ideal, intensive, emotional - shame it's too short!

Wow man, im really impressed, complex programming, mixing ?

Great Balance, very emotional tone. Well done!

These demos were primarily created with: "Liberis" - a virtual choir instrument available at www.8dio.com

http://8dio.com/?btp_product=liberis

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8Dio Liberis "Liberis" by Colin O' Malley

Taking its cue from the Hebrew description of the Creature of antiquity and imagination, this modern concerto features the virtuosic properties of the six-string electric violin with its immense range, while the various and creative sounds available to the synthesizer and electric wind instrument (EWI) enhance the beauty of the acoustic orchestra.

The three movements of this concerto tell a story of warriors setting sail upon the seas to find this ancient creature, Leviathan, for themselves.

In this movement:
III. The Hunt: “In that day the LORD with his sore and great and strong sword shall punish Leviathan...that crooked serpent; and he shall slay the dragon that [is] in the sea.”

We set forth again into the roaring waves,
this time under the counsel of the Old Warrior.
Within moments, we are on top of the Creature! 
It rises from the sea, knowing it must face us, for we will not relent.
The Hunt is ferocious!

And what was the final outcome of this mighty contest of wills 
Between man and beast?
Alas, I cannot say for certain
For the Old Warrior in his fury,
Followed Leviathan into the Ancient Deep,
To bring the fight to its own World.

The story is told that they are there,
Stirring up the waves from their eternal battle below
To this very day.

Leviathan of the Ancient Deep

Leviathan of the Ancient Deep: III. The Hunt

http://www.sonokinetic.net/products/classical/capriccio/
Capriccio is our biggest Orchestral collection yet, both in terms of physical size and in terms of sound, which is just...BIG!
We had conductor Petr Pololanik approach the limits of his Capellen orchestra for these recording sessions, and the resulting energy, drive and power really comes across in each and every sample. Each phrase has been carefully treated from conception through production to implementation in the final instrument, to make sure it would work as a whole, and be as widely usable as possible.
We say it is big, and the sound is big, but as you can hear from the demos the sound has a diverse range of uses and is only limited by your own imagination. You can use Capriccio as a base for your composition, or to complement your existing piece, using only bits and pieces. It can be really loud and awe-inspiring, or gently set the mood.
If you are familiar with our previous orchestral instrument 'Grosso', Capriccio's user interface should look quite familiar. The basic structure of the instrument is the same, using 4 presets each divided in 3 layers, but there are many innovations within Capriccio that will make working with this library even more intuitive and flexible. Highlights include the 'phrase offset' slider, separate volume setting for release tails and MIDI drag/drop from the score view in the interface, straight into your DAW.
With Capriccio we’ve brought phrase-based sampling bang up to date. Throw away your preconceptions of stiff one-shot samples and use the power of the Capriccio interface to harmonise, syncopate, offset and blend every one of the 38,000 samples. We’ve wrung every bit of creativity and flexibility out of these phrases and built a bespoke interface that will allow you to do the same.
Despite advancements in sampling technology, you simply can't beat the realism of live played phrases and orchestral patterns so our goal is to make these as playable as possible, like a real instrument, with the minimum of end-user programming. These instruments are meant to stimulate your creativity, and based on the feedback we are getting, that is exactly what they do.
Please watch our range of videos if you want to know more about Capriccio’s inner workings. There are many 'hidden' features that will enhance your user experience a great deal if you know how to use them. For example, with Grosso we added 'bar sync' but for Capriccio we also added 'phrase offset’. These things are very complicated in terms of under-the-hood programming but we’re sure that the intuitive interface makes it easy to realize the potential of features like this.
All phrases for Capriccio are composed in 4/4, with straight 8th and 16th notes.
We have also included a 'runs' instrument with strings and woodwinds runs, a gorgeous and eminently playable multisampled percussion patch and a melodic percussion instrument containing Xylophone, Glockenspiel, Tubular Bells and Piano phrases.
We, at Sonokinetic BV, are very proud to introduce Capriccio to you and can’t wait to hear the amazing things you, our valued customer base, will produce with it.
Sonokinetic has established a name as one of the best value & quality sample producers and with this product we’d like to underline that statement. We stick with our unbeatable pricing module and high quality sampling.
We wish you the best inspiration and creativity. 

Capriccio Demo - Creation - By Piotr Musial

Biggi Hilmars has made this beautiful piece using Olafur Arnalds Evolutions library. It is truly something special. 

Soft Entrance - Biggi Hilmars

This composition was recorded at AIR Studios in London, UK. Session Orchestra contracted by Hilary Skewes. 

Watch the recording session here:
https://www.youtube.com/watch?v=vtiYmmp1ti4

Purchase this track here:
www.enriqueponcemusic.com/store/airship-duel

Airship Duel

Purchase Track

Airship Duel (Lyndhurst Hall - AIR Studios Recording)

Music for 2017 promotional clip of "Laurette Fugain" association that fights leukemia.

Recorded at Smecky Studios.
Performed by The City Of Prague Philharmonic Orchestra
@James Fitzpatrick

Conducted by Nic Raine and Pierre Noguéras
Mixed by Jerome Devoise

Laurette Fugain - Vous Aussi

The Journey

Journey To Another World (Benny Oschmann) - The Orchestra - Demo

Official demo for Berlin Orchestra Inspire by Sascha Knorr.
All you hear is made with Berlin Orchestra Inspire.
www.orchestraltools.com
www.facebook.com/orchestraltools

Inspire (Sascha Knorr)

Music composed by Ho-Ling Tang

Final recording project at the Berklee College of Music
Recorded at London AIR Studios

Eternity

If all the trees in all the woods were men; 
And each and every blade of grass a pen; 
If every leaf on every shrub and tree 
Turned to a sheet of foolscap; every sea 
Were changed to ink, and all earth's living tribes 
Had nothing else to do but act as scribes, 
And for ten thousand ages, day and night, 
The human race should write, and write, and write, 
Till all the pens and paper were used up, 
And the huge inkstand was an empty cup, 
Still would the scribblers clustered round its brink 
Call for more pens, more paper, and more ink.

Cacoethes Scribendi

Freelance composer and arranger.

To contact me directly about music licensing, commissions, or getting original music for your next project, email me at comqoser@gmail.com

Cacoethes Scribendi

composerdaniel

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