Fun At Night

J.J. Terrell-- @j-j-terrell—JJ-- organ, electric piano, drums, bass, composition, and arrangement
Llanpsych-- @llanpsych -- Tez – guitar
TexMex Shaman– @texmex-shaman –Stephen– guitar, production, mix, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–ehru
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – lap steel

This ripe piece of funk started with JJ essentially composing it on the e. Piano, organ, drums, and bass. He had the Eclectic Collective in mind when he did so, though. JJ actually is playing his drum kit on this one, so funkily that we decided to keep his drums in there. That didn't leave a whole lot of room for Ken to get in on it, but he managed to add a really cool ehru part. The ehru is a two stringed asian violin with a distinct high percussive sound. JJ's bass line was so well played and solid, we decided to keep it in there, too, which also left Josh searching for a place in the mix. He decided to go last with the lap slide to anchor the foundation of the blues idiom. But he did that after Stephen and Tez cast their spells on the song with their magical guitars. Tez can be heard with the trippy, delay-heavy staccato lines, and Stephen with the silky smooth crying blues lines throughout.
Of course, every great song needs a great mixer and producer, and we're lucky enough to have Stephen to do the honors on this one for us.
This song represents The Eclectic Collective at our funky finest, and we always enjoy and appreciate when JJ starts a song for us. We hope you enjoy listening to this as much as we enjoyed making it.
If you really dig it, and have read the whole way to the bottom, please consider sharing this, too. We all appreciate your ears and support.

Sly Willy Blues (Eclectic Collective)

Sparkle

Return Of The Glass Swan Steve Coombes & Belial Pelegrim.

Trio In G Major - Movement 1

Check out Quixotic's Page: https://soundcloud.com/quixotic_producer

In The Fullness Of Time (Quixotic Collaboration)

Mayan space gods part 5.  Flying ship of many lights.

Thanks so much to Timothy McGuire who added his beautiful orchestration to my "Through The Looking Glass" piano composition. It is always a pleasure working with Timothy and to hear more of his wonderful work, you can visit his SoundCloud page by clicking here: @tim_mcguire

Through The Looking Glass (feat. Fr. Harris)

I love the real cello, but I love to play the sampled cello too, especially on breath controller ;-) ... little improvisation, blown over a cello drone sample from Ghosthack

Cello / improv 2

Adolphus

In instrumental for now. Matchbox 20 vibes.

10_26 (Instrumental)

basic copyright on all tracks.
all of the tracks on here are made with a 12 track boss digital recorder.      to make some sounds more spacious such as the main chords and melodies i have to use 2 tracks at the same time. this is why i try to keep my tracks short because i can only use a limited number of sounds. if i use 2 tracks for bass, drums, chords and melody it only leaves me with 4 tracks for effects and secondary melodies. i prefer to record only one sound on the channels allocated as this avoids problems with volume levels.  i'm not a great musician, but i am also not very good with computers, so this is the only way i can demonstrate my musical ideas.  a big thank you to everyone who listens and comments.........and especially those who like.

Mayan space gods part 5. Flying ship of many lights.

clive hawkins