Composer: Frédéric Chopin
Piece: Prelude no. 6 (24 Preludes Op. 28)
Performer: Carlos Márquez

from "Chopin, Szymanowski: Preludes"
https://www.amazon.com/gp/product/B00NTWIBZM
https://itunes.apple.com/us/album/chopin-szymanowski-preludes/id920586887

Cover image by: www.flickr.com/photos/53807034@N05/

Chopin, Szymanowski: Preludes

Prelude in B Minor, Op. 28 No. 6

Chopin: Prelude no. 6

I've had a passion for music since I was a child, but I wasn't really trained, so I chose a different career path. Nevertheless, at some point I decided to take the ongoing creative pressure within me seriously, even if I can't deliver a professional performance.
Maybe one or two songs will resonate or encourage you to express yourself musically.

Seit Kindheit habe ich eine Leidenschaft für die Musik, aber nicht so richtig ausgebildet, deshalb auch beruflich anderen Weg gewählt. Dennoch habe ich mich irgendwann entschieden,  den anhaltenden kreativen Druck in mir ernst zu  nehmen, auch wenn ich keine professionelle Performance liefern kann. 
Vielleicht stößt der eine oder andere Song ja auf Resonanz oder regt an, sich einmal selbst musikalisch mitzuteilen.

Classically trained pianist. I enjoy playing not only the traditional repertoire but also pieces from unusual composers.

Fred: And one of the things that keeps popping up is about this "subtext." Plays, novels, songs - they all have a "subtext," which I take to mean a hidden message or import of some kind. So subtext we know. But what do you call the message or meaning that's right there on the surface, completely open and obvious? They never talk about that. What do you call what's above the subtext?

Ted: The text.

Fred: Okay that's true. But they never talk about it.

Chopin: Prelude no. 6

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