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Shuffle Me

VA // House music picks, May 2014

Supersonik Electronik

House Shuffle

SepTraxxx

Project E "Nightbeat (Split Secs Acid Beat)" Merc

Project E - "Nightbeat (Split Secs Late Beat)" Merc

Italian DJ and producer Marco Dassi is releasing his debut full-length album, First, Quake Me on Hell Yeah Recordings in september 2013.

Having always experimented with a range of sounds and styles from hypnotic techno to melodic bass throughout his career, it is no surprise that this album marks another evolution for Dassi.

A world away from the minimal techno and tight tech loops of his early releases, it’s a more personal and intimate affair that is layered up with plenty of genuine musicality.

Far from a collection of banging bangers, First, Quake Me is a mature record that works on your head as much, if not more than, your heel.

Across the 13 tracks the album peaks and troughs through blissful soundscapes, dancefloor focused grooves and moody ambient pieces as well as some disco nuggets and deep electronic delights. As such it’s a real listening experience from start to finish; and album that takes you somewhere away from here as well as providing plenty of propulsive moments for the club.

Be A Light opens the album with a heavy kick drum and plenty of wiry, sinewy synth sounds that grow in stature and ease you into Dassi’s world. From there Les Petites Choses’ mines a laidback disco groove that is infused with plenty of musicality and frazzled hooks.

Elsewhere the likes of Fleeting Glances suspends you in outer space as sci fi sonics drift by, swells of intergalactic energy build up and dissipate and huge, thudding kicks propel you along. Swedish Love; will no doubt be a standout single for many with its purposeful disco swagger and shiny, reflective analogue textures.

Reloved proves Dassi does vocals as well as instrumentals as he infuses his melodically rich arrangements with muffled male motifs, whilst Acid Purple Weed is a deep house cum acid track that proves this Italian does infectious groove as well as cinematic ambiance.

Closing on the downbeat, depraved sounding technoid slump of Confabulous, First, Quake Me is an album of true invention and originality. It stiches together a wide array of influences into a hugely absorbing tapestry of textural delights.


Marco Dassi - Be a Light

DISCLAIMER: this is not endorsed by Boiler Room TV

For our next release we turn to an emerging producer in the form of young Belgian Innershades. With but one previous release on Ukraine’s Wicked Bass label, little is known of the man other than the fact that he produces heavyweight techno with a purposeful and dubbed out menace. 

The first cut here, 'Nina At The Boiler Room' is a mid tempo stomper with grainy textures and musky ambiance run through with a wild acid line and classic pinging cowbells. It's potent and feverish and forever builds to a peak, at which point a searching horn sound surveys the desolate landscapes. 'No Stoppin' is more like dub house, shrouded as it is in plenty of echo, delay and rueful and romantic pads. 

Last cut 'The Future' is the most up beat and peak time of the lot. It's a bouncy, nimble bit of analogue house with sombre pads, busy melodies and a healthy scattering of percussion that brings plenty of kineticism to the mix. Three fine tracks that will surely have the world keeping an eye on Innershades from here on in.

Some Reviews:
http://www.junodownload.com/plus/2013/10/04/innershades-no-stopping-ep/
http://www.inverted-audio.com/innershades-nina-at-the-boiler-room/
http://whitenoisereview.blogspot.com/2013/09/innershades-nina-at-boiler-room.html
http://www.tsinoshibar.it/inneshades-no-stopping-ep-cr1272/

"Nice release! Digging Future but Nina is standing out for me on this one! Great"
0x4644 (BLN.FM, Berlin)

"solid release, future + nina for me"
Objekt (Objekt)

""No stoppin'" and "The future" are my fave here. Nice Ep!"
MuteOscillator (Ksoul & MuteOscillator )

"Will definitely be playing 'Nina...', prime thumping jack-material.."
Paul Woolford (Planet E/Hotflush, Leeds)

"I kind of think The Future is the track I'll go for here. Thanks. "
Ambivalent

"Not too much for me that one"
Dj Simbad (Various / Browsnwood Rec.)

