Burn Rubber"

In the more than 15 years since the last Clipse album hit the shelves of record stores, the music world has been upended several times over. “You see great rappers all the time,” Pusha-T says, before contrasting he and his older brother Malice with those who are not truly of the culture. “But there's something a little off about it.” Let God Sort ‘Em Out has no such problems. Over 13 taut, kinetic beats from longtime collaborator Pharrell, Pusha and Malice exorcise demons and catalog areas of personal growth—without ever sacrificing the menace and minimalism that made them legends of the genre. It is a master class in maturing without abandoning one’s core identity, but rather deepening it, making it more three-dimensional. “The fact that it has remained viable for so long has allowed me to say, ‘Hey, this must be meant to be,’” Malice says. Let God Sort ‘Em Out is an instantly unforgettable contribution to the duo’s catalog, and to hip-hop writ large, filled with the type of razor-toothed exercises that made Clipse icons in the first place. Take the taunting “Inglorious Bastards” or “Marie Kondo,” which scoffs at “60-day stars and 20-year thousandaires.” The beats, which Pusha describes as “polarizing,” are urgent, technicolor, and hold plenty of space for the vocal to become the track’s most important instrument. The need to be authentic is paramount, but it’s also natural to these two. Perhaps Malice puts it most clearly: “Nothing else works for us.”