'Somebody's Beloved' ft. Bipolar Sunshine out 10/15. Pre-save now: https://milck.lnk.to/SomebodysBeloved 

For Los Angeles-based singer and multi-instrumentalist MILCK, music is a sanctuary. In her words, “Music is the one place where I can simply be me. When I’m singing my lyrics, I don’t have to be feminine enough, strong enough, American enough, or Asian enough—I can just be a soul that yearns to feel free.” 

MILCK’s life took a 180 degree turn after a cell phone video of her performing her song “Quiet” with a choir of 25 strangers at the 2017 Women’s March went viral. Soon it was being echoed and interpreted by groups around the world, from the US to Sweden to Ghana. “Quiet” was named Billboard’s #1 protest song of the year and earned distinction as part of NPR’s “American Anthem” series. And in 2018, it brought MILCK to the March’s main stage in New York City, where she performed alongside the legendary Yoko Ono. 

Having “cemented her status as one of music’s voices for the women’s movement,” MILCK continues to use music as a means to work towards social justice. Written amidst protests for Black Lives Matter, MILCK’s timely and poignant new song “Somebody’s Beloved” (Ft. Bipolar Sunshine) chronicles the life-shattering effects of systemic racism in America. In partnership with writer/director, Tom Shadyac and his Tennessee-based non-profit, One Family Memphis Foundation, MILCK has created a deeply moving narrative video that will arrive alongside the song on October 15th.

FACEBOOK    
http://www.facebook.com/pages/Drekken/138645319512412?v=app_2405167945

Tumblr
http://www.drekken.tumblr.com

YouTube!
http://www.youtube.com/xDREKKEN

DREKKEN
http://www.wix.com/DREKKEN/Music

TWITTER
http://www.twitter.com/xDREKKEN

iLike
http://www.ilike.com/artist/DREKKEN

MYSPACE
http://www.myspace.com/xdrekken

REVERBNATION
http://www.reverbnation.com/drekken

PURE VOLUME
http://www.purevolume.com/DREKKEN

Buzzfeed.com named Connie as one of top 10 Asian Americans You Must Get Behind. Learn more about Connie at www.connielimmusic.com.

Party Rockin Groove Knockin Record Collectin Vinyl Spinnin DJ & Music Producer from Canada, Born in Washington D.C. 🐉 1/2 of MVPZ
http://thegaff.ca

US/Canada Bookings Contact: TOMAS@DANIOMANAGEMENT.COM
Me: Mike@thegaff.ca

Like a unicorn, NNXT is rare and magical. A one-woman electropop powerhouse, NNXT sets herself apart from today's pop princesses and electronic artists by producing, recording, and performing all of her music. 

She also loves Law and Order, Hello Kitty, coffee, and video games. 

To know Greco and the innate electronic pulse that flows through him, you would assume he slid out of the womb straight into a warehouse of glow sticks and strobe lights. You would never imagine he learned his production skills on a farm in Tranquility, California, just outside of Fresno. Rumor has it that his first keyboard was made from kernels of corn. True or not, Greco’s signature sound has since tattooed hundreds of songs.

At age five, Greco Rossetti learned to play the drums, piano, saxophone and the guitar. In high school, he played percussion in the jazz band that toured the state, learning the ropes of life on the road, minus the sex and drugs part.

Greco was born into a musical family. Greco’s uncle was a famous mariachi singer in Mexico and his great grandparents were avid songwriters. Their folk band toured the U.S. through the late 1970’s. In addition, his mother has been a dance instructor for over 40 years, hence Greco’s conniptions on stage. (Editor’s note: See a live Shotgun Radio show and try not being sore just watching him).

Over the course of his musical youth, Greco became bored with traditional instruments and began learning the technical aspect of modern music. He bought his first 808 drum machine at thirteen years of age and started making beats for local hip-hop kids. While most kids collected baseball cards, Greco’s home studio became a museum of vintage gear with such pieces as a Roland-juno 60, Moog source, etc.

With influences such as Depeche Mode, Nitzer Ebb, New Order and Nine Inch Nails, Greco became addicted to electronic music and formed the electro-pop band, Artistry alongside friends John Riley and Jason Delgado. With high hair in tow, they played numerous shows and eventually opened up for Prodigy and Moby. As the band’s sound got heavier, so did their identity spawning the band to change their name to Reverse. Shortly thereafter, the band was signed to an independent record label in Los Angeles and put out an album before suddenly dismantling. With that, Greco was on pace to be potentially featured in a future episode of E! True Hollywood Story.

In 1994, following his inner cruise control, Greco took the back roads to the highway, running out of gas in Los Angeles, California. He had outgrown the small pond complex and accepted the challenge of testing his gills in rough, unforgiving waters. Slamming the car door, these two worlds collided.

Greco attended the Los Angeles Recording Workshop and, immediately after graduation, landed an assistant engineering job for Ice-T’s Body Count album and was the keyboard programmer for Body Count’s Ernie C Encounter. Also during this time, Greco worked on Michael Jackson’s “History” album, edited for Ozzy Osbourne and Brazzaville, performed at a Super Bowl halftime show with Diana Ross and played keyboards for Laurie Kranz at a party for the film, “54” at Studio 54 in New York City.

All the while, Greco was working on his own music as well and recorded out of his home (his bathroom doubling as a vocal booth) and called it Room107 Studios. Although intimate and convenient, Greco was persuaded to move his gear and work as the in-house producer for the newly-formed Tantrum Entertainment, located between Hollywood & Vine and the Capitol Records building on one side and Mann’s Chinese Theater on the other.

Having met too many people with empty promises and filled heads, Greco was weary of who he shared his talents with. One day, Tantrum Entertainment hired Marcel Saxlund and with only a few seconds of sideways glances and visual assessments like dogs sniffing each other (no actual sniffing occurred, however), the two hit it off and eventually created the band, Shotgun Radio and have since released two albums in that same studio (Tantrum Entertainment eventually folded), had several commercial and film licensing credits to their name as well as being sought after producers and remixers.

Dirtyrock’s DJ style is anything but typical, producing an onslaught of high-energy, melodic beats every time he hits the booth. True to his name, Dirtyrock has a knack for keeping the vibe dirty and rough around the edges as he exhibits complete wreckless disregard for the eardrums of others. His heavy-hitting, expertly mixed set of modern electro-house smashes dancefloors like a wrecking ball, and contains enough kinetic energy to keep the crowd rocking in perpetual motion for hours.

Raised on oldies and rock &amp; roll during his youth, then later falling into the depths of trance and progressive house, Dirtyrock’s eclectic roots show in the way he incorporates melody and builds long breakdowns into infinitely suspenseful tipping points, only to suddenly come crushing down with the hardest-hitting electro riffs known to man. Having shot through the ranks of the local circuit where he held residencies at Hollywood’s most prestigious clubs including MI6, Boudoir and Villa, Dirtyrock now holds a weekly Friday residency at the world famous Avalon as his latest conquest. In a very short span of time, he has quickly become one of the most well regarded DJs in Los Angeles. If that weren’t enough, Dirtyrock is currently working to conquer new grounds as a producer, and has caught the attention of current Electro star Lazy Rich, and held a #7 electro release on his label Big Fish with his EP 'Never Stop'

Gavin Castleton is a Portland, OR musician/songwriter/producer. He was a member of Gruvis Malt, Ebu Gogo, One Drop, FutureCastle, and The Dear Hunter. Castleton has been releasing solo music since 2004.

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