It will be my favorite track from the album

XRAY

WAY WITH ME pulses in diﬀuse emotional vapour.
Abstracted and half-remembered, on the o̖t̖ h̖e̖̗r̖ s̖̗i ̖̗ d̖e̖̗ o̖f̖̗ a̖̗̘ c̖̗a̖̗s̖̗̘̙sette bleeding through
from a hazy dream.
Built around layered and deteriorated tape textures, dark and anachronistic synth-wave
forced through amorphous sci-fi bass pop.
8͚0̹͙s̝. ̙͇͖ ̪ 9̝̟0̟s̺. ̺̫̞ ̹̫̬̘̭ 9͕2̳̩͇s̗̮̙. ̳ ̹̣̫̲ 2̼̟̺̪0̻̣̫̭͈͕͖͇
1̱2̤͍s̤̘͉̖̞̰̤
.̤̥̣̜ ̥̱̦̱͈̯͔̪̠̣
2͓͍0͕̩̥͙2̲̻̰͎̞̣͓̖̱
5̝͕̝͔͈
.͙̭̥͇̪̤̠̙̰
The sound and processes in production are drawn from a memory deep in Cardinal’s
childhood — one of his earliest cassette tapes, from a formative shoe-gaze band,
had become physically warped from a rogue walkman.

At the start of Side B

:: A fragment of the final track from Side A ::
— would always bleed through in reverse.

Twisted, degraded, and slightly-diﬀerent-every-time-and-would
Always-get-stuck-in-the-car-cassette player.
Real didn’t understand what caused it at an untrained age.
But that version — warped, backwards, euphoric — became true.

The only version that mattered.

It was broken, but it was perfect.
It imprinted on him — and nobody else heard it.

It had gravity.

Memory bound by connection through realized nostalgia.

Nostalgia itself, imprinted and actualized as an anachronistic dimension of blending
spaces-times —
Where love and wanting are suspended behind you,
jamming the signal bleed of a song you once knew.
Realities passing in the night.

WAY WITH ME (SINGLE EDITION)

THE LESS YOU KNOW is a detailed traversal.
An anachronistic walk through c̖o̖l ̖l a̖p̖̗s̖̗̘e̖̗d̖̗̘ t̖̗̘ ime̖̗̘ lin̖e̖̗̘̙s̖̗̘̙, ̖ a̖n̖̗̘d̖̗̘ artifacts
The physical world bends around memory as if trying to reconstruct itself through the very words spoken.
e̖̗̘̙ a̖̗̘r̖̗̘ t̖ i ̖̗̘̙̜̝̞̟̠
f̖̗̘̙̜
a̖̗̘̙c̖t̖̗̘̙ s̖̗̘. ̖̗̘̙̜̝̞̟  ̖̗̘̙̜̝
the very words spoken.

A collaboration with Alex Reed (Seeming) on vocals

and

Multi-instrumentalist Elijah Hennig on guitar —

that shifts into haunting, fractured territory.

Reed’s lyrics denote evocative, time washed but eerily specific memories — which are then interpreted spatially with Cardinal’s sound design — another frame of reality that warps and fragments around them.

Together they create a sonic palette that stretches from glitchy noir exposition, to 90s pop industrial anthemic plateaus.
Also invoking a world lost in recollection, drowning in detail, and rewinding in loops.
jamming the signal bleed of a song you once knew.
Realities passing in the night

The collaboration was built on Cardinal providing Reed with a loose premise of the albums concept in insolation, and with an instrumental that Cardinal struggled to find his voice in but still wanted to explore.
A blind exploration for all involved.
Cardinal explored several versions of the song with Elijah — letting each versions essence bleed into the one after.


THE LESS YOU KNOW feat Seeming (SINGLE EDITION)

Stream / Download: https://hypeddit.com/extraterracassetter/neuromancer

Neuromancer

The second song on MEMORY ECHOES, "LIMINAL ZERO" stutters into frame with pulsing granules of emergent IDM textures, weaving through intense metal flourishes and reverb-soaked dead mall shoegaze mumbles. It blurs at the edges, crumbling under sludge and horror.

LIMINAL ZERO

In the Name of Blood

The One

The End of Time

Computronium

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I'm Reasonably Priced

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Dodge & Fuski - I'm Reasonably Priced

PERSONAL ABOUT FEELINGS AFTER LOSING FRIEND 

Drag Me to the Reaper

The instrumental and score based, progression of Klayton's vision for Film/TV/Video Game/Movie Trailer music. With Klayton's signature writing and production style, coupled with his wide variety of instruments and sounds, the Soundtrack For The Voices In My Head series is ready to leave a trail of melodies and progressions in every listener's head, long after the music has stopped.

Soundtrack For The Voices In My Head Vol. 01

Ursa Minor (Non-Atomic Mix)

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I'm professional game sound designer and music composer. 
Réal T Cardinal

WAY WITH ME (SINGLE EDITION)

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