"Good one. The Future is my fave - so far."
Sven VT

"Nina and Innershades are for me, love when the sirens come in..."
Dan Curtin (Metamorphic, Mobilee, Berlin)

"The future for me."
Russ Gabriel

"ok."
alex cortex

"im going agast the grain here but my fav is the future ...nice retro-ish sounds here"
Dave Ellesmere (Graphene / Belief System, Berlin)

"aciiiiiid...... nina@boiler is the track for me.."
Oliver Kapp (Raygun / Indulge, Hamburg)

"the title cut is proper - great piece of raw house"
Bearweasel

"great ep. no stoppin for me."
Fred Deepsounds (Deepsounds.fr)

"nina track is sick! "
Cinnaman

"nina is the cut for me, big thx!"
Ben Sims (Theory, London)

"Great release - like all three tracks and it's hard to pick a favourite. Thanks!"
Dave TTB (TOTHEBONE, London)

"'No Stoppin' is the track for me here. Will definitely support. A super deep trip into sound that is hard to resist."
Nubian Mindz

"nina at the boiler room is my favorite here."
Electric Indigo (indigo:inc)

"All this drum machine music coming out is like going back to the old days where Djax ruled which is no bad thing. This Ep offers 3 different flavours which are all very playable, I can see many DJs supporting this, especially with a distinctive label like that."
Alex Downey (Split / [covert] / Fear Of Music, London)

"yes, killer stuff! Nina bangs, sirens and all! The Future also nice/"
Delta Funktionen (Ann Aimee, Berlin)

"Nina at the bolier room sounds tight, it's got bit of extra balls compared to the other tracks, cheers"
AnD (Horizontal Ground, Black Sun Records)

"The Future is dope!"
ike_release (EPISODES, Chicago)

""Nina at the boiler room" for me"
Ksoul (Ksoul & MuteOscillator , TORINO)

"i love - Nina & No Stoppin tomorrow. Very facking nice!"
Brent Roozendaal (DriftOmTeDansen, Amsterdam)

"the future."
Domenic Cappello (Sub Club)

"I like the Future of Nina."
Estroe

"Nina is a hot chick ! No stoppin' cool as well"
Tomaz (www.22tracks.com, Sint Pieters Leeuw)

"No Stoppin, nice flow!"
Sandrien (Imprint Trouw, Amsterdam)

"Drives me mad......"
Vergaarbak (Vergaarbak)

"not for me this time, thanks"
Pär Grindvik (Stockholm LTD)

"cool cuts"
Dj Deep (Deeply Rooted House, Paris)

"nina at the boilerrrrrrrrrrrrrrrRRRR!!!"
Dimi Angélis (A&S, Traut Muzik, Balans)

"Very good EP! Will play Nina & No Stoppin tomorrow :)"
DJ Fabio (XT3 techno radio / DITCH 100% vinyl techno parties, Den Haag)

"thank you for good music!"
Dj T (GET PHYSICAL MUSIC GMBH, Berlin)

"There is no stopping 'no stoppin' :) "
Giles Armstrong

"love love LOVE !!!!!"
Marco Bernardi (Take the Elevator, Bristol)

""Nina at the boiler room" sounds promising. Thanks"
Norman Nodge (MDR, Berlin)

""no stoppin" is total fire! loving this one!!"
Eric Cloutier (The Bunker NYC | TANSTAAFL, Berlin)

"downloading"
Tim Thaler (BLN FM, Berlin)

"'nina' tune is the one"
Enrico Crivellaro (Archive/Neroli, Verona)

"Not for me"
Mosca (BBC Radio 1)

"Lovely stuff all round but 'The Future' is the one for me. "
Trus'me

"Playing this out for sure. Great stuff. Thanks much."
Andrew Duke (Andrew Duke In The Mix/Cognition Audioworks, Halifax NS)

"The Future for me also"
Vince Watson (Bio Music, Amsterdam)

"the future is fav"
Kuczera

"only 'Nina At The Boiler Room' for me here, thanks. "
Angel Molina (Sonar Music, Barcelona)

"Been looking out for the Nina track, certified killer. "
Cosmin TRG (50 Weapons, Berlin)

"nice one, no stopin and future for me!"
Marko Nastic (Radio B92 / Exit Festival, Belgrade)

""No stoppin" and " The future" for me. "
Leri Ahel (Mutant Disco Radio Show, Rijeka)

GET IT HERE!

