Ocean Loader 2

Stream/download: innershah.com/r91

São Paulo’s underground electronic scene takes the spotlight this September as Mau Maioli and Vasconcellos unveil their debut EP together, Rave, on Berlin’s Inner Shah Recordings. Though long-time collaborators across different projects, and co-founders of Synce, the influential radio show and label shaping São Paulo’s sound, this marks the first time the two producers have released a joint record under their own names.

The EP is a two-track statement of intent, steeped in nostalgia but aimed squarely at the dancefloor.

“Crow Groove” channels Italo’s pulse and collides it with the darker edge of disco and wave, building tension around sharp 80s synths and relentless club momentum.

“Rave”, the title track, shifts gear into the euphoric energy of 90s trance. It’s a tribute to the culture that shaped electronic music’s global rise: a fragantly contagious anthem designed for unity, release, and the collective high of a crowd moving as one.

With Rave, Mau Maioli and Vasconcellos capture two sides of the night: the shadowed, groove-heavy hypnosis of Crow Groove, and the ecstatic rush of Rave. Together, they weave a narrative that celebrates their shared roots while pointing toward the future.

Stream/Download

Mau Maioli, Vasconcellos - Crow Groove (Original Mix)

Trippy music video : https://youtu.be/w2hUcPYG7dE

Peak‑time pressure + hypnotic grooves in a psychedelic sci‑fi visual trip.
Hard techno meets raw/deep hypnosis—warehouse energy in 4K.
Driving kicks, rolling bass, and a desert dream that won’t let go.

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The Story  ᓚᘏᗢ  ➜
I. The Door That Breathes Spores

At the rim of the desert stood a seam in the air, hairline and luminous, like a scar that learned to exhale. When it sighed, motes unfurled into the dusk—opal dust and spore‑light that arranged itself into shy constellations. The seam smelled of rain that could not remember where it fell.

Aneleth arrived without footsteps. Their feet left no mark by design; their kind, the Mneme‑walkers, were sworn not to bruise the hours beneath them. Aneleth’s body was a study in glass and vellum: skin the color of quiet dawn, thin enough to show the rivers of gold filament that ran like patient lightning under the surface. Along the throat, a translucent veil fluttered—a gill‑lace that drank aroma and rumor. The eyes were coin‑bright and slow‑turning, with irises that gathered starlight, folded it, and kept it as a kindness for later.

They wore a mantle of mycelial silk grown in moon‑dark gardens, the threads still alive, still remembering the tunnels from which they had been coaxed. On Aneleth’s left wrist slept a ring of living wire—the Thread, a compliant serpent of gold that could smell distance the way others smell smoke.

Aneleth placed an open palm upon the seam. The air learned their shape. Spores swept forward like a soft tide, mapping the fingers, the lifelines, the old scars of vows kept and nearly broken. The seam widened, not as a door does, but as a thought does when it finds its opposite. Hyperfine cracks spread, diverged, and converged again in a lattice that suggested both invitation and correction.

“Let me in,” said Aneleth in the language of mineral patience.

The seam spoke back in fern breath: Come in if you can accept the arithmetic of forgetting.

Aneleth had come for that arithmetic. The Dunes of Liquid Memory waited beyond the seam, and somewhere inside those dunes lay the promise they once made in the Dark Orchard—the promise the desert had taken as collateral and never returned.

They stepped through. The seam stitched itself closed with a surgeon’s certainty, and silence rearranged its furniture to make room.

II. The Glass Dunes and Their Blooming Sigils

The desert was not sand so much as the idea of sand persuaded into matter. Each dune was a slope of congealed recollection, liquefying and resolidifying on its own clock. The grains were translucent and full of tiny occlusions—faces, gestures, half‑remembered weather. When the wind moved, the dunes flowed in slow currents, as if all memory wanted to be water but had first to practice being glass.

Continues on the website.


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#techno #trippyvisuals #technomusic #visualizer #undergroundtechno #musicvisualizer #4kvideo #4kvisuals #psychedelicvisuals #peaktimetechno #hardtechno #hypnotictechno #drivingtechno #melodictechno #aimusicvideo

Dunes of Liquid Memory | Liquid Music Video @ YouTube

my day - short version

Preview EDIT from the remake of The Sewers In Game soundtrack from System 3's Last Ninja 2. This is a heavily edited version for preview purposes.

Pre Order Reformation

Matt Gray - Last Ninja 2 - The Sewers In Game Preview EDIT

SID Track made in 2015 which was used in the Announcetro from Prowler and Mahoney for Prowlers kickstarter project "The Masters of Pixel Art: Vol 2".
 Also featured on the CD that comes with this great book.  

You can order it here:
http://nicepixel.se/

Shinobi - Crimson Blessing

"Monochromatic Neon Lights", is my tribute to two of my favorite composers who layered the ground for my landscape in the world of music. Vangelis, Jarre, both kings who's always inspired me since an early age. The city life late at night when everyone are asleep added a melancholy emotion to this song, somehow reflects the amazing music Jóhann Jóhannsson wrote. This is my contribution to "Sound of SceneSat Vol.4"

Monochromatic Neon Lights

Single from the upcoming sound track to a new retro point and click game, The Last Goddess:  https://www.thelastgoddess.net

Both versions available for purchase at Bandcamp:  https://eoxstudios.bandcamp.com/album/tamaras-theme-the-last-goddess-ost

Youtube:https://youtu.be/vOWyFHGwhVo

The Last Goddess OST

Tamara's Theme (Radio Edit)

Tamara's Theme

Music can make you daydream, and has the power to fill your thoughts and heart with harmonies and rhythms that make you want to dance and feel alive.

Made for the Sound of Scenesat Volume 5 compilation.
https://sound.of.scenes.at/vol/5

Sound of Scenesat Volume 5

Dane - Disgrace (Lea Dreamers Remix)

This is the party version of "The Jaderoom", a 64k intro by LJ & Alcatraz, released at the Revision 2019 demoparty.
http://www.pouet.net/prod.php?which=81018

The Jaderoom

-pOWL! & Virgill - The Jaderoom (Partyversion)

This is a part-finished version of the Ocean Loader by the wonderful Martin Galway. It was intended to be a 'demo' track for eJay eQuality - the Pro Level sequencer from eJay that was in development for many months, but never saw the light of day due to Empire Interactive going into liquidation. So, here it is... my unfinished upmix -  not quite done and baked, but possibly worth a listen? Martin kindly agreed to allow me to upmix this and use it as a demo song, in (if I recall correctly) return for a pie and a pint(!) ;O)

Ocean Loader v2 - Upmix - by CoLD SToRAGE "Noodlings from 2008..."

I also have another SoundCloud account for noodles - https://soundcloud.com/oldest-cargo

Ocean Loader v2 - Upmix - by CoLD SToRAGE "Noodlings from 2008..."

CoLDSToRAGE