More info : http://corsynth.com/home/modules/c106vcad

  

Corsynth C106 Dual Loopable VC AD Envelope & more

Corsynth C106 - Retro

Only three modules were used 
Corsynth C106  Dual Loopable VC AD Envelope & more , Envelope A as audio source and Envelope B controls de VCA
Corsynth C101 OTA Low Pass Filter
VCA

Corsynth C106 - 303

VCO1 to VCA1 - Envelope A controls VCA1
VC02 to VCA2 - Envelope B controls VCA2
VCA1 + VCA2 connected to the filter C101

The Envelope A triggers the Envelope B after reach the end of its Attack and Envelope B trigger Envelope A after reach the end of the Decay.  

The Envelope A has a long decay so two VCOs can be heard during the decay of Envelope A.

And LFO is modulating the Envelope A  (Attack and Decay)

The filter cut-off frequency is controlled using the A+B output.



Corsynth C106 - Delayed  VCO

Envelope A in loop mode controls a VCA. The envelope goes from LFO to audio frequency.

Corsynth C106 - AM

Using the A-B output to create complex modulations not possible with normal LFOs

Corsynth C106 - Complex Modulation

Comparative between exponential and logarithmic modulation. 

Corsynth C106 - Filter Modulation - Exp/Log - 100ms Attack

Comparative between exponential and logarithmic modulation.

C106 - Pitch Modulation - Exp/Log - 100ms Attack

Envelope A triggers Envelope B and Envelope B triggers Envelope A . A LFO is used to modulate the Envelope A.

Corsynth C106 - Synced Envelopes

Few percussion examples using the snappy C106 envelopes. 
The bass drum sounds were created using Env1 to control the VCA and the second Env2 to modulate the pitch of the VCO.  
The open-closed hit-hats were created using the Decay CV input connected to the 1V/Oct keyboard output , higher notes creates longer decay times.

Corsynth C106 - Percusive Sounds

Complex modulation pattern created using a C106 Dual Loopable VC AD Envelope & more

http://corsynth.com/home/modules/c106vcad

