006 Myles Mac

Myles Mac has been adding colour to Melbourne’s electronic music scene for over a decade now. His presence is felt across a number of seminal productions: from the Lost Weekend parties at Boney – where a few of Waxflower’s own shared late nights and sweaty mornings – to his pairing with DJ Camov and the formation of Project 95 and, of course, the world renowned Melbourne Deepcast label and mix series responsible for showcasing local and international artists. Myles stands out from the crowd as a consummate curator of feel good times.

Big Mac played amazing mixes for us at Waxflower throughout his residency. This one provides a glimpse into his exceptional taste, sleuthing between jazzy vibes and street soul and hip hop. No doubt if we locked the doors and begged him to keep playing we would have ended up deep in Mac’s first love: house. Shifting gears and pleasing ears – that’s Myles Mac.

Recorded Live at @Waxflowerbar

006 Myles Mac

@molinero-1

Marius tells us the stories of his native fusion and jazz from Germany, all the way to the most outernational AOR and Cosmic Folk. Guitar driven, where instrumentation is sometimes more crucial than the lyrics themselves...

Keeping it personal, Marius built the mix around some hometown classics in and amongst some of his more recent discoveries. 

Truly one for Spring / Summer Road Trips!

Outernational Times - Marius Molinero (#9)

Final hour of Optimo residency at Sub Club

Gloria Jones – Tainted Love
Vitalic Vs Peaches – LA Rock Show
Sparks – Beat The Clock
A Homeboy A Hippie & A Funky Dred – Total Confusion
Westbam (With Nena) – Oldschool, Baby (Piano Mix)
The Turtles – Happy Together
Chris Isaak – Wicked Game (Trentemoller’s Businessman Dubby Games Remix)
Blondie – Atomic
Sylvester – Do You Wanna Funk?
The Doors / Merzbow – The End / Woodpecker No. 2 (Merzbow?)
Dinosaur L – Kiss Me Again
The Joubert Singers – Stand On The Word
Ben E. King Stand By Me
**The Final 15 Minutes!!**
Divine – Shake It Up
Liquid Liquid – Optimo
Ike & Tina Turner – Come Together
Warner Brothers – End Credits With Porky Pig
Nina Simone – Feeling
Good Chuck Wood – Seven Days Is Too Long

Optimo Optimogeddon Part 5

Fresh off the flight from an extensive Asia-tour, Telephones return with a peek-in-the-bag special with favourite digs and finds from the far eastern crates. A fine dose of balearic, streetsy soul, deep house, and naturally a fair amount of Japanese leftfield pop. Konnichiwa!

Shouts to @raphael-top-secret and @sanctuary3 for intel! <3

Telephones' New Massage 032 [Refuge Worldwide]

Interview: http://blog.landr.com/8-mile-bay-two-friends-bringing-back-art-cassette-mixing/

Side A
1. theo parrish - levels - sound signature
2. amp fiddler - superficial (j.a.n. mix) - genuine 
3. patrice scott - cosmic rituals - still music
4. generation next - lamborghini dreams - 7 days ent
5. four tet - angel echoes - domino
6. segv - hypersurface - sly fox
7. 3 chairs - demigods - three chairs
8. sade - motor city soul remixes - white
9. oasis #5 - fxhe
10. livin in soul - another love song - retroactive
11. kem - without you - kdj private collection

Side B
1. rick wade - angry pimp - harmony park
2. theo parrish - dan ryan - sound signature
3. malik pittman - a walk thru osaka - still music
4. pagan future - good king's crusade - wt records
5. pacific horizons - a prayer for santa ana - pacific wizard foundation
6. generation next - windsor nights - 7 days ent.
7. jus ed - teckno minimal - underground quality
8. keita sano - drummer trix - mister saturday night
9. juan atkins - never tempt me - tresor
10. mike huckaby - baseline 89 - synth
11. walt j - magic love - fit
12. agents of woe - get illiterate - blank artists



LANDR Exclusive Mix - Cosmic Crates

If you’ve been to Phonica in the past 15+ years, you likely know Nick Williams—an integral figure behind the counter, sharing his deep and eclectic musical taste with everyone from global DJs to underground newcomers. As founder of Meda Fury Records, he’s championed soulful, leftfield sounds, discovering artists like DJ Seinfeld along the way. A seasoned DJ himself, Nick has played iconic clubs like Fabric and Corsica, known for genre-defying sets that span ambient, house, techno, post-punk, jungle, and beyond. His latest mix reflects this wide scope—layered, emotional, and full of unexpected gems.

