Out now on Crosstown Rebels: lnk.to/CRMLP048

An ethereal, swirling body of work, Dreamin’ Colours is rich in texture, colour and imagination. Satori stretches himself out through languorous, mystical explorations of both the digital and the analogue elements of music, the result a beautifully conspired collection of world music, steeped in electronic and Balkan roots, and straddling a multitude of genres from blues and indie electronic to opera, folk and beyond.

“I wanted to use the studio and recording techniques that were used in the seventies and eighties for this album. My whole point was to make electronic music sound as if it were being played by a band, which is why I collaborated with Henry Sarmiento of Sonic Vista Studios. It was so inspiring - he taught me how they approached recording in the eighties and we applied that to each track. Throughout the whole process, we were never aiming for the perfect take. Instead, we were looking for the take that had the most character.”

Colourful Dream begins proceedings, taking the form of a gently building opener. From the pluck of a guitar string to hypnotic flute like elements, we soon arrive at the enchanting world of Lalai ft. Ariana Vafadari. Recorded in a four-hundred year old water well, it showcases the transcendent sound with which Satori has become best known, meandering through rustling hats and tribal-like drum patterns whilst the dulcet tones of Ariana shimmer softly throughout. 

Tuti ft. Kalima takes on a harder edge, with gritty drum patterns opening into melancholic chords early on. Kalima’s vocals add an emotive touch to the piece, paving the way for Moj Dilbere: a euphoric cut that feels tribal and reflective in one.

We land at a similarly ethereal soundscape on The Gin Song ft. Mybaby, as star-like synths pulse alongside punchy percussion before Yellow Blue Bus ft. Laska takes its place. It begins with real-life ambience, made up of sounds recorded live in Ibiza as a bus passes and birds chirp merrily in the background. This swiftly gives way to a guitar-flecked bassline, opening neatly into the vocal offerings of both Satori and Laska.

Troublemaker ft. El Mundo retains an inherent melodic quality, progressing through poignant strings and whispering kick-hat combos. It leaves us feeling pensive, as Condor ft. Ora Dea, Moshe Halperin comes next. It’s the album’s penultimate piece, one that celebrates the native people of Chile through the use of their very own language. Powerful and poignant, the mesmeric sounds of Ora Dea and Moshe meander subtly into Lonely Boy (Redux) ft. Hugo Oak. The closing saga brings things to a wonderfully subdued finish, rounding off the album on a wholeheartedly calming note. 

Although raised in the Netherlands, where commercial electronic music is of course king, on Dreamin’ Colours it is undeniably Satori’s Balkan heritage that layers his production with dreamy, ethereal, Eastern European influences. The album’s overriding voice lies in his exultant celebration of Eastern European music, weaving vibrant threads of its earthy, melodic, rhythmic sounds into his thick musical tapestry. Written during the pandemic and driven by the ache of separated love, the album is, Satori says, his most personal yet.

Satori

Tuti

Satori - Tuti ft. Kalima

Resident Advisor Review

  The promo video made for Sunset of a Clown Volume II is the opening shot to a Godard film soundtracked by Nicolas Jaar's "Marquises." It's either the height of pretension, or pretty brilliant. That I can't work out which probably makes it the latter. Music that actually puts you in a position where you're required to think about how it makes you feel is often among the finest. "Marquises" and the tracks that surround it on this second release from Jaar's imprint aren't necessarily the greatest things in the world, but each of them occupy a space that is hard to quantify—and that's exactly the point.

  Nikita Quasim's "Framboises" is bustling with microsound while a piano plays quickly over top in a superior mood piece, while Jaar's biting of French folkie is a nice twist on the prevailing trend towards South American protest songs. (He overlays it with a lazy breakbeat rather than a pounding house beat too, which seems to fulfill his stated goal of "taking the beats even slower.") Soul Keita, meanwhile, brings the only track that veers close enough to a dance floor. It builds and it builds, as an acoustic guitar and kick drum while away as a hazy sample gradually comes into view. Typically, the climax isn't the sort of thing that will have Amnesia crowds in ecstasy, but when you're dealing with music as intimate as this, you tend to want to have it for yourself anyway.


  Words /
  Terry Fonseca

CS002 ∆ Soul Keita - Monjitas

!!! These are stripped-down 128mp3 snippets of the original tracks!!!

Artist: Felix Laband
Title: Deaf Safari
Cat No: CPT 470-1 / -2
Format: 2LP incl. cardboard CD / CD / digital
Release: 29th May 2015

TRACKLISTING:

1. The Savage Bush Hotel (6:25)
2. Im So High. I Swear I Could (4:55)
3. Ding Dong Thing (11:59)
4. Righteous Red Berets (9:12)
5. Squeeze The Trigger (9:09)
6. The Devil Threatens Me (12:55)
7. Down The Garden Path (12:28)
8. Getting Old (5:05)
9. Pietermaritzburg (4:47)

ARTIST STATEMENT

Deaf Safari is an audio collage of subjects that interest me and speak of the world I live in.
It is an album composed of sampled recordings from the media landscape that has been the soundtrack to my life over the last ten years.

