Created from tracks found at @re-ex

Repost Exchange link
repostexchange.com/users/doug-stoothoff

DistroKid Slaps forum page
slaps.com/dougstoothoff

itch.io profile page:
https://exedexes1.itch.io/


Douglas P Stoothoff main site:
https://exedexes1.com/
https://exedexes1.godaddysites.com/

Youtube subscribe:
https://www.youtube.com/channel/UC4WSgBZCySWQ-wAQ0GMtXag?sub_confirmation=1
https://www.youtube.com/channel/UCL0BaYj4gcMibSa0gVS8WeQ?sub_confirmation=1

itch.io profile link:
https://exedexes1.itch.io/

Feature.fm overall Artist Bio link:
https://ffm.bio/douglas-p-stoothoff

Master Track List on SC:
https://soundcloud.com/doug-stoothoff/tracks

Artist page on Spotify:
https://open.spotify.com/artist/7EuvIQRQESX9WFtwI6GqWB
https://open.spotify.com/artist/4aN8I7Zl7HuhQQC0txGPYC

Artist page on Apple:
https://music.apple.com/us/artist/doug-stoothoff/1687430940

Artist page on Amazon:
https://music.amazon.com/artists/B0C4YK678Y/douglas-p-stoothoff

Youtube Artist Topic Channel (autogenerated):
https://www.youtube.com/channel/UC4WSgBZCySWQ-wAQ0GMtXag

Artist page on Bandcamp:
https://dougstoothoff.bandcamp.com/

Artist page on Tidal:
https://tidal.com/browse/artist/39485859

Artist page on Beatport:
https://www.beatport.com/artist/douglas-p-stoothoff/1155579

Artist page on Boomplay:
https://www.boomplay.com/artists/70114948

Artist page on Pandora:
https://www.pandora.com/artist/douglas-p-stoothoff/ARjZ7nth7x9xvpg

Artist page on Qobuz:
https://www.qobuz.com/us-en/interpreter/douglas-p-stoothoff/18758728

Artist page on iHeart Radio:
https://www.iheart.com/artist/douglas-p-stoothoff-40424070/

Electronic Mix of Mine Plus Re-Ex 55

From the EP EmBrAcE ThE MaChInE

Released in 2023

Lyrics: Brieuc Bohu
Music: Brieuc Bohu / Fred Offret
Vocals & Electro arrangement: Fred Offret

© all rights reserved

VOo DOo LOve Kult - What Have I Done?

theres so much to see

Tribute to U995 in Laboe. 
The today only existing Type VIIC submarine

U996 - August 1944

From the upcoming Release "Red" available on all platforms 7/26/24
mswmusic.com

Control

VIDEO: https://youtu.be/CvhWvJ89xsY
https://linktr.ee/wallmusic

Drawing on themes from my PhD research, "Netscape: Cities and Global Corporate Networks" https://repub.eur.nl/pub/16013/ , the song "Network Inequality" emerges as a powerful sonic exploration of the disparities within global economic systems. The track uses an AI voice as a detached narrator, delivering terms like "asymmetric system," "network of a network," and "inequality of the economic network," among others. These terms are interspersed with graph theory measures such as "indegree," "outdegree," and "centrality," effectively mapping the intricate flows of capital and power as if in real time.

The song's progression mirrors the ebb and flow of financial markets, with the music intensifying to represent the volatile dynamics of economic systems. A poignant moment arrives during the bridge when a deep male voice cuts through the mix, intoning "Babylon lovers are Babylon lovers"—a direct invocation of the Rastafarian concept of Babylon. This oppressive system symbolizes economic exploitation and inequality, contrasting starkly with the cold, mechanical voice of the AI. This human element, raw and soulful, underscores the human cost hidden beneath economic abstractions.

Female voices whisper chants that grow increasingly louder and impassioned, intertwining with the AI’s stark recitations. The culmination is a crescendo where detached technological articulations and defiant human responses clash, plunging the listener into the chaotic soundscape that represents the network itself.