Phonica Friends & Family Mix Series 24: Nick Williams

Recorded at Radio Relativa Studio on 21.07.2025


Sound Metaphors Djs @ Radio Relativa (Madrid), 21.07.2025

Shhhhh @ MAKING TIME ♾️ 2025

A TRANSCENDENTAL futuristic sound experience with Dave P. from Making Time !!! 

https://www.instagram.com/davep_makingtime
https://www.soundcloud.com/davep_makingtime



PLURT ∞ - A Making Time TRANSCENDENTAL futuristic sound experience with Dave P. @ The Lot Radio 10-23-2025

‘For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

Buonasera!!!

How are we? We is good. We is so good!

We is back with numero sette! aka lucky number seven. I know we weren’t gone long enough but when you’ve got good news you really should share it. 

This time around its a team effort, brought to you by the gruesome twosome themselves Pjenné & Simon TK, two of Melbourne’s finest on both sides of the turntables, in preparation for their upcoming ‘Earth Tones’ party at the Fairfield amphitheatre. Which follows a similar vein with a familiar vibe. 

Simon TK aka the melodic jack russell aka the cosmic van-damme aka DJ Gravy-Fingers aka the guy that plays ‘good’ disco, he’s been one of Melbourne’s legs for many years, making and creating the scene we so comfortably know in the neu-modern era. The man has two pies for each finger (DJ Gravy-Fingers) a founding father of the ever fun Wax'o Paradiso, XOXO (rip), ¿Club D'érange? and now Earth Tones amongst a few more handfuls of tasty ventures. The man can mix though, by jove’s have I seen this bloke do some amazing shit behind the decks, can command a dance floor like a bloody blue healer on show day. All of this and he still manage’s to stay grounded, he’s a true ledg who will hopefully continue to steer Melbourne in the right direction for the foreseeable future. 

Now, Pjenné aka penne puttanesca aka the little engine that done did aka DJ Compact Disc aka the walking record bag, if there was a formula that Pjenné followed to start her foray into this ridiculous game of ‘play the music’ then I would bottle it all and drink it for myself. A classic case of ‘shut-the-fuck-up-and-listen’, she spent years hanging with her cohorts, digging through their tunes, taking notes on their train wrecks, taking samples of sweat from the crowd, only to apply her knowledge from the very beginning. I knew from the very first time she put a needle on a record it was meant to be. Since then, she hasn’t looked back, destroying dance floors Australia wide and leaving no souvenir. She is ‘on’ 

The mix itself is an absolute trip through your own mind. Perfect road trip soundtracking. Stopping off in every suburb in the state of genre, from dub, reggae, street soul, ambient breaks (it’s a thing) and every single step in between. Summer vibes through and through. listen to it. You probably already are. 

Go check out Earth Tones this weekend at the Fairfield Amphitheatre for much the same from the speakers from much of the same good people’s. 

addio. xo

Simon TK >>>  https://soundcloud.com/simon-tk

Pjenné >>> https://soundcloud.com/pjenne

la festa >>> https://www.facebook.com/events/1872244982996013/

FHUO # 7 // Pjenné & Simon TK

JD Twich is one half of Optimo, the legendary Glasgow party and a label. Some time ago he launched a new imprint called Against Fascism Trax, attempt to “provoke dialogue that is fundamentally anti-racist, anti-sexist, non-homophobic, non transphobic, non-ageist and non-ableist”. This podcast is a two-hour segment of this set at Hotel Forum's Kitchen from Unsound 2019. Before the performance, JD Twitch said of his Unsound set: “This will be the first ever presentation of an Against Fascism Trax DJ set, an experiment in whether music can convey an intent non verbally.” Starting the set and threaded throughout is the Italian protest song "Bella ciao", which originated in the late 19th century as a working-class anthem and was adopted as a hymn of the anti-fascist resistance in the 1940s. The song takes on new meaning in the current pandemic, as the need for new forms of solidarity — with health workers, cleaners and sanitation workers, impoverished people and all manner of vulnerable populations — becomes urgently clear.