Fractal

E (for electricity, m for) MOTION

Pleasant

Erika Neese

Universal Everything & You (full show audio)

If you are familiar with Icasea, the great experimental electronica label run by Satoshi Aizawa, Tom Knapp and Alex Peverett (1/2 of Skam veterans Team Doyobi), you probably already know Poborsk's music.

If not: here is something in the line of Autechre and some of Skam's releases: deep, melodical and abstract electronica with an almost non human level of details and technicality, a freestyle approach to arrangements, some "biomechanical" grooves and some really uncanny atmospheres that make you feel like being in a jungle, or a sea, of micro sounds.

A must have for your interstellar travels.

COMING SOON!!

ARTWORK BY:
https://www.facebook.com/satoshi.aizawa.9

>> https://www.facebook.com/pob.orsk.5

Mastered by Matt Subjex

DWNLD THE FULL VERSION

Poborsk - Gradient Scene - Lp Preview (BR055)

LAMB - Backspace and Unwind (fast forward mix )

can't believe it's been over a week since i've made some sounds. life gets in the way sometimes.

and tonights, is just quick, a loop before sleep. something that was already in the modcan cv record module… and looped again in the phonogene. filtered.

May 29, 2014 (goodnight loop)

After an August break, the first September gong bath in Troy, New York.

Gong Bath

woke up sleeping

Generated with a fractal algorithm. Based on some vocals I was doing for another song.

Reflection

Fractal music automatically generated from a voice sample. 

mm hm

So Peaceful

Not a fractal! 

This track is based around a recording I made of my street being paved last year. Other recordings: a dog collar, insect chorus, birds and ambient noise behind a strip mall, and breath, all looped and mixed in Ableton Live. I wasn't sure how to structure it, so I picked up an Oblique Strategies card (https://en.wikipedia.org/wiki/Oblique_Strategies) and it said "Repetition is a form of change", so I ran with it. 

This is for the Disquiet Junto #257, Remember Noisevember.

More on this 257th weekly Disquiet Junto project — “Remember Noisevember: Make some noise” — at:

http://disquiet.com/0257/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

http://llllllll.co/t/disquiet-junto-project-0257-remember-noisevember/5549

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by mediachef, used thanks to a Creative Commons license:

flic.kr/p/7Z4uNx

Repetition is a form of change

Paving it Over [disquiet0257 - remember noisevember]

I sang a bit of "Will the Circle Be Unbroken", fractalized it, and put some more vocal harmonies on top.

For more on fractal music see www.fractalmusicmachine.com/fractal-explanation.

Underbrush

Unbroken

Blue Babble

Recording of a fidget spinner, with windchimes and other suburbia in background.

Just a fidget spinner (field recording)

Japanese Taiko Drum

This is based on the fractal in the picture. 

An audio clip is split into fragments. Up and down represents the location in the clip where the fragment starts. Left to right represents time within the track. Many layers of the fragment starting at different times are stacked together, creating an echo effect.

Kyrie (Geometric Clouds)

This is a slightly new direction for me, I am using python to generate fractals in MIDI and importing them into Ableton to add the sounds. This is using Ableton's Operator synth and basic sounds. This is for the Disquiet open mic. Feedback is welcome, I am especially interested in pointers on how to improve my synth sounds. 

Disquiet Junto Project 0336: Open Mic
Share a piece of music you’re working on in the interest of getting feedback.

Step 1: Choose a track/composition you’re working on that isn’t quite finished. Share the recording on the Lines forum at llllllll.co (see specific URL below).

Step 2: When posting the track, mention that you’re looking for feedback, and if applicable specify some aspects of the recording you might want feedback on.

Six More Important Steps When Your Track Is Done:

Step 1: Include “disquiet0336” (no spaces or quotation marks) in the name of your track.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0336” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation a project playlist.

Step 3: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0336-open-mic/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Other Details:

Deadline: This project’s deadline is 11:59pm (that is, just before midnight) wherever you are on Monday, June 11, 2018. This project was posted in the late afternoon, California time, on Thursday, June 7, 2018.

Length: The length of your track is up to you.

Title/Tag: When posting your track, please include “disquiet0336” in the title of the track, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track online, please be sure to include this information:

More on this 336th weekly Disquiet Junto project (Disquiet Junto Project 0336: Open Mic / Share a piece of music you’re working on in the interest of getting feedback) at:

https://disquiet.com/0336/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0336-open-mic/

There’s also a Junto Slack. Send your email address to twitter.com/disquiet to join in.

The image associated with this project is by Gabriel Gilder and used via Flickr thanks to a Creative Commons license:

https://flic.kr/p/ymxsn

https://creativecommons.org/licenses/by-nc-sa/2.0/

Composition 3 [disquiet 0336]

Extracto del Concierto de Phil Niblock y Thomas Ankersmit en el Laboratorio Arte alameda, Ciudad de México @Festival AURAL 2012 .

  Jueves 10 de Mayo de 2012

Phil Niblock & Thomas ankersmit (saxofon, Drone, visual)

vienna_7_2012_1

This is fractal music created by repeating a pattern over and over at many levels.  

More on fractal music: https://www.fractalmusicmachine.com/fractal-explanation/

Source code: https://github.com/erika-n/blockish

Reflection

Erika Nesse