Beyond its lyrical depth, "Network Inequality" is a testament to the innovation in contemporary electronic music, blending psytrance, experimental electronic, retrosynth, and nudisco. The track channels the energetic, modernized psytrance reminiscent of Vini Vici, enriched by the melodic layers akin to Astrix, and pulsates with a rhythmic base that propels it forward. Cosmic synths and expansive soundscapes, influenced by Electric Universe, give the track a celestial quality.

Retrosynth elements recall the nostalgic vibes of Klopfgeister, merging a retro aesthetic with modern sensibilities. The inclusion of nudisco adds a groovy, danceable dimension that mirrors the lighter, playful elements found in Neelix’s genre-blending productions. "Network Inequality" is not just a musical piece but a narrative collage, paying homage to avant-garde influences like Shpongle and Ritmo, who push the boundaries of their genres.

This track is not merely a collection of influences but a cohesive narrative that challenges listeners to question the underpinnings of our global economy. It is a compelling encounter for both psytrance aficionados and those new to the genre, drawn by its eclectic and innovative appeal. The repeating mantra, "Babylon lovers, are Babylon lovers," inspired by The Slits’ "Love Und Romance," serves as a resonant reminder of the ongoing struggle against systemic economic inequalities.

Network Inequality

VIDEO: https://youtu.be/vkJ8YT1l-Gk
https://linktr.ee/wallmusic

The song Void describes life and death as eternal parts of a cosmic symphony, where the universe is understood as a continuum of shifting sonic frequencies, rather than physical matter. The track describes reality as an intricate interplay of non-random vibrations, where dissonant noise and organized harmonies generate the laws of nature, particles, and waves. These frequencies continuously entangle, creating and reshaping the universe, while death represents the absence of frequency—a state of complete silence. The song suggests that existence is a cosmic orchestration, where everything is born from the interaction of these frequencies. Written for my late father George Wall, a physicist.

Lyrics:

No material universe exists, but a continuum of shifting frequencies, colliding at infinite speeds. 
It is a domain of eternal coordinates, where most of its substance is dissonant noise, and the remainder evolving harmonies of organized complexity and structure. 
Unlike chaos, it is an orchestra of non-random frequencies, that intersect to create the myriads of cosmic notes and rhythms we perceive as matter and its laws. 
Laws that are materializations of clustered or linear coordinates, that enable the emergence of particles and waves. 
Moreover, it is from the destructive and constructive entanglements of these entities, that our physical universes are born and reborn, endlessly performed by the conductors of time. 
From these entanglements, existence is protected from the void, where death is the absence of all frequencies, a perpetual silence where creative symphonies cannot be composed nor performed. 

Come fly with me to my existence. 
Free yourself from your body. 
Come fly with me into tomorrow. 
Fill yourself with brilliant light. 
Death is the absence of all frequency.
That's what attracts love to the void. 
Come fly with me to our existence. 
Fill yourself with brilliant life. 
Come fly with me to my existence. 
Free yourself from your body. 
Come fly with me into tomorrow. 
Fill yourself with brilliant light. 
Death is the absence of all frequency. 
That's what attracts love to the void. 
Come fly with me to our existence. 
Fill yourself with brilliant life.

Void

- Core Sixtyfour name inherited from old legacy era of first analog synthezisers from the time where 8bit Commodore C64 beeing used and beyond until recent days where Core 64 cpu’s being used for electronic music creation. Somewhere between Atari ST/E and MEGA ST with Steinberg Pro24 started journey with electronic music that have insprired so many

Always a 808 sounds and inspiration from 1980 where FM synth become standard with Analog synth role and influence kept. Blending elements of new wave and EDM disco to create a unique and futuristic sound with deep and darker instrumental songs

Electronic music landscape continues

U996 - August 1944

ℂ𝕠𝕣𝕖𝟞𝟜 ♫♪♩♫♪♩