First Light

Dissociation

The 'anthemic' track odes to the distress that follows 'mixed-signals' within 'love' and relationships. Captured through the passionate, angsty instrumentals and moody vocals of the quintet.

Hush Puppy’s debut single, “Too Cold” – recorded/mixed by Dave Parkin out of, BlackBird Sound Studio. With mastering by Brian Lucey of, Magic Garden Mastering.

Too Cold

Restore Us

Coco

Anybody's Guess

HARD TO CONCENTRATE

Debut album from star-studded Melbourne outfit Power Supply, featuring Mikey Young (Eddy Current Suppression Ring, Total Control), Leon Stackpole (Sailors, Ooga Boogas), Richard Stanley (Onyas, Drug Sweat) and Per Bystrum (Exhaustion, Voice Imitator)

"In the Time of the Sabre-toothed Tiger" is a co-release with Anti-Fade and is out Oct. 22, 2021.

In the Time of the Sabre-toothed Tiger

Power Supply - Infinity

Purchase from Bandcamp: https://desertliminal.bandcamp.com/album/glass-fate

“I don’t need no southbound highway sign to tell me HELL IS REAL”.

This opening line from the debut single “New Tongue” launches us into the sophomore album Glass Fate by the Chicago based Desert Liminal. Glass Fate takes us through a Lost Highway trip into the subconscious of Sarah Jane Quillin’s year while writing this record. The songs form a collective meditation on Quillin’s hope and grief while processing the loss of a parent, the end of a beloved band Heavy Dreams (a collaboration with DEHD’s Emily Kempf), and witnessing the surreal near-death experience of her best friend, Desert Liminal’s drummer Rob Logan, during one of their shows. Channeling this heaviness into soaring and simmering experimental indie rock, Desert Liminal’s sound is marked by Quillin’s spectral vocal melodies layered over warm, looping walls of vintage synthesizer and violin filtered through a distortion pedal array. Rob Logan’s drumming ranges from driving post-punk drum grooves to thoughtful, held back polyrhythms that serve and elevate the record.

Completing this subverted power trio, violinist and prolific noise artist Mallory Linehan (Chelsea Bridge) joined in 2019, perfecting the trio’s sound with spacious strings and tape loops that blend into the warm wash of resonating reverb and delay. A first listen of Glass Fate reveals a band with an astute ear for creating warm, engaging art-pop that entwines Quillin’s eliding delivery around smart hooks and introspective, bordering on melancholy, melodies. The further these songs move from the source they begin slipping into headier terrain creating neck-craning audio fields of droning violins and looped voice that recall Tony Conrad at his most accessible and Haley Fohr’s experimentations with voice and breath. These sounds cohabitate in the liminal space where meaning and reference slowly fade into Jungian archetype and back again through the trio’s strong grasp on solid, reality-affirming songwriting.

Anybody's Guess

Coco

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