Creme 12-72 - Innershades - No Stopping EP (OUT NOW)

CLOUDED 015 – Markus Gibb – Broken EP 

Track list:

1.	Broken (Original)  
2.	Frenzy (Original)
3.	Shaiden (Original)
4.	Broken (Drvg Cvltvre Dvb) 
5.	Broken (Split Secs Remix)
6.	Broken (Club Bizarre Rework)
      
Composed & arranged by Marc-Etienne Guibert, 2013.  
All Rights Reserved.


Matt Walsh’s Clouded Vision Recordings presents yet another new talent. 
Three tracks of slow motion drug-chug, backed with remixes from Amsterdam, LA and Paris.

Markus Gibb is a young French sound designer and DJ/producer from Montpellier. Classically educated Markus made his first steps into rock music as a guitarist and soon began to use his influences in combining Post Punk, New Wave and Indie with a well-pronounced techno touch.   The result brings deep and groovy basslines, heavy beats and howling psychedelic acid sounds.

Remixes come from the Dutch analogue maestro Drvg Cvltvre, Los Angeles Machine Limited pairing Split Secs and nu-French starlets Club Bizarre.


Matt Walsh


Digital Release Date: 23rd September 2013

Markus Gibb - Broken (Split Secs Remix)

Available on Juno - bit.ly/_RBL018

A firm favourite in the Rebellion camp, prolific producer Aidan Lavelle makes his third appearance on the imprint this time with the immense ‘Direction EP’, comprising of three outstanding big room tracks that will blow your mind. Powerful build ups and epic breakdowns will dominate the dancefloor while trippy FX, rolling grooves and deep tribal undertones will circulate the atmosphere with Aidan’s vocoder enhanced vocals adding a real stand out element. All three tracks are to be played loud for full effect and maximum destruction on the dancefloor.

Accomplished composer and producer, Aidan Lavelle has worked with a number of world-class artists including U.N.K.L.E Gorillaz, Ian Brown, Queens Of The Stone Age and Massive Attack.

Having built up an illustrious body of work in television and film music, last May saw him take a step back into the realms of underground dance music with his debut solo release on Rebellion, the ‘Tinnitus EP’. While also remixing for the likes of Layo & Bushwacka and Betoko, the highly successful ‘Get Yourself EP’ followed in December on Rebellion receiving huge support from the likes of Pete Tong on his Radio 1 show. Aidan´s releases are being heavily by a wide range of artists including James Holden, Richie Hawtin, Solomun, Nic Fancuilli, Sasha, Tiefschwarz and Mandy

Aside from building up a busy touring schedule and playing alongside Damian Lazarus at the Rebellion Rave in London and the Crosstown Rebel’s Warehouse Project date in Manchester last year, Aidan is also working on a solo album under the name Modal, whilst continuing to create sound design and score for film and planning more underground dance music releases and remixes.

Aidan Lavelle

Direction

RBL018 Aidan Lavelle - Direction

Issues

RBL018 Aidan Lavelle - Issues

Nightmode

Kry Wolf - Nightmode

U Like

Kry Wolf - U Like

Liveset from my second appearance in ann arbor michigans BTB's Cantina.

