April Friends

DAY VS MOONLIGHT, JUST MAGNITUDES

Shock the Algorithm

Related tracks: The Satori Of A Noisy Slide Player

July Friends

Composed in the 70s. Part III: Agitato
This sonata is called "Ornata" by me because the other instruments adorn the piano part, without performing any autonomous theme!

Sonata No.2 for Piano "Ornata" (Part III)

Sonata 2 for Piano "Ornata" (Part III) Agitato

Toccata in G major for piano. 
Play as if you were on the organ!
I can't resist the temptation to explore the stanzas of various musical keys!

Toccata in Sol

Toccata In Sol

(p) & (c) 2023/2024. Taken from the debut album (to be released mid-2024, under the tittle "Rock and Roll Kills").
Youtube link: https://youtu.be/Ls4kYAwMN2w
lyrics (Parental Advisory):
------------------------------
You're so strage to me

you got offended so fast
you're not built to last
you're made of sugar, butter and shit

You think it's only you
you cry like a bitch
your job it's only to abuse

whatever i say is wrong
your life is like a crappy song
no reason to talk to you anymore!

Rock and Roll Kills

You're So Strange To Me

Composition : Thierry Mfe
Mixage : Guillaume Gaudioso
Mode : chromatism 
Time signature : 14/8

Attack On Zombie

Collaboration
Check out AnandaTuk's music
https://soundcloud.com/user-11396379/tracks

Hard To Communicate

Hard To Communicate -with AnandaTuk

Weirdo

Listen to the colour of your dreams...

(Chord changes are for squares)

The Colour Of Your Dreams

It’s You feat. Silver Bella
Vocals and Lyrics:
SilverBella
https://www.looperman.com/acapellas/detail/20588/its-you-by-silverbella-91bpm-pop-acapella
https://soundcloud.com/silverbellasings
Paploviante:
Bass, Music Composing, Mix, Picture and Mastering

It's You! feat SilverBella

You & Me (Forever)

All music and production done by this guy....enjoy

Cerebral Supernova (Instrumental)

Emotions for Spring flowers

Andante pastorale
Adagio cantabile
Come un carillon
Allegro

Sonata Primavera (4-hand piano)

Sonata Primavera (4-Hand Piano)

It's been a while since I've made a track in this style, hope you like it :)

Cover art created with https://www.canva.com/


Peace

Dan

RiZLiX - Magnitude

Please enjoy an instrumental trip through an industrial forge of alchemical consciousness...

This journey will continue.

Alchemical [Instrumental]

Over the moon.  Dub

Recorded in Modesto, Ca. Featuring Gibson 335 Electric Guitar solo. Alto Saxophone solo. Steinway Brothers Acoustic Piano Rhythm. Gibson L5 Electric Guitar Rhythm. Fender Electric Bass. Roland Synthesizer Bass. Drums full kit. Percussion, Cow Bell, Ago go Bells, Tambourine, 22" Zildjan Ride & Crash Cymbal. Congas, Bongos.

Cannery Row

Dashing Out

The promise of better days.

Dedicated to 29 years old police officer Rouven Laur who lost his life today in Mannheim being stabbed down by an islamistic attacker while trying to save the life of another victim of this terror attack. Rest in peace, may you be never forgotten.
written in 1994

Pulseless (2024)

Cast of characters:
J.J. Terrell-- @j-j-terrell—JJ—piano, synth, lead vocals, lyrics, seed idea 
TexMex Shaman– @texmex-shaman –Stephen–electric and acoustic guitar, slide guitar intro 
mistermark-- @user-432503709 -- Mark – backing vocals, organ, vst sax, mix, and production
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – four-string fretless bass
Composition--The Eclectic Collective

  This song began as an idea JJ came up with during one of his Saturday night creative sessions, fleshed out on the piano, drums, and bass. I was first on this by coming up with a new bass line to go with it, but Ken was also an integral part of that process, as always, too, adding his perfectly suited drums to it. Once we had the rhythm section down, Stephen added his electric guitar, which adds a great howling at the moon esthetic to it, and his acoustic guitar as a foundational element. He also added the cool slide guitar you hear in the intro. 
  At this point, JJ decided it needed some vocals, too. So, he wrote up some lyrics and sang them, giving his typically light, gentle voice some rough swagger. Mark then came along and added the rich backing vocals you hear in there. He also added the sax solo and the organ, too He also was able to correct some timing issues we were having, by using his able hand in the DAW. Then, of course as every good song needs a good mix, Mark did the honors for us with this one, too.
  This is a true Eclectic Collective song, and we hope you enjoy listening to it as much as we enjoyed making it.   Also, in case you were wondering where Josh and Tez have been, they've both just returned from vacations in North Carolina and Ireland, but are excited to be back making music with the team.
Original lyrics by JJ Terrell:
That fog around the mountain

is getting set to rise

pulling these wheels on down the road lord

is pulling my heart right out


If you really love someone now

wouldn't you want it to be a hundred to none?

instead of traveling around with a scorecard by your side


ooooh oh yeah

gonna set you free


ooooh, oh yeah

gonna leave you be
that fog around the mountain
it's like a dream
my heart, it has soon forgotten
a rolling stone like me

saxophone
looking down that dusty road
sun's beatin' down

pulling these wheels on down the road lord
has got me down
until I see you again. 




