Atish plays from the soul with a smile on his face. His charm flows as freely as his grooves, and his infectious personality is poured into every performance. The links he makes are not just musical but personal, too, as he communicates the highs and lows of life through his sounds. As an unmistakably warm person, he has quickly built up a dedicated fan base that feeds off his passion and energy. The Atish experience is about more than just dancing - it's about connection.

There is an intimacy and elegance to the music Atish plays whether it's deep house, Romanian minimal, artful techno, or emotive progressive house. Melody unites it all - whimsical keys and curious synth patterns that stir a wide range of emotions and get lodged deep in the memory. For Atish, the challenge is to lead an audience into unexpected new worlds: they won't know how they got there but will be delighted when they arrive. It's a subtle skill he has mastered
while never taking himself too seriously.

His own productions have come on cultured labels like Anjunadeep, Satya, and Stil Vor Talent. The Manjumasi Music label he co-founded with Mark Slee in 2016 deals in house with real heart and musicality. The aim is simply to work with artists whose music they admire; to give a leg up to those who deserve it, then watch them grow, whether with his label or elsewhere.

He is similarly open-minded and candid on social media and recently wrote some software to analyze a year's worth of playlists before discussing the results. He's also keen to demystify the often shadowy and secretive world of DJing and production and open it up to all, which is why he started his own unique party series, Late Night Tonite. Each event started with a sit-down interview with the guest and a conversation about the creative arts before the dancing began.
That now dormant concept led Atish to start his own mentorship program during the Covid lockdowns. He continues it to this day, with students enjoying one-on-one coaching, feedback, and advice sessions in which he shares what he has learned about all aspects of the industry.

In truth, this career chose him rather than the other way around: as a long-time and obsessive music collector, he was happy enough to play on the side around his software engineering day job. But he was making such a mark on the parties he played that word got out and the bookings kept on coming. He decided to throw himself into music rather than live to regret the missed opportunity and hasn't looked back since.

Atish has forged his own path and proven that DJs need not hide behind the music. Instead, Atish is right there to share the moments with you.

Contact:
mgmt@atishmusic.com

Bookings (WW): sari@neptunemusic.net
Bookings (NA/SA): natalie@auroratalent.agency
Promos: promos@mira-official.de

Upcoming Gigs: http://mira-official-tourdates.de/

Mira is that rare kind of DJ whose music can immediately transport you into her world - a midnight circus in Berlin, where time loses all definition and anything becomes possible. 

Born in East Germany to a renowned photographer and a classical musician, she began DJing in 1996 and quickly rose to prominence as part of the growing underground techno scene around Leipzig and Halle/Saale. Her dedication to her craft and natural talent swiftly paid off with a series of rapid successes, leading her to substantially shape the electronic music scene of Eastern Germany from that point on. 

In 2006, Mira moved to Berlin, Europe’s capital of electronic music, where she found her musical home at the legendary Bar25. Situated on the banks of the river Spree with parties that lasted into the middle of the week, Bar25 was the true embodiment of Berlin’s club scene in the 2000s. In the company of notable artists such as Nu, Acid Pauli, Feathered Sun and Christopher Schwarzwälder, a musical language was being formed that looked past the minimal trends of the time towards a more nuanced, organic musical language. 

It was from this here that Mira rose to fame throughout Europe and the world, as she suddenly became a defining representative of a distinctive sound that was going global. Deep and soulful whilst always maintaining a continuous, sensual groove, Mira’s sprawling, hypnotic sets became the soundtrack for many an endless night at Bar25, Kater Holzig and now, Kater Blau. 

The centrepiece of Mira’s residencies at these clubs has been her yearly birthday event ‘Katzen Tanzen auf’m Tisch’, which runs for three days straight every December. Curated by Mira from a selection of old friends and new faces, the series has hosted a multitude of  then-unknown artists who have now gone on to tour the globe. In 2020, Mira’s birthday series came in the form of a compilation for the first time, showcasing the spirit of her events over 43 original tracks. Also a year-round booker at Kater Blau and curator for the Kater-affiliated label Kiosk I.D., Mira’s fingerprints are all over the sound of the club.

In the studio, Mira often collaborates with her partner-in-crime Christopher Schwarzwälder, and the two of them have released a host of chart-topping singles. This partnership has since carried on to dancefloors globally, where their legendary back-to-back sets make for a perfect musical dialogue between the two artists, who share a deep understanding and love of sound.

Mira has been at the height of her game for the past twenty years, continuously shaping the sounds around her, and never ceasing to push inspiring new artists. As happy playing in a small underground club in East Germany in the 90s as she is playing to thousands of festival-goers at Burning Man - Mira is one of those artists of whom you can truly say that she’s doing it for the love of the music. 