A2 Level Up Round 2 (Live-Set)

Artist: Hyenah
Title: The Wish
Release Date: 24th March (Vinyl) 31st March (Digital) 2014 
Format: Vinyl/Digital
Cat No: FR190/FRD190

Is the Hyenah from Joburg or from Berlin? It could be both, or maybe
neither. We don’t know. And we don’t really care because the music has hit
us in a huge way and we’re just happy to be bringing you this serious club
pressure with the debut Hyenah release here on Freerange. On lead track
The Wish (Dub) we’re treated to a percussion fueled, bass-heavy monster of
a track which balances the dextrous, fluid grooves of the Motherland with
immaculate teutonic sonics just perfectly. Slowly moving strings create a
wonderful tension as the rhythm builds in intensity with rattling drums
taking centre stage and jumping out of the mix like firecrackers.

Next up we have King Kobra which goes straight for the jugular with a
stripped-back, bare-bones groove, a beautifully simple percussion rhythm
becoming all you need for the main hook. Dubbed out deep house minimalism
is the name of the game here, with the hypnotic beats drawing you in and
the fat Hyenah production engulfing you like a sandstorm.

Flip over for a brilliant remix from our favorite French DJ and producer
Manoo.  This man has been responsible for some of the finest soul-tinged
and afro-infused house music over the last 10 years with releases on
Deeply Rooted House, Buzzin’ Fly and Real Tone.  His remixes for everyone
from Maya Jane Coles and Louis Vega to Osunlade and Terrence Parker are
testament to the skills possessed.  Once again Manoo delivers in spades
with this remix of The Wish, keeping the overall vibe intact but adding a
rolling bassline, extra vocal hits and extending the arrangement into a
most glorious ten minute workout.

Buy Vinyl Here

Hyenah - The Wish (Manoo Darkside Remix) [Freerange Records] (96Kbps) [Digital Bonus]

Patches Of Light

Ladytron - Seventeen [2002]

Ilan Kabiljo - Expressions Ep - IMOGEN Recordings 002 / November 2015

The Imogen label launched back in September with a pair of Ilija Rudman remixes of London Acid Jazz favourite Brand New Heavies. This second release sees them change tack somewhat, adopting an archival focus to dig out two tracks by Croatian hero Ilan Kabiljo. Known mostly for his '90s work, Kabiljo comes from legendary Croatian music stock - his father was composer and musician Alfons 'Alfi' Kabiljo. This Expression 12" sees Imogen dig through the Ilan archives for two rare and unreleased tracks records in 1990, with A side cut "Cool Nights" a supple midnight saunter through jazz funk that highlights Kabiljo's compositional class. "Golden Days" is just as good as sounds like a loving homage to the '80s.

Buy at Juno

Ilan Kabiljo - Golden Days

Coming from Moscow, Plus Seven Records is back for this first 2016 release with Aleceo for his first EP : Tropically-balearic sound crafted with timeless gear, what could go wrong ? 
From our informations, this EP has been recorded on the beach of the magic island of Bali, pretty far from the label's headquarters. On Premiere, here is Nevesomost', a slow-motion acid jam that sounds like the perfect soundtrack for an electronic day at the beach.  Vinyl only !


PREMIERE : Aleceo - Nevesomost'

The Knife 'We Share Our Mothers' Health' (Trentemøller Remix)

Shout out to @kaleemtaylor, what an amazing guy & his vocals were so fun to work with <3. Out on @perfecthavocmusic

Hope you like it guys!

Spotify: http://spoti.fi/2d2F6wk
iTunes: http://apple.co/2caiefF
Apple Music: http://bit.ly/2cZyKSr

Follow Oliver Nelson
@olivernelson
www.facebook.com/olkannelson 
www.twitter.com/olivernelson_ 
instagram.com/olivernelsonmusic

Follow Kaleem Taylor:
@kaleemtaylor
www.facebook.com/Kaleem.Taylor1
www.twitter.com/Kaleem_Taylor

Spotify

Oliver Nelson ft. Kaleem Taylor - Ain't A Thing

Martin Garrix feat. Bebe Rexha- "In The Name Of Love" (Party Pupils Remix)

Produced and mixed by Party Pupils

Free Download

Martin Garrix feat. Bebe Rexha - In The Name Of Love (Party Pupils Remix)

ft. https://soundcloud.com/cehryl
Photo. ilay : https://www.instagram.com/ilayserah/

Thank you.

