Sara Miller at Watergate Club, Berlin. September 3rd 2022.

Sara Miller at Watergate Club - 03.09.22

The mix was made on a thurdsay afternoon in no time and is pretty honest. I took some LPs we actually listen to a lot (Joy Orbison, Erykah Badu, FKA Twigs, Jack J, Isa Gordon, Andras) and added a few current 12 inches. A mix of Indie Pop, R&B, smooth analogue House, leftfield Electronica and discoish stuff is what you get.

Soundcloud: @itsjustad
Instagram: https://www.instagram.com/ad_the_dj/

AD The DJ - What are you listening to?

art:cast °139 | Glo My

You do not necessarily associate the Mexican electronic music scene with the deeper nuances and facets but rather with Dark Disco and Melodic Techno. All the more Glo My’s way to walk the initially-named path is even more impressive. Originally from Mexico City Jimena, Glo My’s real name, now resides in Italy’s north, Milan to be more precise, spreading her ever groovey yet melodically demanding and sound-wise ambitious music to and with the world. Therefore the artist provides her listeners with a potpourri of Deep House, Breaks, UK Garage and keeps a ravey and with abstract textures sprinkled vibe, which elegantly and smoothly unites the before-mentioned genres and influences to one homogenous sound-experience adding up to the Glo My-way. Her own events, Hell Town, surely have helped Glo My to dive deeper into compiling her sets and creating unique tonal ecstasies but these days the artist distinguishes herself with several productions, something Glo My has only been doing for a little longer than four years. Her latest addings to her catalogue of musical outings are her track Sang Woo on Lis Sarroca’s Maai label, as well as an EP on Womxn Records called Lejos de Casa and another single track, Hey Kiss Me, on Bass Water Freak Out. Having been kissed by Glo My’s style, probably as softly as it was once sung about, there’s only one thing left to say: It’s either the Glo My Way or no way at all. You can convince yourself as the Milanese by choice compiled the latest edition of the art:cast series and talks her latest outing on Maai with us alongside some spicy information of how she became involved with electronic music, her home-county’s influence on her and much more.

Read the full interview: https://torturetheartist.net/2022/12/08/interview-artcast-139-glo-my

Artist information
Glo My: https://facebook.com/GLOMY1 // https://soundcloud.com/glomy001 // https://instagram.com/glomy000 

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art:cast #139 by Glo My

Interview

art:cast °139 | Glo My

Freeride Millenium 
Tuesday, Jan. 24th 
22:00 - 24:00 CET 
www.radio80k.de

hosted by: 
@jorkes 
@parisboehm

songs played:
Stella Z - Six Leaves Elephant
Teho - Nuts_Bits
Barker - Positive Valence
Lugovsky - Peak
Ervadoce - Everlasting Shine
Ste Roberts - Eliza
Kassian - Akkala Falls
Kin Teal - In Hindsight
ATRIP & niina - In The Booth
Ben Hauke - Make Up Break Up Bench
Milo - Paradise Police
Kim Anh - After Darkness (Massimiliano Pagliara Remix)
Remmy - I Know
Luke Alessi - Scuze Me (Yulla Niko Remix)
Leo Janeiro - Uncle Silva
Gerra Read - Hair Like You
Mike Nasty  & Oaris Clark - Jazz Club
Lovelace - Don´t Get Carried Away
Banana Republic - Lonely Too Long
Parade Ground - Strange World (Dark Side Exclusive Version)
Urban Cookie Collection - Dreaming In Colours

Unknown Album

#33 @ Radio 80000 w/ Paris Böhm & Jorkes

Fresh from his Love Attack debut, with his cosmic EP 'Hard to Find', Ivan Fabra delivers a bouncy 1 hour mix featuring Alinka's Remix of Hard to Find.

We hope you enjoy this spacey quest :)

Love Attack Radioshow 13: Ivan Fabra

Hello Friends,
There are two amazing unreleased remix/edit fromk @Mattheis and @aerrra!
They are now included in the redesigning:ripperton compilation!
If by chance you already bought it: Just download it again!
Enjoy 
xx 
Ripa

Redesigning:Ripperton (AeraEdit) Exclusive*

Sirens Podcast 006: Club Tularosa

Since their Debut in 2018, Ray Barragan & Lionel Rifkin aka Club Tularosa have built a unique taste. Mixing flavors of Post Punk, Italo, Techno & even the obscure parts of psychedelic funk. They’ve proven themselves as proper party starters. Following their first hit in 2019 ‘Kenji’, Club Tularosa released a second EP ‘Pyramids’ on Me Me Me records which catapulted them into the global touring circuit. 2021 brought huge success with originals & remixes for labels such as Correspondent, Throne of Blood, HE. SHE. THEY., Calypso & Australia’s Soothsayer. 
While they’re DJs first, Club Tularosa continues to raise the bar with productions. As musicians, they continue to push the boundaries of club music by exploring diversity and implementing range in their sound.

Follow Club Tularosa:
- www.instagram.com/clubtularosa
- www.soundcloud.com/clubtularosa
- www.clubtularosa.bandcamp.com
- www.facebook.com/ClubTularosa

Sirens Podcast 006: Club Tularosa

Le Bizarre Festival continue ce week-end à la Villette, entre La Folie, Le Pavillon, et le studio de Tsugi Radio! Les Disques du Lobby, avec Mala Ika & Vilaine Dufrêne, s'occupent d'ambiancer le studio de Tsugi.

Les Disques du Lobby & Bizarre Festival avec Mala Ika

The first original track of Mäcan.
This track wasn’t made to go viral.
It just needed to exist.
It’s not about perfection — it’s about feeling something real.
If it speaks to you, let it stay.

Be Loud. Be here. 
-Ä

Come on down with me - Mäcan

This, ladies and gentlemen, is authentic Deep House music, the kind with groove, soul, and depth. It speaks without words and takes us back to the genre's true essence. A.b.o. is the artist behind this masterpiece titled This Question, a track that captures everything Deep House was meant to be.

A.b.o. - This Question [Deep Clicks]

Internal conflicts and transcendence...
The End, by The Doors,explores profound themes of the human psyche, going beyond a simple farewell. The direct reference to the Oedipus complex in the lines "Father? / Yes, son / I want to kill you / Mother, I want to–" reveals internal conflicts and family taboos, demonstrating how the song addresses universal issues of rupture, symbolic death, and rebirth. Although Morrison was initially inspired by the end of his relationship with Mary Werbelow, he expanded the lyrics to address broader existential experiences.
The hypnotic atmosphere created by Robby Krieger's guitar, which imitates Indian instruments, reinforces the sense of travel and transcendence. Lines like "Lost in a Roman wilderness of pain" and "All the children are insane" suggest a civilization on the brink of collapse, which connects to the use of music in the film "Apocalypse Now" to illustrate the chaos of war. Metaphors like "ride the snake" and "the blue bus is callin' us" can be seen as references to both psychedelic journeys and processes of self-discovery. The somber, introspective tone, coupled with the narrative's fragmented structure, conveys the sense of an inevitable end, but also of a painful liberation, as in "It hurts to set you free / But you'll never follow me." “The End” remains open to multiple interpretations about death, transformation, and the limits of human experience.
So...
Enjoy this Remix

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Constant Change

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