Every time a new track by some undiscovered producer falls into her lap is a new moment to fall in love again with her craft, and spread that love with the tens of thousands who hear her play.

Just as rave culture was making its first waves in the UK in 1988, a mad English kid named Lee Reynolds rode his BMX bike across the Atlantic to Los Angeles, carrying with him dreams of big air and sunny skies. He was as wild then as he is now, it’s just that on two wheels, Reynolds’ lack of abandon resulted in broken bones, not broken beats. In 1992, he limped off the ramp one last time and soon found himself lost to electronic psychedelia, and thusly one of the West Coast’s finest DJs began his path to the Desert Hearts movement and the hysteria he now conjures with every performance. 

Now, a quarter century later, Reynolds has a lifetime’s worth of experience bringing the weird and the wonderful to the dancefloor. He earned his chops up and down the West Coast in the dance scene’s dustier institutions––Moontribe, Moonshake, LiB––That’s where he developed his endlessly wide palate, penchant for mysticism, and an understanding that a dance party should be a spiritual experience. 

“When I DJ, I want people to feel ecstatic, in a zone, in the moment, like the only thing that matters is the dance,” he says. “I don’t want to play music that people can dance to, I want to play music that makes people dance. I want it to sound like aliens are about to land on the dancefloor.”

In 2011, It was an encounter with a plucky bunch of San Diegans barely out of their teens that was the calling Lee Reynolds had spent his whole life working towards. Alongside Mikey Lion, Deep Jesus, Marbs, and Porkchop, Reynolds formed Desert Hearts and the rest is history in motion. Over the past three years of bi-annual renegade ragers and relentless touring, “Papa” Lee Reynolds has developed into the patriarch of the fastest growing and most visible cultural movement in all of stateside dance music.

“My real role in Desert Hearts is more on a spiritual level, making sure we spread a positive message and do the right thing,” says Reynolds. Wise words, maybe, but behind the decks, Reynolds is a maniacal presence as he channels his past lives, tastes, adventures, and perspectives into a dancefloor magic that captures you upon first beat and does not release: House, techno, acid, and breaks, they’re all conjured up in a plume of purple haze and that little mad bastard is at the center of it all. 

Dance music now is so often about fast rises and immediate gratification, but Lee Reynolds’ story is a reminder that some beats taste better when slowly fried over the course of 25 years. “I’ve been obsessed with this shit forever and I’ve always believed the madness was coming,” says Reynolds. Well, the madness has commenced, and it seems like it’s here for good––and Lee Reynolds is conducting the score.
- Jemayel Khäwåja

#BASSLINEILLUMINATI

To contact Mr C for any information or bookings please email:
mrcfodt@live.com

Everything Maya Jane Coles
https://linktr.ee/MayaJaneColes
Listen to all Maya Jane Coles releases here 
mjc.lnk.to/profiles 
Listen to all Nocturnal Sunshine releases here 
ns.lnk.to/profiles

For booking please contact: sari@neptunemusic.net

If we think of those magical moments out on the dance floor, what likely comes to mind is that moment when the DJ and the crowd find each other in a rare kind of symbiotic balance of give and take. If you see this happening between two DJs it becomes obvious that two of a kind have found one another.
Those who love this kind of confluence will adore watching Mira and Chris Schwarzwalder doing
what they do best; playing back to back.
Having influenced the East‐German techno scene throughout the last twenty years, Mira established her musical home in Berlin’s legendary Bar25. There, she shaped her very own unique sound that can be considered as a story of these endless nights full of intensity.
Bar25 was also the place for her to meet DJ and producer Chris Schwarzwalder. Moving from his Hip Hop­‐roots towards electronic music, it was not by accident that Chris followed the beat of time to Berlin.
Anyone who has experienced their endless sets already understand why Berliners speak of the particular sound being created by both of them.
A soulful, mesmerizing sound that you will sense sinking under your skin and leaving you with a feeling of deep warm­‐heartedness.
What happens is the perfect chemistry of classic mixing skills along with ingenious live productions that really deserve to be called a moving experience.
All of their styles and sounds can, not only be discovered live behind the decks, but also on prosperous vinyl and digital releases.

MANAGEMENT: mgmt.brigante@gmail.com  // LATAM: yanina@agencytns.com // USA-CANADA: melissa@armige.com

MINIMAL / DEEP TECH 
Booking: 
booking@danielmeister.net
Promos,contact :
djdanielmeister@gmail.com
Bandcamp: https://djdanielmeister.bandcamp.com/
-Bondage Music
-Purple Print
-Micronica
-Inermu
-hedZup records
-Elrow
ETC...

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