Need You Again ft. cehryl 

Download / Stream: http://sndp.lt/2gNEWNK

Patawawa - 'Could Be Love' (TWOGOOD Remix)

Hold Tight.

Hold Tight

Download / Stream

Patawawa - 'Could Be Love' (TWOGOOD Remix)

Kryptogram lands on Back To The World next week (Friday 9th December) with his remix of Waterson’s ‘Shelter’. You can listen to the exclusive premiere of the track above.

The original was produced by rising Scottish star Waterson alongside UK house legend Ashley Beedle. For his addition to the ‘Shelter’ EP, Kryptogram has turned in a slice of Chicago neo-house.

Landing with additional remixes by British deep house crate digger Moodymanc and eclectic London selector Hannah Holland, the release marks Waterson’s second following an avalanche of support for his debut  ‘Tell Me’ earlier this year.

Listen to the exclusive premiere of Kryptogram’s remix of Waterson’s ‘Shelter’ above and purchase is below:

http://smarturl.it/ShelterEP_JunoDL

Shelter EP

PREMIERE: Waterson ‘Shelter(Kryptogram remix)’

Compilation: CD Thirteen
CD One
Track 1

Beatport Techno #1
http://www.beatport.com/track/transformation-dj-hell-remix/3461533

Tim Deluxe - Transformation (DJ Hell Remix)

reagenz - dinner with Q - workshop 09

08 - Dopplereffekt - Plastiphilia 2

DJ Hell - Wonderland

As an artist with already a lot of very successful material to his name, Rodriguez Jr.’s debut album Bittersweet is a highly anticipated release. There are in fact many reasons why people should hold their breath for it - an impressive 11 track body of work that features some of the well renowned and loved Rodriguez Jr. sonic traits, as well as a lot of new and previously unchartered musical ground. It simultaneously presents techno, atmospheric dub, hypnotic, melancholy and hands down hedonistic music, and with a focus on exploring textures and moods, there is something here for everyone to get lost in.

Rodriguez Jr., aka Oliver Mateu, was originally introduced to music through radio in the south of France, where he closely followed a selection of 80s bands, as well as forming a strong love for synthesizers. It wasn’t long before he was inspired to start his own group with partner Giles Escoffier ‘The Youngsters’, which quickly signed to Laurent Garnier’s F-Communications, taking them to some of the biggest clubs and festivals around the world. After great success, the project was put on hold and over the last five years Mateu has been given the space to focus more on his solo work and finally the opportunity to create an album.

In spite of his French origins, both Olivier Mateu's artist name and productions lean more towards his father's Spanish roots, with a Mediterranean warmth and party atmosphere often coming to the fore. Bittersweet, however, embodies influences from all over the world. Inspired during recent trips to Japan, Canada and Europe, the voyaging Rodriguez Jr. accompanied by his laptop lay down ideas in hotel rooms after playing in clubs and absorbed the different environments around him into his work. With each country creating a new experience, his touring has played a big part in the variety of tracks that are presented here.

Whilst the spice of Bittersweet was captivated in far away places, the main body of the production of the album was carried out in Mateu’s hidden away studio in Belgium, filled with many loved pieces of analogue gear and synthesizers. Ranging from the Roland TR909, for a classic house drum feel, to the Korg MS10 for dirtier sounds, and a selection of Roland keyboards to choose from, “I am definitely a synth fetishist! Ahaha!” (Rodriguez Jr.). Each has contributed in Rodriguez Jr.’s quest to create an artistic project of the highest quality and creativity that he is capable of, with outstanding results. He has also drawn on the creative input of two musicians who are featured in two of the tracks – And.Id playing his trumpet and Cari Golden’s vocals.

