Henrik Schwarz. Leave My Head Alone Brain (Mix 2)

!! These are stripped-down 160mp3 snippets of the original tracks !!!

Artist:  Felix Laband
Album:  The Soft White Hand
Catalog No.:  CPT605-1 / -2 / -3
Format:  2-LP incl. download / CD / digital
Barcode / Format:
673794260518 > 2-LP incl. Download
673794260525 > CD
673794260532 > Digital

Tracklisting:
1. “Dreaming In Johannesburg (04:30) 
2. “Prelude” (04:59)
3. “Derek And Me” (05:49)
4. “Death Of A Pervert” (05:31)
5. “We Know Major Tom's A Junkie” (06:00)
6. “They Call Me Shorty” (06:25)
7. “Go To Sleep Little Baby” (05:46) 
8. “5 Seconds Ago” (04:27)
9. “7 Rise 7 House” (02:40)
10. “Borc Love” (02:55)
11. “Dreams Of Loneliness” (03:39) 
12. “Requiem For The Lord” (03:47) 
13. “Snug Retreat” (06:09)
14. “Death Of A Migrant” (07:20)

Felix Laband’s The Soft White Hand is the masterwork of an artist who expresses himself through musical and artistic collage acting together to reinterpret his sources and to express significant elements of his own personal story.
Released by Munich-based Compost Records, the 14-track album is Laband’s first full-length offering since the critically acclaimed Deaf Safari in 2015.


In The Soft White Hand Laband works with source materials that will be familiar to those who know his previous four records – Thin Shoes in June (2001), 4/4 Down the Stairs (2002), Dark Days Exit (2005) and especially Deaf Safari which reached deep into the South Africa scene and its political culture to inspire its vocal and music sampling. However, the disengagement he felt from his homeland during his latest album’s creation – an abiding sense of untethered-ness to place and space, exquisitely rendered in tracks like “Death of a Migrant” – is perceptible in Laband’s desire to illuminate instead aspects of his own life.
“For this album, my source material became almost autobiographical as opposed to African statements I’ve worked with previously,” says the artist. “I have sampled a lot from documentaries from the 80s crack epidemic in impoverished African American communities and
believe my work speaks unapologetically for the lost and marginalised, for those who are the forgotten casualties of the war on drugs. In the past, I have had my issues with substance abuse, and I know first-hand about the nightmares and fears, what it feels like to be isolated and abandoned.”

LINKS:

Facebook: https://www.facebook.com/Felix-Laband-18041251748/ Instagram: https://www.instagram.com/felixlaband
Soundcloud: https://soundcloud.com/felix-laband
Bandcamp: https://felixlaband.bandcamp.com/

Felix Laband - Snug Retreat (Snippet)

Buy/stream: https://kompakt.fm/releases/kompilation_2xlp

How do you define an artist who has never performed live, nor DJ’ed, nor ever had his photograph published and has never partaken in an interview? By the music of course. Jürgen Paape has proven this time and time again. How? Listen. Here. Right. Now. Co-owner of Kompakt. The house’s most elusive member remains the uncompromised, untainted shining star. He, who has launched the label with its very first release “Triumph“, Jürgen Paape has left a legacy of music that is a true core of the sound which Kompakt’s foundation is built on.

We celebrate Jürgen Paape with “Kompilation”. A well deserved opportunity to hear Jürgen Paape for fans and newcomers – revived and remastered and for the very first time on double vinyl – in a way that it plays through like a full length album. Some of the biggest moments of Kompakt over a three decade history are here; the chorus of “So Weit Wie Noch Nie” remains timeless – there to send shivers of pleasure down your spine as we feel at the end of exhaustive end of a night. “Take That” is an anthem for the still to be built rock stadiums of tomorrow. It’s a bonafide hit that put him in the charts in Australia and Italy. – “Come Into My Life” remains undeniably one of Kompakt’s catchiest pop tracks ever. “So Wird Die Zeit Gemacht” – builds on Paape’s signature sound with the spirit and vitality of classic house and a truly demented vocal hook. Then there’s the unique Schaffel quirkiness of “Ofterschwang” and so many other hits Jürgen Paape has delivered over the years. Well, it’s Paape!

