I am so grateful to experience something  as beautiful as this!❤❤

In tapestry of time, love weaves 🧎🏾‍♀️

wont be surprised if i levitate. 😭🤲🏾

soon as it begins, it just pulls you in 🌻💚✨

Single

3.16 (prod. eyeisonthat)

3.16 (Prod. eyeisonthat)

here I speak on how I feel a meaningless connection cannot give me pleasure in any way.
I crave intimacy with the best of me
I want to be close to my partner.
I want to be emersed into their world.

No pillow talk means that I won’t slick talk or lie about how I feel truly deep inside my heart because I wanted that person that bad

lets take our time

here I reflect on the deminor I uphold and how I belive when you have confidence in who you are most time the people who envy you are close to you.
I make it fun near the end while rapping and singing to show how your environment may distract you even if it's fun Hence why I say may the force be with you. 

hoping you'll find a way to listen and get out the trap
my job is to lead you into my world and ways I've traveled. 

may the force be with you (demo)

Inkululeko

we all feel lonely, at some point — in love or outside of it.

sometimes, all it takes is a companion to fill that void — a shoulder to cry on, a chest to lay on & the warmth of a beating heart that reassures love.

alma del niño not only stresses this through the bass he plays but the harmonies he boast, almost feeling that a weeping, heart

credits 🎬

production: written, composed + arranged by Itumeleng Leso 

additional bass, production vocals: written, arranged + performed by Pfano Malada (@almadelnino on instagram)

cover art: written, designed + illustrated by Candice Myataza (@deepartearthworld on instagram)

sometimes, i wish that my soul’dmate could replace my pillow, at night (feat. alma del niño)

the return feature from the original offering, girlthewoman, unknowingly speaks on the grieving process of a loss — almost supporting the sentiments of Soul Rich…

“LiNGELOYi”, which is a sotho word for an “angel” is a story of grieving… she eloquently describes the void that the absence of her angel has conceived & how she wishes that she’d return.

credits 🎬

production: written, composed + arranged by Itumeleng Leso 

vocals: written, arranged + performed by Keamogetswe Makgoba (@girlthewoman on instagram)

cover art: written, designed + illustrated by Candice Myataza (@deepartearthworld on instagram)

LiNGELOYi (feat. girlthewoman)

whilst we’re still on the subject of a nurturing love, Soul Rich heightens this feeling by painting a scene where a woman loses her child, upon birth after having formed a stillbond, relationship & an an almost intangible love with the unborn baby.

Soul Rich uses cadence, pacing, intonation & intensity to echo the crushing feeling of losing someone that you love… in real time… leaving you undone & unmatched… incomplete as a being

credits 🎬

production: written, composed + arranged by Itumeleng Leso 

vocals: written, arranged + performed by Letlhogonolo Mhlotshazana (@soulrich_sa on twitter)

cover art: written, designed + illustrated by Candice Myataza (@deepartearthworld on instagram)

undone + unmatched (feat. Soul Rich)

harmoniously, atlii opens the sermon — singing, with calm as she eases us to a spoken word piece that speaks, heavily on the weight that is grounded in love… almost in total contrast to the harmonies that support this performance.

she compares to a compass — almost alluding to how directionless, the lack of love feels like & goes into emphasise the nurturing nature of love or at least in context…

credits 🎬

production: written, composed + arranged by Itumeleng Leso 

vocals: written, arranged + performed by Atlegang Motaung (@itsatlii on twitter)

cover art: written, designed + illustrated by Candice Myataza (@deepartearthworld on instagram)

calm... come... calm... come with me (feat. atlii)

a lil something with my fave;Enocs Mae. 🤭❤️
IG: @sihlethegoodguy
Soundcloud: Enocs Mae.

show me w/Enocs Mae.

i was at a friends house, whose roofing is mostly zinc & when it started raining — i pulled my phone out to record the sound of water, caressing the surface of “amazenke”.

this then became the sample which undergoes a lot of timing & sound design to become the first sound you hear within this composition.

once that had served as the foundational sound together with a bongo arrangement that’s in the thirds, i played a harp progression which i went on to layer with a double bass, a sub bass & a hit foley, before introducing an arpeggiated guitar to tie the production altogether.

upon arrangement & having exported the composition, i sent it to LUNGĒLWA as a congratulatory for their Narowbi debut & they sent the song that you’re to immerse yourself in, in a matter of hours — almost a flex of their immeasurable genius.

- [kimetsu.]

When I wrote this song it was me being my most vulnerable and about not recognizing someone l used to be with. It almost felt like betrayal and the only way I could process it was just letting the song cry for me. As reference to Jay Z and how he has a classic joint called a song cry I had to let the song embody that type of pain.

Abandonment is something I often deal with but still haven't yet fully mastered the aftermath that come with it. Although this is not a love song it's love singing through yearning for a deeper understanding into one's experience of heartbreak. It can be from family a friend, a lover but you interpret it how you must [kimetsu.] sent it to me as a celebratory gift after my NarowBi debut and I sent it in within 2-3 hours back because it spoke to me and exactly what I was feeling during that time, an ode to vulnerability.

Not a love song but love singing
Poetry in our wounds

- LUNGĒLWA

LUNGĒLWA & [kimetsu.] - do i really know you...

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calm... come... calm... come with me (feat. atlii)

[kimetsu.]

Recent comments

jeremiah_mthembu

LUNGĒLWA.

Mayibongwe Dladla

Enocs Mae

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