The most important development in my current music and as can be heard on Deaf Safari has been my understanding of the beauty and power of the spoken word. I have experienced severe indifference to contemporary pop and electronic music as a whole over the last many years, as I have felt that social comment of any relevance has been ignored by music in general.
Deaf Safari attempts to bring sociopolitical comment into my music without taking any specific stand.
Sampled outside of musical influence directly from the news; from preacher sermons or from contemporary African documentaries.
I have finally created a story with sound that I feel accurately conveys my personal experience with the African world I live in.

My musical influences on this album lie mostly with local Kwaito house. Deaf Safari is an experiment within certain boundaries of the 4/4 genre, to create my own South African "house" album.
I am proud and inspired about the South African Kwaito house scene.
However, as with my first three albums, "Thin Shoes In June“ (2001) - "4/4 Down The Stairs“ (2002) and "Dark Days Exit“ (2005), I am still interested in making strange and evocative music.

American Roots music from the earlier periods of the 20th century has deeply resonated with me during the making of this album.
The incredible field recordings by Alan Lomax of Negro prison and chain gang work songs, and the
beautiful early recordings of artists such as Leadbelly have had a major influence on Deaf Safari.

I am truly excited to release this album and to start performing in the music world again. It has been ten years since I released "Dark Days Exit , and although I have been purposefully absent from the music world, I have none the less never stopped making music.
I feel that I have finally arrived at a mature and challenging stage in my pursuit of making emotional music of relevance .

Felix Laband 13=02=2015

Links:

facebook: www.facebook.com/pages/Felix-Laband/18041251748
soundcloud: @felix-laband
resident advisor: www.residentadvisor.net/dj/felixlaband

Felix Laband live @ Cape Town Electronic Music Festival 2015:
new.livestream.com/accounts/128788…videos/76528193

Felix Laband live @ Festival au bord de l’eau (Sierre, 2012):
Aubordeleau – Festival-weekend-au-bord-de-10

Deaf Safari

I'm So High, I Swear I Could...

Felix Laband - I'm So High, I Swear I Could...

Getting Old

Felix Laband - Getting Old

DARKSIDE - Gone Too Soon

Kodumela Production_Makiya.mp3

bäm junge

Luke Abbott - Brazil (Live on Tape)

Scissor and Thread is proud to present "Leland" the debut album by Francis Harris. This long anticipated LP is a requiem to the artist's father, released to coincide with the second anniversary of his passing. 

The album, Harris' most expansive work to date, features Danish vocalist Gry on three tracks including "lostfound," the first single and video which was remixed by Mathew Herbert. Also featured throughout are Emil Abramyan, whose poignant performance on cello evokes comparison to Arthur Russell, and Greg Paulus (No Regular Play/Matthew Dear Band), whose improvisational free jazz inspired trumpet accents converse thoughtfully with Harris' own tonal melodies performed on piano and guitar.

Leland will be available February 28th in a limited edition triple LP set which includes a free mp3 download of the album, as well as from iTunes, Beatport, halcyondigi.com and other select digital retailers. 

Leland

Francis Harris - Living Lips [clip]

Taeuschungs-Blume :: Dominik Eulberg

« Spectre » from « Stromboli » EP
Listen : https://VIMALA.lnk.to/Stromboli
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Stromboli

Spectre

More than 30 years in business, over 800 catalogue releases, over 8000 songs + remixes and still going strong!! Compost is one of the most prolific, highly acclaimed and in demand indie labels in Europe. Compost and its sublabels Compost Black Label, Compost Disco, Drumpoet Community, Derwin Recordings and rumpelmusig standing for quality music, a sophisticated mixture of electrifying disco, house, techno, soul, jazz and a little bit of pop. XLR8R wrote: "...top address where electronica meets musicality". Besides internationally respected artist like Robert Owens, Trüby Trio, Koop, Beanfield, Christian Prommer, Felix Laband, Karma, Ben Mono, Kyoto Jazz Massive, Marsmobil, Eddy Meets Yannah, Sepalot, Alif Tree, Shahrokh, Wigald Boning a.o. the label is also well known for its praised compilation series V.A. "Elaste" (Vol.1-4), "Future Sounds Of Jazz" (Vol.1-14), "Partykeller" (Vol.1-3) or "Glücklich" (Vol.1-5). Like Gilles Peterson once said: “With great pleasure I pronounce Compost the most consistent and forward thinking record label of continental Europe.“

Felix Laband - I'm So High, I Swear I Could...

compost