ARCTIC  BIRDS    4

We Can Dream

made with looper, other mic, amp zoom h1 and nch and stylophone
TTTTTTTTTTTTTTTTTTTOOOOOOOOOOOOOOOOOOOOOO
MMMMMMMMMMMMMMMMAAAAAAAAAAAADDDDDDDDDD

but fr0g,how Do you REALLY feel (warning - not pleasant)

autumn afternoon

- Picture -
Art Cover Editor. Shyntwirl
Colorist Editor. Shyntwirl 
Quality Editor. Shyntwirl
Effects Editor. Shyntwirl
Lightning Editor. Shyntwirl

- Music -
Producer. Shyntwirl
Composer. Shyntwirl
Programmer. Shyntwirl
Structure. Shyntwirl
Developer. Shyntwirl
Synthesizers. Shyntwirl
Reverb. Shyntwirl
Echoes. Shyntwirl
Pads. Shyntwirl
Strings. Shyntwirl
Leads. Shyntwirl
Synths. Shyntwirl
Keyboard. Shyntwirl
Fx. Shyntwirl
Quality Audio. Shyntwirl

PROD. Shyntwirl 

Shyntwirl - Pollination

2025-10-23

last chapter

https://ajkaufmann.bandcamp.com/album/manvantara

"Book of Dzyan"

UNTIL DAWN

Rocktober day and track 24

it just starts, goes on and then stops.

The composition is definitely not finished. The synths come together at one point (tonal), which causes a weak spot. I normally experiment until I find the strong point or chance of such a fragment, but that would take too much time rn, I had to deliver 😄
Also the drums, ooh, they just go on 😆
So, I wonder if this will draw my attention later this year (or next! Time FLIES!).

24 Heartbeats of Small Bodies

I LOVE creaky floorboards. ❤️ Always have. They’re the little confessions the world doesn’t know it’s making. How could it?

This particular set — oh, these sonic beauties — were discovered in a small museum in Lille, France. A place so very quiet you could almost hear the air move somehow. The curator said the building used to be a tailor’s shop. But the neighbours reckoned it had been an intelligence post during the war; the kind of place where secrets secreted themselves into the grain of the wood.

So I waited until closing time. Set up my recorder. And walked. Slowly.

Every step had its own personality — one a whisper, one a sigh, one a shriek like a door … perhaps remembering something it shouldn’t. Somewhere between the third and fourth creak, though, the air changed and tilted weirdly. You know that cold, coiled feeling — when you’re not sure if you’ve just been noticed by someone? But I was alone ... I WAS alone.

I kept recording.

Later, when I played the sounds back, there it was: a super faint shuffle beneath and between the creaks. A pause. Then two extra footsteps … that weren’t mine. Perfect rhythm. Perfect distance. Like a partner in a dance waiting years for the next cue, which had now arrived, years later.

So I built the track around that. A haunted duet between spy and spectre, each trying to decode the other’s silence.

Enjoy … if you dare. 🎃😈

More on the 722nd weekly Disquiet Junto project, Spook Street — The Assignment: The Assignment: Make music for a haunted spy film — at https://disquiet.com/0722/.

more halF unusuaL

halF spooK [disquiet0722]

Disquiet Junto 0723 suggested making a piece of music that structurally falls apart.

I've been spending time with my Make Noise 0-Coast semi-modular synth lately, watching tutorial videos, exploring different patch configurations, and recording everything "just in case" as I always do with analog gear. 

So for this week's response I challenged myself to center the 0-Coast.  Although I had intended to start with a drone patch, a happy mistake led me to a heavy brass-like sound, which I connected to the random step function for pitch. Add lots of reverb, and we have hell's own horn section. The 0-Coast also eventually gave it the drone I had in mind at the start. This was the only synth used in the piece. No MIDI was involved, as the patches were completely self-playing.

The pizzicato was recorded live, 4 tracks, on my electric violin, which my violin instructor is going to be over the moon about. The vocal, featuring Yeats's "The Second Coming", was captured on a shoebox cassette recorder. There's a little digital piano sprinkled in as well.

More on the 723rd weekly Disquiet Junto project, Do the Collapse — The Assignment: Make music that falls apart repeatedly — at https://disquiet.com/0723/

The Center Cannot Hold (disquiet0723)

I create original experimental, postpunk, and experiential music from my studio in Chicago. The Hard Times described my work as "creepy, haunted, but also a little bit uplifting." Prolific.

The Center Cannot Hold (disquiet0723)

Coraline Ada Ehmke

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