Created from tracks found at @re-ex

Repost Exchange link
repostexchange.com/users/doug-stoothoff

DistroKid Slaps forum page
slaps.com/dougstoothoff

itch.io profile page:
https://exedexes1.itch.io/


Douglas P Stoothoff main site:
https://exedexes1.com/
https://exedexes1.godaddysites.com/

Youtube subscribe:
https://www.youtube.com/channel/UC4WSgBZCySWQ-wAQ0GMtXag?sub_confirmation=1
https://www.youtube.com/channel/UCL0BaYj4gcMibSa0gVS8WeQ?sub_confirmation=1

itch.io profile link:
https://exedexes1.itch.io/

Feature.fm overall Artist Bio link:
https://ffm.bio/douglas-p-stoothoff

Master Track List on SC:
https://soundcloud.com/doug-stoothoff/tracks

Artist page on Spotify:
https://open.spotify.com/artist/7EuvIQRQESX9WFtwI6GqWB
https://open.spotify.com/artist/4aN8I7Zl7HuhQQC0txGPYC

Artist page on Apple:
https://music.apple.com/us/artist/doug-stoothoff/1687430940

Artist page on Amazon:
https://music.amazon.com/artists/B0C4YK678Y/douglas-p-stoothoff

Youtube Artist Topic Channel (autogenerated):
https://www.youtube.com/channel/UC4WSgBZCySWQ-wAQ0GMtXag

Artist page on Bandcamp:
https://dougstoothoff.bandcamp.com/

Artist page on Tidal:
https://tidal.com/browse/artist/39485859

Artist page on Beatport:
https://www.beatport.com/artist/douglas-p-stoothoff/1155579

Artist page on Boomplay:
https://www.boomplay.com/artists/70114948

Artist page on Pandora:
https://www.pandora.com/artist/douglas-p-stoothoff/ARjZ7nth7x9xvpg

Artist page on Qobuz:
https://www.qobuz.com/us-en/interpreter/douglas-p-stoothoff/18758728

Artist page on iHeart Radio:
https://www.iheart.com/artist/douglas-p-stoothoff-40424070/

Electronic Mix of Mine Plus Re-Ex 55

Next Level

Next Level - KRT Production

Seq07e The Magnificent Italian Summer  With Bells 7

Blue Pill Limbo

From the EP EmBrAcE ThE MaChInE

Released in 2023

Lyrics: Brieuc Bohu
Music: Brieuc Bohu / Fred Offret
Vocals & Electro arrangement: Fred Offret

© all rights reserved

VOo DOo LOve Kult - What Have I Done?

Bright Street

The Off-Track

More

Premonition

theres so much to see

Check out my new album Neon City, out now on all streaming platforms.

distrokid.com/hyperfollow/jonnybcool/neon-city

distrokid.com/spotlight/jonnybcool/vote/

Neon City lights
They're blinding my sight
In this cold world
I'm hunting in the night
Cybernetic beings
They look just like us
But inside they're made of circuits and rust
Electric pulse running through my veins
Cyberware enhancements fueling my chase

With a loaded gun
I roam the dark streets
Tracking androids
Their secrets to defeat
Their eyes glow red
Reflecting in the rain

Skyscrapers high
Lost in the city
No reason to hide
Streets alive
Got a feeling
Gonna take a dive
Big city dreams
I'm chasing the fame
Every corner's a mystery
A new game

Sidewalks crowded
People pass me by
But I keep moving
Gotta reach the sky
Concrete jungle
I'm on my own
Searching for something
Let the music be on my throne

Android Slayer

EMU 2.0: HUMAN SINGER VERSION
Music by Overdrive
Japanese lyrics by TN2
Vocals by Masha Solo

EMU stands for "emulator" in Information Technology. The track is inspired by the cyberpunk culture of Japanese anime/manga, especially the classics Akira and Ghost in the Shell.

The first version used synthetic vocals generated with Dreamtonics' Synthesizer V software and Mai voicebank. This new version uses the vocals of the real singer Masha Solo.

Check out the incredible musical production of this polyglot singer on her SC page:
https://soundcloud.com/masha-solo

Hope you like this new version of EMU

Emu 2.0: Human Singer Version (ft Masha Solo)

https://www.flowcode.com/page/helloegomusic

Free DL

Birdman & Lil Wayne - Stuntin' Like My Daddy (Hello Ego Flip)

Tribute to U995 in Laboe. 
The today only existing Type VIIC submarine

U996 - August 1944

All vocals & keyboards created and performed by C. Riggalls

Original song 'It's a Sin' 
By Neil Tennant and Chris Lowe
Copyright Sony/ATV Tunes LLC o/b/o Cage Music Limited

v. 20240706b

It's a Sin

Its A Sin

bluebar

From the upcoming Release "Red" available on all platforms 7/26/24
mswmusic.com

Control

Listen to 'Energy' here: https://orcd.co/trick093

Silver-certified artist Patrick Topping returns to his mighty Trick label this Summer, bringing his signature raved-up, club-ready sounds across the rip-roaring ‘Energy’. The Geordie powerhouse and his Trick imprint have long been at the forefront of the electronic scene, giving rise to a vibrant array of breakout talents and diverse sounds like Ben Hemsley, Hannah Laing, and Schak, to name a few. With a long list of accolades to his name, including ‘Best British DJ’ at the 2022 DJ Mag awards and appearances on prestigious stages from Hï Ibiza to festivals like Tomorrowland and Glastonbury, Topping is one of the most in-demand DJs in the world.

“The title of this track sums up the vibe! Just a pure energy blast from start to finish. Hannah did such a massive, euphoric vocal, so I kept the beat techy and heavy as a contrast. Been causing scenes all over this, with so many asking for its ID. One of my favourite things I’ve ever made.” – Patrick Topping.

