„Fluss von Schlüsseln“ oder Klaviertasten im spielerischen Flow

Manchmal sind alle Sinne auf diesen einen Moment fokussiert.
Ich betrachte die Klaviertasten. Schwarze und weiße Tasten. 
Es ist viel mehr.  
KLAVIER : C L A V I S  ( von lateinisch clavis “SCHLÜSSEL“ mittellateinisch clavis „Taste“

Die Schlüssel zu einem magischen Reich der Klänge.
Es besteht aus so vielen Materialien. Holz von alten Bäumen, vermutlich Wäldern die gar nicht mehr existieren. Was vermag dieses alte Holz zu erzählen. Im Feuer entstand der Gussrahmen mit Kreuzbesaitung. Ein großer Resonanzboden verstärkt die Schwingungen, während mit den Tasten die Hämmer mit gebogenen Filzboden die Saiten schlugen und so alles zu Klang wird.
Viele Menschen haben dieses Instrument mit viel harter Arbeit und Inspiration entstehen lassen. 
Cristofori-Schüler Domenico del Melal. Matthias Müller in Wien und John Isaac Hawkins in Philadelphia. Pleyel und Pape, Heinrich Steinweg und sein Sohn Henry Steinway.
Alles hat eine Geschichte und dies möchte das Klavier mir und uns erzählen.

Ich setzte mich an das Klavier und berühre die Tasten. 
Nein, ich spiele nicht. Das Klavier spielt mit mir, denn es möchte jetzt durch mich eine von vielen Geschichten erzählen.
Mal zart, dann fordernd, zuweilen mal ekstatisch mit einem starken Hang zum dramatischen, ganz leise fast flüsternd und dann wieder liebevoll.
Es ist ein Rausch der Sinne. 
Somit haben die Tasten mich berührt und dieses Stück entstehen lassen.

Vielen Dank für Eure geschätzte Aufmerksamkeit.

Photo:		Björn Cloppenburg
Musik :	Björn Cloppenburg
Alle Rechte vorbehalten

SOUNDCLOUD: https://soundcloud.com/cloppenburg-music

Es wurden für dieses Projekt virtuelle Instrumente der folgenden Firmen verwendet: 
Soniccouture  http://soniccouture.com :  Piano The Hammersmith



"Flow of keys" or piano keys in a playful flow ?

Sometimes all senses are focused on this one moment.
I look at the piano keys. Black and white buttons.
It is much more.
PIANO : C L A V I S ( from Latin clavis "KEY" Middle Latin clavis "key"

The keys to a magical realm of sounds.
It's made of so many materials. Wood from old trees, probably forests that no longer exist. What can this old wood tell. The sprue with cross stringing was created in the fire. A large soundboard amplifies the vibrations, while the keys are used to hit the strings with curved felt-backed hammers, making everything sound.
Many people have created this instrument with a lot of hard work and inspiration.
Cristofori student Domenico del Melal. Matthias Müller in Vienna and John Isaac Hawkins in Philadelphia. Pleyel and Pape, Heinrich Steinweg and his son Henry Steinway.
Everything has a story and this is what the piano wants to tell me and us.

I sit down at the piano and touch the keys.
No, I don't play. The piano plays with me because it wants to tell one of many stories through me.
Sometimes tender, then demanding, sometimes ecstatic with a strong tendency to be dramatic, very quietly almost whispering and then loving again.
It is an intoxication of the senses.
So the keys touched me and created this piece.

Thank you for your valued attention.

Photo: 		Björn Cloppenburg
Music : 	Björn Cloppenburg
All rights reserved

SOUND CLOUD: https://soundcloud.com/cloppenburg-music

Virtual instruments from the following companies were used for this project:
Soniccouture http://soniccouture.com : Piano The Hammersmith

Flow of Keys

Flow Of Keys In C Minor

I had something inside that must fly free.
NeoClassical
Modern Classical
Soundtrack
OST
BSO
Not Quite Classical
And ….  Prog rock. 

https://youtube.com/channel/UCFn6yvzY1gKi7lheBTK-Ftw
@TheBirdInside

https://progettosonoro.bandcamp.com/follow_me
progettosonoro è Marco Mascia, accumulatore seriale (e parallelo) di strumenti musicali e oggetti sonori e (non)musicista. Dal 2007 fa parte (con Manuel Lain) del duo Le Pecorecaramellate che ha all'attivo un Cd (Una botte e via! edito da Sesto Esercizio Records) e ha partecipato (Cagliari, 10 Ottobre 2015, Nuovo Panificio) al Multiversal EXP-OFF. 
Il 1 Maggio 2016, sempre al al Nuovo Panificio, ha partecipato, con la Roaring Pianolas Orchestra, alla perfomance live "pianoltre"

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

Willkommen in meiner Welt  ( Wolke ) der Musik.
Projekt : Modern Philharmonic & Charism Voices

Von Anbeginn meiner Zeit fühle und denke ich in Musik. 
Das ist es. 
Ich finde meine hier veröffentlichten Kompositionen vermitteln das.  
Obwohl ich etwas Klavierunterricht hatte komponiere ich autodidaktisch, völlig frei im Moment.  
Nicht immer sind es gefällige Harmonien. Versucht meine Musik einfach unvoreingenommen und völlig wertfrei von Euren Hörgewohnheiten zu hören.

Folgt gerne meiner Klangwelt. 
Freue mich über meinen Musik-Account auf einen regen, kreativen inspirierenden Gedankenaustausch. 
Suche hier gleichgesinnte Sounddesigner*innen und Komponisten*innen die vielleicht mit mir ein verrücktes Klangteam bilden möchten um neue Klangwelten zu entdecken und kreieren. 
PROJEKT:
Modern Philharmonic & Charism Voices

Alle Rechte vorbehalten.

Vielen Dank für Euren Besuch und Eure geschätzte Aufmerksamkeit.
Björn Cloppenburg - Komponist – Sound Design


Welcome to my world  ( Cloud ) of music.

From the beginning of my time feel and think in music.
That's it.
I think my compositions published here convey that.
Although I had some piano lessons, I compose self-taught, completely free at the moment.
It's not always pleasing harmonies. Just try to listen to my music unbiased and completely unjudged by your listening habits.

Feel free to follow my sound world.
I'm looking forward to a lively, creative and inspiring exchange of ideas via my music account.
I am looking for like-minded sound designers and composers who might want to form a crazy sound team with me to discover and create new worlds of sound.

All rights reserved.
PROJECT:
Modern Philharmonic & Charisma Voices

Thank you for your visit and your valued attention.
Björn Cloppenburg - Composer - Sound Design

Flow Of Keys In C Minor

BJÖRN CLOPPENBURG