A masterpiece that truly reflects the Rodriguez Jr. of today, it also offers us enough variety and surprise to keep us inspired by this ever-evolving artist. Reflecting on the tracks Bittersweet refers to the contradictory forces at play within the music – it may be beautiful and it may be sweet – but be careful of the party animal it can unleash both in the creator and within all of you present on the dancefloor!

Bittersweet

Niagadina

Niagadina (Snippet)

As an artist with already a lot of very successful material to his name, Rodriguez Jr.’s debut album Bittersweet is a highly anticipated release. There are in fact many reasons why people should hold their breath for it - an impressive 11 track body of work that features some of the well renowned and loved Rodriguez Jr. sonic traits, as well as a lot of new and previously unchartered musical ground. It simultaneously presents techno, atmospheric dub, hypnotic, melancholy and hands down hedonistic music, and with a focus on exploring textures and moods, there is something here for everyone to get lost in.

Rodriguez Jr., aka Oliver Mateu, was originally introduced to music through radio in the south of France, where he closely followed a selection of 80s bands, as well as forming a strong love for synthesizers. It wasn’t long before he was inspired to start his own group with partner Giles Escoffier ‘The Youngsters’, which quickly signed to Laurent Garnier’s F-Communications, taking them to some of the biggest clubs and festivals around the world. After great success, the project was put on hold and over the last five years Mateu has been given the space to focus more on his solo work and finally the opportunity to create an album.

In spite of his French origins, both Olivier Mateu's artist name and productions lean more towards his father's Spanish roots, with a Mediterranean warmth and party atmosphere often coming to the fore. Bittersweet, however, embodies influences from all over the world. Inspired during recent trips to Japan, Canada and Europe, the voyaging Rodriguez Jr. accompanied by his laptop lay down ideas in hotel rooms after playing in clubs and absorbed the different environments around him into his work. With each country creating a new experience, his touring has played a big part in the variety of tracks that are presented here.

Whilst the spice of Bittersweet was captivated in far away places, the main body of the production of the album was carried out in Mateu’s hidden away studio in Belgium, filled with many loved pieces of analogue gear and synthesizers. Ranging from the Roland TR909, for a classic house drum feel, to the Korg MS10 for dirtier sounds, and a selection of Roland keyboards to choose from, “I am definitely a synth fetishist! Ahaha!” (Rodriguez Jr.). Each has contributed in Rodriguez Jr.’s quest to create an artistic project of the highest quality and creativity that he is capable of, with outstanding results. He has also drawn on the creative input of two musicians who are featured in two of the tracks – And.Id playing his trumpet and Cari Golden’s vocals.

A masterpiece that truly reflects the Rodriguez Jr. of today, it also offers us enough variety and surprise to keep us inspired by this ever-evolving artist. Reflecting on the tracks Bittersweet refers to the contradictory forces at play within the music – it may be beautiful and it may be sweet – but be careful of the party animal it can unleash both in the creator and within all of you present on the dancefloor!

Music Dont Lie feat. Cari Golden

Music Dont Lie feat. Cari Golden (Snippet)

Buy this track on Beatport

JinChoi & Daso - Teer (Rodriguez Jr Remix)

ALIEN ALIEN - Sambaca (Athome & Klaus remix)

'Nobody Else (Club Edit)' 
by Full Crate x Mar

FCXM Music 
2014

Nobody Else (Club Edit) - (Out now!)

OUT NOW: http://www.beatport.com/track/how-to-be-a-heartbreaker-dada-life-remix-dada-life-remix/4201921

Marina And The Diamonds - How To Be A Heartbreaker (Dada Life Remix)

Available March 25th, 2013 on Beatport,
TraxSource, JunoDownload, iTunes, and more via Bass United Recordings.