Kompilation

Jürgen Paape - So Weit Wie Noch Nie

Axel Boman - 1979

I did two dubs for Loud Places. They will be out on YT in a white label 12". 


Loud Places (feat. Romy) (John Talabot Remixes)

Jamie xx - Loud Places feat. Romy (John Talabot's Higher Dub)

DJ Koze exists both above and beyond club culture as we know it – his albums and remixes flying free from genre and trend – and symbiotically woven into its heart. Yes, he always abstracts and weirds out the principles of house, techno, hip hop, pop, psychedelia, exotica and so forth, but he does that because he understands them. And when it comes to club-demolishing tracks, he understands those principles as well as just about anybody on earth.

Thus he could create an enduring club tune like 2015's “XTC” that is strange, contemplative, even disturbing, bore little relation to anything around at the time, yet still got bodies moving and sweating better than way more obvious techno bangers. And thus the knock knock album, which melts a million genres and none into one another, can comfortably include “Seeing Aliens”.

“Seeing Aliens” unquestionably is a banger, its bass riff snaking around your body like a python, its high-drama strings, pianos and outbursts of noise designed for maximum crowd pressure release. But, again, it sounds like nothing else, and its dynamics and twists unfold over eight and a half minutes in ways that will mess with your head every time no matter how many times you hear it.

The exclusive b-side track, “Nein König Nein” (“No King No”!), meanwhile, is slightly gentler on the face of it: it's less about sonic pressure, more about hip-shaking syncopation. But it too tells strange fairytales in its peculiar and brain-tweaking accumulation of detail, and though you'll hear archetypal sounds from the heart of house and disco in it, every last one of them becomes new and otherworldly.

Pampa030

DJ Koze - Seeing Aliens (Pampa030)

Sharing my first & only remix ( 17 minutes long !! ) from my debut album:

- Prins Thomas - Bird - 🕊🍊
Dropping on 300 ( only !!!! ) limited heavyweight , orange label vinyl - out June 29th. 

2 versions ++ original version. 

Vinyl will be available to pre-order TOMORROW PM.

Available to buy digitally now!! : https://kellyleeowens.bandcamp.com/album/bird

Enjoy !! I loved it so much I had to put it out!!

🕊🍊

xo KLO

Bird - Prins Thomas Remix -

Roisin Murphy " Simulation" Mano Le Tough remix

Red axes  1970 promo set

From Owe Me Remixes
Released November 2009 on Wolf + Lamb Records
www.wolflambmusic.com

Buy on Beatport

No Regular Play - Owe Me (Nicolas Jaar Remix)

DJ Koze - Nices Wölkchen feat. Apparat

More than 30 years in business, over 800 catalogue releases, over 8000 songs + remixes and still going strong!! Compost is one of the most prolific, highly acclaimed and in demand indie labels in Europe. Compost and its sublabels Compost Black Label, Compost Disco, Drumpoet Community, Derwin Recordings and rumpelmusig standing for quality music, a sophisticated mixture of electrifying disco, house, techno, soul, jazz and a little bit of pop. XLR8R wrote: "...top address where electronica meets musicality". Besides internationally respected artist like Robert Owens, Trüby Trio, Koop, Beanfield, Christian Prommer, Felix Laband, Karma, Ben Mono, Kyoto Jazz Massive, Marsmobil, Eddy Meets Yannah, Sepalot, Alif Tree, Shahrokh, Wigald Boning a.o. the label is also well known for its praised compilation series V.A. "Elaste" (Vol.1-4), "Future Sounds Of Jazz" (Vol.1-14), "Partykeller" (Vol.1-3) or "Glücklich" (Vol.1-5). Like Gilles Peterson once said: “With great pleasure I pronounce Compost the most consistent and forward thinking record label of continental Europe.“

Felix Laband - Snug Retreat (Snippet)

compost