Sounds like it belongs in a John Carpenter movie from back in the day.

Love that hat sound! Awesome track man :)

Amazing, you got yourself a new follower!

Great work... In my youth, i loved the "Laser Dance" series, its great to hear such good music again today :) Go on, guys :)

The upcoming Album "Talking Machines (2013)"

▶ Buy Vinyl Record

Talking Machines LP

Stan DuClare - Fragile

❖ BUY ALBUM

From Beyond

Masterforce

God in the Machine

Tears Of The Juvenile

Talking Machines

▰ Buy

Buy on iTunes

Dark Forces

Album https://soundcloud.com/hubrid-sound/sets/hubrid-nocturne-2024

🤟-16 TRACKS -🤟

SACRIFICE  (Ft SHRED KRUEGER)

Baltic Clouds and Waves [remastered]

Something that has been altered, not always as requested!

Altered

Buy Album

Boss

SCREW IT!!! If I wanna release a song, I'm gonna release a god damn song, I'm sick and tired of waiting to post shit. 

In other news, there is some stuff a brewing on my end, maybe a little collab here and there, who knows.

Night Terror

Disparity

Life in the gutter of small town America was nothing new for Darrel Santiago, but after a brutal storm hits the sleepy beach town of Silver Lake, its once peaceful citizens transform into blood-thirsty maniacs! It is up to Darrel and his motley crew of ne'er-do-wells to get to the bottom of this phenomenon, and what they find is a hellish nightmare that they could never have imagined. Evil is at work in Silver Lake and it is literally tearing its inhabitants apart. Whatever you do...try not to PANIC!
____________________________________________________________

In the summer of 1980, just outside of Staten Island’s scenic Silver Lake Park, a small team of ambitious, young filmmakers set out to make a motion picture that would be regarded as the most gruesome and controversial horror film of all time. Written, directed and scored by the aliased phenom, Destryur (“Endurance” 1976, “Midnight Maniac” 1979), “Panic” or “Panic! Curse of the Vile” became an overnight cult hit, portraying graphic images of demonic possession and grotesque imagery. It capitalized on the recent wave of public shock in the occult known as the “Satanic Panic”. Shot in the course of only two weeks on 8mm film and a shoestring budget, the picture plunged Destryur into the realm of amateur cult film-making and a notable director/composer in genre cinema. The film also featured guitar slinging celebrity Dominick Martes of rock and roll supergroup Wild Street in the lead roll as street-wise punker, Darrel “Grimer” Santiago along with Cobra Wipeout as cinematographer, supporting actor and fledgeling composer. We’re still not sure what his actual name is. Cobra was currently working with Gold Line Pictures, a studio specializing in B-Horror and mob-funded exploitation films such as “Murder of Crows” 1974 and “Swamp Thing” 1979. Destryur also enlisted the writing talents of another aliased master of the subversive. Prestigious science-fiction-horror writer, artist and composer STRNGR (“The Skurge” 1968, “Mass” 1973) who had recently returned to the states from Italy after finding success in the European horror movie market. “Panic” went international only three months after it’s initial screening at Tales of Terror Film Exhibition in Greenwich Village where it received a notable tip-of-the-hat from some of horror cinema’s most celebrated film makers. The film was almost immediately boycotted throughout Europe. A violent protest broke out at a midnight screening in Istanbul resulting in the entire theater burning to the ground. Meanwhile, in the states, outrage escalated with various public interest groups demanding that the film either be removed from theaters or undergo strict censorship. However, even after the studio’s agreement to censor, picketing continued and threats from many religious organizations overwhelmed the Film Board. On October 1, 1980, “Panic” was officially pulled from every theater. Some say this marked the end for Destryur’s career. Some say it was only the beginning. Today, you can find Destryur at a monthly midnight showing of the film at St. Vitus Cinema in Greenpoint, Brooklyn hosted by Sam Valentine.

____________________________________________________________

Special thanks to everyone involved in the production of this album and you for buying it. A big thank you to Sam Valentine for pushing me to make new music to play live. I hope you genuinely enjoy this album just as much as I've enjoyed making it. 
credits
released October 1, 2019

Guitars - Dominick Martes

Additional Programming - Cobra Wipeout, STRNGR

Remixes by DreamReaper, Misanthropix

Mixed and Mastered at Gold Line Studios in Brooklyn, NY

MBR011

Panic Ft. Dominick Martes

Bass-heavy Darksynth  / Cyberpunk from the bowels of Hell itself. APOSTATE is an exclusive single written for the 'Unleash The Beast compilation' by DISKONEKT, a newly launched sublabel of RetroSynth Records dedicated to the darker side of the Synth:  https://diskonekt.bandcamp.com
Artwork and conceptualization by award-winning Slovenian graphic designer Matic Leban: http://maticleban.com/

BANDCAMP

APOSTATE

● Bandcamp: https://m-a-d-e-s.bandcamp.com/album/arrival-lp
● iTunes: https://apple.co/3g1sPsJ
● Spotify: https://spoti.fi/36lCfvD

---------------------------------------------------------------------------------------------------------

Like the music? Support by clicking the [↻ Repost] button!

---------------------------------------------------------------------------------------------------------

Following a somewhat quiet 2019, French Darksynth/Synthwave maestro M.A.D.E.S is finally back with a new album!

'Arrival', which has been in the making for more than a year, is the next chapter in M.A.D.E.S' retro-futuristic saga. Eleven new original tracks moving between Darksynth, Outrun and classic melodic Synthwave. Power, suspense, speed, atmosphere and imagination are some of the words that come to mind immediately when thinking of 'Arrival', which proves to be not only a worthy successor and follow up album to his debut 'Motor' but also that Synthwave is still alive and kicking, with artists who still compose and produce great albums and music if you know where to find them.

And having talked about imagination and despite not having a follow up video to the massively successful 'Nightkiller' (which would have been almost impossible to produce during the covid era), we decided to team with master horror illustrator Anthony Galatis who visualized the music and transformed 'Arrival' into a visual masterpiece. Enjoy!

● Follow M.A.D.E.S:

Soundcloud: https://soundcloud.com/official-mades
Facebook: https://www.facebook.com/madesofficial
Bancdamp: https://m-a-d-e-s.bandcamp.com
Spotify: http://bit.ly/spotify-mades
Twitter: https://twitter.com/_Mades_

● Follow JST Records:

Website: www.jstrecords.com
Bandcamp: https://jstrecords.bandcamp.com
Spotify: https://play.spotify.com/user/jstrecords
Facebook: https://www.facebook.com/JetSetTrashRecords
YouTube: http://www.youtube.com/JetSetTrashRecords
Twitter: https://twitter.com/JSTrecords

Arrival

M.A.D.E.S - Lightbringer

First produced in Summer 2010, and then reworked in Summer 2013.


Didn´t you know

Independent Electronic Music Producer



2021 1976 A.D. EP
2019 Delusions EP
2018 Fragments of Bach LP
2017 Trickster's Paradise LP
2016 North Wall EP
2014 The Void EP
2014 Terraformer EP
2014 Tachyon LP
2013 Talking Machines LP

Old Stuff Collections:
Chronicles IV (2008 - 2012)
Chronicles III (2003 - 2008)
Chronicles II (2000 - 2003)
Chronicles I (1997 - 2000)

From Beyond

Compilerbau

Recent comments

Domotik

PixeliGer

0_One

Marc Beedle

Related tracks