Artist: Estate
Title: Slipstream / Pressure’s On
Label: Bass United Recordings
Release: 25th March 2013

Cat No: BUR015

Minneapolis’ Bass United Recordings teams up with local three-piece Estate for a superb new single of funk laden electronic pop backed with remixes from Dirty McKenzie, DCUP and Sloslylove… Minneapolis three piece Estate have been producing musical electronic gems for the last seven years, taking their sound on the road with the likes of Yelle, Ellie Goulding and Gigamesh and releasing three critically acclaimed albums and a host of singles. The trio are heavily influenced by an array of sounds with obvious links to 70’s and 80’s funk, soul, electro and new wave, as well as modern house and nudisco; in their own words they simply look to “make feel good music that is at home on the dancefloor or in the bedroom”. For their latest single Estate team up once again with the Bass United Recordings label, an imprint that has been pushing outstanding eclectic and electric music for the last decade. The single kicks off with the ‘Official’ version of ‘Slipstream’ a catchy and uplifting slice of disco pop that marries classic synths and rich bass with the bands distinctive vocals, quality stuff. The original version is followed by a remix from label boss Dirty McKenzie whose ‘Flutestream mix’ does what it says on the tin, delivering a delightful version that pulls together a retro 70’s disco B-line with funk guitar licks and a standout flute solo. The last of the ‘Slipstream’ mixes sees Australian producer DCUP turn in a chopped up electro influenced reworking that provides another outstanding alternative. The second ‘Official’ track comes in the shape of ‘Pressure’s On’ a soulful and laidback cut that shows Estate’s chilled side with it’s hypnotic vocoded vocals and heart stirring melodies. The original version is backed up with a mix from new US artist Sloslylove who drops a delightfully left of center reworking that utilizes fluid sounding drums and intense pads to provide a perfect soundbed for the vocal parts, sublime stuff. This is another winner from Estate and the ever excellent Bass United Recordings, enjoy!


Tracklist
1. Slipstream (Official)
2. Slipstream (Dirty McKenzie Flutestream remix)
3. Slipstream (DCUP remix)
4. Pressure’s On (Official)
5. Pressure’s On (Sloslylove Remix)

Check out the 2nd half of this release here with remixes by Teeel, Proper Heat, Ulysses82, Odahl, and Estate.  
https://itunes.apple.com/us/album/slipstream-pressures-on-complete/id645980805

Buy on Traxsource

Estate - Slipstream (DCUP Remix)

Due for release on 19th February on Cityfox. 

Jens Bond & Jacob Phono - No Cure (Audiojack's Jam On Mars)

My new EP ‘Skin' is out now!
Listen over on Spotify: sptfy.com/CnQ

Purchase: smarturl.it/Kidnap_Skin

************************************************

Download: http://smarturl.it/blackbutter39

So Close

https://www.facebook.com/mobilee
https://www.facebook.com/thejuniorbasement

It’s the pre-squeeze leading up to the big release. Mobilee presents this double-track treat on both vinyl and digital. 

The A-side tears it up with „Hartwood“, Rodriguez Jr.’s biggest hit to date. With a series of alternating and repetitive keyboard strokes and soulful lyrics bouncing on a thick velvet cushion of rich background base, this number is guaranteed to appeal to the industry’s most respected players. Already landing on the hard drives of Pete Tong, Laurent Garnier and Simian Mobile Disco “Hartwood” has gained a bit of airtime as loyal listeners burn for the final release date.

The B-side features Anja Schneider with a full out female power vocal number ironically titled, “Henry & Lars”. This track takes form from a very cuddly story that took place at BPM Festival in Mexico as Anja’s little guy and a stuffed animal named “Lars” found love and friendship in a little girl and her stuffed-animal she called “Henry”. And so the story went on…

The two outstanding tracks leading up the 7th mobilee back to back compilation on April 5th is just the tip of the iceberg! Look out for another digital release „mobilee back to back part 2“ before the back to back hits online stores and shelve.

Rodriguez Jr. & Tassilo & Diego - O Amor - exclusive preview

Eddie Amador - House Music (original mix)

Unreleased track remixed by Rick Wilhite himself

Rick Wilhite - What Do You See (Ricks Unreleased Mix)

Clouded Vision is the clear minded platform to showcase the musical talent that has caught London DJ and producer, Matt Walsh’s sights.