That Dusty Road (Eclectic Collective)

Cast of characters: 

Quanah Stewart --vocals, lyrics
TexMex Shaman– @texmex-shaman –Stephen–electric guitar, synths, arrangement, composition, mix, and production 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – four-string fretless bass
 
This song began with Stephen and his friend and bandmate, Quanah Stewart who also sings this version, and who wrote the lyrics. They were in a band together for about 7 years in the early 2000s. When the band broke up, they went many years without playing together. Until, in 2018 Stephen started his TexMex shaman project and this was one of the first songs he wrote.  Quanah had moved to Austin in the meantime but on a visit back to Dallas, Stephen asked him to come over and add the vocal track you hear on the song.  
 
Fast forward to 2024 and Stephen wanted to remix this along with a few other older tunes. He asked his good friends and teammates Ken and me if we'd like to help, and of course, we were super enthusiastic.  This is what Stephen had to say about the finished product. "Their parts blew me away.  Beyond what I expected and it made it a whole new song.  Very grateful to them both for their time and talent." As are Ken and I very grateful to Stephen for sharing his awesome rocker with us.  
  The title comes from trying to think of the stupidest song title Stephen could come up with, on a bet. And it’s close. 
  Of course, Stephen did the honors of mixing and producing it. Ken and Josh had a lot of fun brining this song back to life with him, whose creativity and skill are unparalleled. We all hope you (and Quanah) enjoy listening to it as much as we enjoyed creating it. 
Original Lyrics by Quanah Stewart:
1212 still like to dance still like to sing deep cover elevator parking lot bring yeah THEY don't know about IT THEY aint seen we squeakin tweakin but were bufferin th stream yeah favorite stories favorite songs hey check th timeline might be gettin mighty long now my mind expanded my mind IS blown my head exploded but I dont know what it shown yeah (unknowable silence) NOW ITS some bullshit we went through who knew th
CHASMS came & got you 2 still sayin fuck you still stayin high still makin me believe that Bon Scott never died rye whens the punchline when
IS IT near nobody laughin said that no one shed o tear NOW so whats th story what th eff we gonna have to make IT with what little we got left yeah yeah

Tallywhacker OMG! (with Stephen and Ken of Eclectic Collective, and sung by Qhanah Stewart)

Album Summer Of The Seasonal Optimist 2024 
...with a little help from my friends...

Summer Of The Seasonal Optimist

Once I wrote a longer description here: a love song in 7/4 ¿or 14/8?

Silvia II (Lo que siento por ti) /  Silvia II (What I feel for you)

Es de difícil clasificación  /  It is difficult to be classified
dentro de las variedades del amor  /  among all varieties of love
lo que siento por ti, lo que siento…  /  what I feel for you, what I feel …

Sólo sé que no puedo vivir sin ti,  /  I only know I can’t live without you,
no puedo ver sentido a mi vida si no estás aquí.  /  I can’t find sense to my life if you are not here.
Lo que siento por ti, lo que siento…  /  What I feel for you, what I feel …

Cuando todo va bien  /  When everything goes fine
lo que me une a ti es tu forma de ser,  /  what joins me to you is your way of being,
es muy fácil ver  /  it is very easy to see
todos tus encantos de mujer.  /  all your woman's charms.

Una idea que no puedo soportar  /  An idea that I cannot bear
es verte en brazos de otro, en otro lugar.  /  is seeing you in other one’s arms, in another place.
Lo que siento por ti, lo que siento…  /  What I feel for you, what I feel …

No puedo imaginar  /  I cannot imagine
tu voz susurrando a otro compás.  /  your voice whispering to another compass.
Lo que siento por ti, lo que siento…  /  What I feel for you, what I feel …

Cuando algo va mal,  /  When something goes wrong,
puedo contemplar tus defectos con claridad.  /  I can behold  your faults with clarity.
Cuando algo va mal,  /  When something goes wrong,
sólo quiero escapar a otro lugar.  /  only I want to escape to another place.

Grab it !!

Silvia II (Lo que siento por ti)

Artist: Gareth Wood
Title: O So Sorry
Album: Rites of Passage

https://www.youtube.com/channel/UCrDNDmcts9myiPBrryFrYDg
https://garethwood.bandcamp.com/

O So Sorry

basic copyright on all tracks.
all of the tracks on here are made with a 12 track boss digital recorder.      to make some sounds more spacious such as the main chords and melodies i have to use 2 tracks at the same time. this is why i try to keep my tracks short because i can only use a limited number of sounds. if i use 2 tracks for bass, drums, chords and melody it only leaves me with 4 tracks for effects and secondary melodies. i prefer to record only one sound on the channels allocated as this avoids problems with volume levels.  i'm not a great musician, but i am also not very good with computers, so this is the only way i can demonstrate my musical ideas.  a big thank you to everyone who listens and comments.........and especially those who like.

The promise of better days.

clive hawkins