Patrick Topping and his Trick imprint are a tour de force, pushing thrilling and forward-thinking House music with a focus on new talent to widespread acclaim.

Energy

Mountain's Edge

"Any Second Now" is originally a Depeche Mode song that was released as the B-side of "Just Can't Get Enough."  We covered it sometime in the second half of the '90s with the band Sekret Oktober.

In 2024, Daniel decided to dig through ancient artifacts (a.k.a. floppy discs) and found a disc reader to resurrect the old MIDI file. Stefan revived the MIDI files and gave them new life with updated instruments. We then collaborated with the amazing @minimalnomad to create the vocal version, and here it is: a mix of very smooth vocals and icy analog electronic sounds.

We hope you like our version. Leave a comment if you wish.

Any Second Now (Voices) - a Depeche Mode cover by Sekret oktober featuring minimalnomad

VIDEO: https://youtu.be/CvhWvJ89xsY
https://linktr.ee/wallmusic

Drawing on themes from my PhD research, "Netscape: Cities and Global Corporate Networks" https://repub.eur.nl/pub/16013/ , the song "Network Inequality" emerges as a powerful sonic exploration of the disparities within global economic systems. The track uses an AI voice as a detached narrator, delivering terms like "asymmetric system," "network of a network," and "inequality of the economic network," among others. These terms are interspersed with graph theory measures such as "indegree," "outdegree," and "centrality," effectively mapping the intricate flows of capital and power as if in real time.

The song's progression mirrors the ebb and flow of financial markets, with the music intensifying to represent the volatile dynamics of economic systems. A poignant moment arrives during the bridge when a deep male voice cuts through the mix, intoning "Babylon lovers are Babylon lovers"—a direct invocation of the Rastafarian concept of Babylon. This oppressive system symbolizes economic exploitation and inequality, contrasting starkly with the cold, mechanical voice of the AI. This human element, raw and soulful, underscores the human cost hidden beneath economic abstractions.

Female voices whisper chants that grow increasingly louder and impassioned, intertwining with the AI’s stark recitations. The culmination is a crescendo where detached technological articulations and defiant human responses clash, plunging the listener into the chaotic soundscape that represents the network itself.

Beyond its lyrical depth, "Network Inequality" is a testament to the innovation in contemporary electronic music, blending psytrance, experimental electronic, retrosynth, and nudisco. The track channels the energetic, modernized psytrance reminiscent of Vini Vici, enriched by the melodic layers akin to Astrix, and pulsates with a rhythmic base that propels it forward. Cosmic synths and expansive soundscapes, influenced by Electric Universe, give the track a celestial quality.

Retrosynth elements recall the nostalgic vibes of Klopfgeister, merging a retro aesthetic with modern sensibilities. The inclusion of nudisco adds a groovy, danceable dimension that mirrors the lighter, playful elements found in Neelix’s genre-blending productions. "Network Inequality" is not just a musical piece but a narrative collage, paying homage to avant-garde influences like Shpongle and Ritmo, who push the boundaries of their genres.

This track is not merely a collection of influences but a cohesive narrative that challenges listeners to question the underpinnings of our global economy. It is a compelling encounter for both psytrance aficionados and those new to the genre, drawn by its eclectic and innovative appeal. The repeating mantra, "Babylon lovers, are Babylon lovers," inspired by The Slits’ "Love Und Romance," serves as a resonant reminder of the ongoing struggle against systemic economic inequalities.

Network Inequality

VIDEO: https://youtu.be/vkJ8YT1l-Gk
https://linktr.ee/wallmusic

The song Void describes life and death as eternal parts of a cosmic symphony, where the universe is understood as a continuum of shifting sonic frequencies, rather than physical matter. The track describes reality as an intricate interplay of non-random vibrations, where dissonant noise and organized harmonies generate the laws of nature, particles, and waves. These frequencies continuously entangle, creating and reshaping the universe, while death represents the absence of frequency—a state of complete silence. The song suggests that existence is a cosmic orchestration, where everything is born from the interaction of these frequencies. Written for my late father George Wall, a physicist.

Lyrics:

No material universe exists, but a continuum of shifting frequencies, colliding at infinite speeds. 
It is a domain of eternal coordinates, where most of its substance is dissonant noise, and the remainder evolving harmonies of organized complexity and structure. 
Unlike chaos, it is an orchestra of non-random frequencies, that intersect to create the myriads of cosmic notes and rhythms we perceive as matter and its laws. 
Laws that are materializations of clustered or linear coordinates, that enable the emergence of particles and waves. 
Moreover, it is from the destructive and constructive entanglements of these entities, that our physical universes are born and reborn, endlessly performed by the conductors of time. 
From these entanglements, existence is protected from the void, where death is the absence of all frequencies, a perpetual silence where creative symphonies cannot be composed nor performed. 

Come fly with me to my existence. 
Free yourself from your body. 
Come fly with me into tomorrow. 
Fill yourself with brilliant light. 
Death is the absence of all frequency.
That's what attracts love to the void. 
Come fly with me to our existence. 
Fill yourself with brilliant life. 
Come fly with me to my existence. 
Free yourself from your body. 
Come fly with me into tomorrow. 
Fill yourself with brilliant light. 
Death is the absence of all frequency. 
That's what attracts love to the void. 
Come fly with me to our existence. 
Fill yourself with brilliant life.

Void

A therapeutic journey into a mix of jazz, classical, and a blend of types of electronica.  And a wry, gradual observation that promotion tends to only go as far as you push it.  At least I make my fellow musicians laugh a little.

Electronic Mix of Mine Plus Re-Ex 55

Doug Stoothoff