Name: Where were we by Erika Nesse in Fractal
Duration: 2 min
Description: Generated with a fractal algorithm.

Fractal

“Wherever we are, what we hear is mostly noise. When we ignore it, it disturbs us. When we listen to it, we find it fascinating,” John Cage said in his 1937 lecture, “The Future of Music: Credo.” He continued: “The sound of a truck at fifty miles per hour. Static between the stations. Rain. We want to capture and control these sounds, to use them, not as sound effects, but as musical instruments.” In this week’s Disquiet Junto project, we take the proposition literally.

https://llllllll.co/t/disquiet-junto-project-0479-truck-radio-rain/42403

Wherever Instruments (disquiet 0479)

Where were we

Generated with a fractal algorithm. Based on some vocals I was doing for another song.

Reflection

I sang a bit of "Will the Circle Be Unbroken", fractalized it, and put some more vocal harmonies on top.

For more on fractal music see www.fractalmusicmachine.com/fractal-explanation.

Underbrush

Unbroken

This is based on the fractal in the picture. 

An audio clip is split into fragments. Up and down represents the location in the clip where the fragment starts. Left to right represents time within the track. Many layers of the fragment starting at different times are stacked together, creating an echo effect.

Kyrie (Geometric Clouds)

This is a slightly new direction for me, I am using python to generate fractals in MIDI and importing them into Ableton to add the sounds. This is using Ableton's Operator synth and basic sounds. This is for the Disquiet open mic. Feedback is welcome, I am especially interested in pointers on how to improve my synth sounds. 

Disquiet Junto Project 0336: Open Mic
Share a piece of music you’re working on in the interest of getting feedback.

Step 1: Choose a track/composition you’re working on that isn’t quite finished. Share the recording on the Lines forum at llllllll.co (see specific URL below).

Step 2: When posting the track, mention that you’re looking for feedback, and if applicable specify some aspects of the recording you might want feedback on.

Six More Important Steps When Your Track Is Done:

Step 1: Include “disquiet0336” (no spaces or quotation marks) in the name of your track.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0336” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation a project playlist.

Step 3: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0336-open-mic/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Other Details:

Deadline: This project’s deadline is 11:59pm (that is, just before midnight) wherever you are on Monday, June 11, 2018. This project was posted in the late afternoon, California time, on Thursday, June 7, 2018.

Length: The length of your track is up to you.

Title/Tag: When posting your track, please include “disquiet0336” in the title of the track, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track online, please be sure to include this information:

More on this 336th weekly Disquiet Junto project (Disquiet Junto Project 0336: Open Mic / Share a piece of music you’re working on in the interest of getting feedback) at:

https://disquiet.com/0336/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0336-open-mic/

There’s also a Junto Slack. Send your email address to twitter.com/disquiet to join in.

The image associated with this project is by Gabriel Gilder and used via Flickr thanks to a Creative Commons license:

https://flic.kr/p/ymxsn

https://creativecommons.org/licenses/by-nc-sa/2.0/

Composition 3 [disquiet 0336]

This is fractal music created by repeating a pattern over and over at many levels.  

More on fractal music: https://www.fractalmusicmachine.com/fractal-explanation/

Source code: https://github.com/erika-n/blockish

Piano Track 6

Solo upright bass
Harmonica
Synthesizers and Fx.

Image: Friendship by Agnes Martin.

For this challenge:
Disquiet Junto Project 0456: Line Up
The Assignment: Interpret a painting by Agnes Martin as if it were a graphic score.

Step 1: Look at the work of painter Agnes Martin, best known for her parallel lines.

Step 2: Select an individual work that suggests itself to you as a musical score.

My imagination is not flamboyant today, I just went for some linear playing, both an upright bass linear impro and an harmonica and synth simple straight drone.

