One of the pioneers of the belgian new beat and techno scene. De Wulf started in music around 1986 as a DJ/programmer for several local pirate radio stations in the area of Gent. He was mainly interested in music with a strong rhythmical content: new wave funk, electro, European and American experimental post-punk. Not just contenting himself with lining up tracks and commenting on them as radio makers in those days did, he made his own mixes and created a particular live atmosphere during his programmes.
From radio it was just a small step to DJ'ing in clubs, and by doing that Frank became intrigued by the process of making music. Captured by the early spirit of the new beat movement, his desire to gain more creative possibilities made him swap his turntables for a synthesizer and a sampler, and in this modest home studio environment he started to compose his own material and to remix existing tracks.
First public proof of his talents as a musician and a producer was the 12-inch "Acid Rock", which instantly became an underground hit and over the years developed into one of the classics of the first European Dance wave. But De Wulf's big breakthrough came with The B-Sides (2) series (on Music Man Records), a stylish cocktail of beats and pieces, peculiar atmospherics and citations from international Dance highlights. All four volumes charted in several European countries and reigned over dancefloors on the continent as well as in the States. The B-Sides vested De Wulf's name as key figure in the neo-beat wave, and in no time he found himself travelling throughout the global Dance village to DJ, to remix for artists as diverse as Erasure, N-Joi, Jam & Spoon, Orb, The and Shamen, The and to promote his own material.
He later released an impressive body of work on his own labels H.P.F., Tribal Sun, Mikki House, Two Thumbs and Growth, compiled the CD "Missing Links" (a collection of his favourite tracks by other artists mixed with his own) and did production work for others. As an artist he continued to grow, incorporating Trance and ambient elements in his avant-Dance music. 

Comments, hints and suggestions are always welcome!

Frank de Wulf @ The Ark, Leeds, U.K.  10.04.1993

Old fart who loves 4:4 across the board. Occasionally promote and play out at a night called 'Darkroom' and at 'Esoteric' at The Trades Club, Hebden Bridge. currently promoting #InRealLife at The Golden Lion, Todmorden (next event is 3/12/25 with Reedale Rise live.) Held a residency on the Modulations podcast and broadcast 'The Electric Lounge' radio show for two years. Musical inspirations: too many. Forged in late 89 sweatboxes in Manchester...But it ain't where you're from, it's where you're at. 

I like to mix techno!!!!! Test methods ep pt 1 coming out soon

Modulations is back — with a new musical direction.

In this next chapter, the podcast will focus mainly on live performances from electronic music artists who embrace a DIY approach to creativity — many of whom perform at EMOM and similar grassroots events.

Over the past few years, I’ve been attending various EMOM (Electronic Music Open Mic) events across the north of England. It’s at these gatherings that I’ve discovered some incredible talent — from both familiar and often unknown artists. This includes close friends, whom I’ve had the pleasure of watching take to the stage and perform for the very first time. The whole experience has been inspiring — and eye (or ear) opening, to say the least.

Click here for more information about EMOM and how to get involved: electronicmusicopenmic.com

In addition to live performances, I’ll occasionally upload DJ sets — from myself and a few handpicked others. No genre boundaries — just the good stuff.

If you create live electronic music — whether you play at EMOM events or elsewhere — I’d love to hear from you.

Listen wherever you get your podcasts

keep the oldschool alive!
and support the artists!

Frank de Wulf @ The Ark, Leeds, U.K. 10.04.1993

corecracker