DD 25th Sep 2020

Parallel Lines (disquiet0456)

For https://llllllll.co/t/disquiet-junto-project-0467-toolbox-show-tell

Thanks to the lockdown and the lack of proper work on these past 2 months I decided to (finally) open and old box of DAT I got from my storage place in Argentina when I was forced to close it and decide what to keep (bring it home on the plane), what to sell, what to discard.
These DAT (my go-to recording/archival media in the 90s)  included loads of tapes with Jams and impromptu encounters that I recorded there live and never ever listened to.
I realize now how good that attitude was,( just tape everything that happens at home or archival purposes), I did that all the time, stopped later, I promise to do it again in the future.

I discovered many gems, funny and intense moments, I include here one rehearsal for a song I composed in 1985 (one of my first proper composition) . I make a little bass solo that's pretty lame, but my partners live-at-home performance is awesome and I'm glad to make this available for you to listen and criticize.

This happened in Buenos Aires, March 9th 1995 at my home/studio in the Julian Alvarez street of the Palermo Viejo area. Recorded live to DAT (one mic for the guitar, one for the bass, a stereo AT mic for the percussion set.

Gabriel Kirschenbaum: spanish guitar
Ricardo Hambra: percussion (tabla, bombo) @udfmusic1
Daniel Diaz: acoustic bass guitar


Photo: Palermo Viejo, Plaza Cortazar by DD, Circa 2000.

La China (live studio rehearsal) - disquiet0467

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 30th December 2020

haiku by Morikawa Kyoroku http://chevrefeuillescarpediem.blogspot.com/2018/11/carpe-diems-leafless-tree-3-morikawa.html

picture by Linus Nylund https://unsplash.com/@doto
@https://soundcloud.com/naviar-records

Carp Dreams [naviarhaiku364]

More on this 470th weekly Disquiet Junto project — Calendar View / The Assignment: Create a sonic diary of the past year with a dozen (or more) super-brief segments — at:

https://disquiet.com/0470/ 1

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0470-calendar-view/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Dan Allison, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/3pXRU

https://creativecommons.org/licenses/by-nc/2.0/

Calendar view (disquiet0470)

Mix of live recordings & electronics.
Best wishes to all for 2021!

More on this 470th weekly Disquiet Junto project — Calendar View / The Assignment: Create a sonic diary of the past year with a dozen (or more) super-brief segments — at:

https://disquiet.com/0470/ 1

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0470-calendar-view/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Dan Allison, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/3pXRU

https://creativecommons.org/licenses/by-nc/2.0/

Snatches of 2020 (disquiet0470)

My submission for
Disquiet Junto Project 0472: Jam Time (1 of 3)
The Assignment: Record the first third of a trio that others will complete.
https://disquiet.com/0472/

Peaceful Invitation (disquiet0472)

Live electronics created in Pure Data. 
The tempo is 60 bpm (4000 ms & parts thereof).
In this version the right-hand stereo track has been panned toward the left. If required or preferred, this process can easily be reversed by re-panning it toward the right.

More on this 472nd weekly Disquiet Junto project — Jam Time (1 of 3) / The Assignment: Record the first third of a trio that others will complete — at:

https://disquiet.com/0472/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0472-jam-time/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Meg Jones, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/mDRT9 1

https://creativecommons.org/licenses/by-nc-sa/2.0/

Rhythm Sinister (disquiet0472)

Just a quiet textural beat to build on.

More on this 472nd weekly Disquiet Junto project — Jam Time (1 of 3) / The Assignment: Record the first third of a trio that others will complete — at:

https://disquiet.com/0472/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0472-jam-time/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Meg Jones, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/mDRT9

https://creativecommons.org/licenses/by-nc-sa/2.0/

new unit (disquiet0472)

More on this 479th weekly Disquiet Junto project – Truck Radio Rain (The Assignment: Locate three sound sources and make something with them) – at:

https://disquiet.com/0479/ 1

More on the Disquiet Junto at:

https://disquiet.com/junto/ 1

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/ 1

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0479-truck-radio-rain/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by janwillemsen, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/mNaAmA

https://creativecommons.org/licenses/by-nc-sa/2.0/

Where were we

Erika Nesse

Related tracks