Just love the beautiful violin and the way you have added more contemporary sounds too.  Wonderful stuff!

fantastic production👏👏👏🙂❤️

Absolutely loving this Atmospheric Flow, man.......... Bravo!

Music from my SoundCloud friend composer.

Best of the Cloud 2022 12 06

Chapter 107 of 266
A footnote to this submission...don't stare at the cover art too long.
Chapters released every weekend. All TAFFETA tracks are created within seven days. 

I use a complete hybrid of organic & electronic sounds within the scope of the Taffeta project. Nothing is out of the question and no limits are set on how things may evolve one way or another.

If you want to hear everything that has come before:
The TAFFETA Albums are available for free on Bandcamp.
Released in 15 part/chapter increments:

TAFFETA Vol. 7 coming will be available exclusively on Bandcamp on Oct. 19.

TAFFETA VOL. 6 is now available on Bandcamp:
https://belialpelegrim.bandcamp.com/album/taffeta-vol-6

TAFFETA VOL. 5
https://belialpelegrim.bandcamp.com/album/taffeta-vol-5

TAFFETA VOL. 4 
belialpelegrim.bandcamp.com/album/taffeta-vol-4

COVER YOUR TORSO WITH TAFFETA! Check out the official TAFFETA 2022 t-shirt!
https://belialpelegrim.bandcamp.com/merch/belial-pelegrim-official-taffeta-design

TAFFETA Volume 1:
belialpelegrim.bandcamp.com/album/taffeta-vol-1

TAFFETA Volume 2:
belialpelegrim.bandcamp.com/album/taffeta-vol-2

TAFFETA Volume 3:
belialpelegrim.bandcamp.com/album/taffeta-vol-3

The TAFFETA Playlist is always kept up to date:
soundcloud.com/belial-pelegrim/sets/taffeta-a-266-part-musical

TAFFETA | 107

MUSIC FOR AN EPILOGUE.

===============================

Composition started in July 2021.

Finished and edited in November 2022.

Last composition using KV331 and Synthmaster One, months before they deactivated the inter App function that I use on my ipad to use sounds.

It is fragmented into an intro, then a piano fragment to move on to another electronic symphonic section and end in an orchestral section.

It is one of my most complex music for which I have used:

30 tracks from Music Studio 2 with native and Xewton forum instruments.

2 tracks from Korg iM1

1 Prophet track (Arturia)

7 Synthmaster One Tracks

1 Track of Digital D1.

Made exclusively on ipad.

Mix in my car....perfectly parked.

Thanks for your comments and support. It is always a pleasure to read your messages and opinions.

Paco.

Music for an epilogue

"A cruel critic of Madam might say she was a dominating woman who enacting
role of a guru, consciously or unconsciously, lived in very comfortable circumstances with all her housework done on a grand scale by mostly sincere men and women who were under the spell of her magnetic and mystic personality. I don’t know whether she was genuine or a charlatan; or whether she was simply a commanding type of neurotic.
It is immaterial. 
I never really knew her well enough to be able to judge. I never fell under her spell. But I think she had great power over people whose imagination was captured by her."

From The Case of P. D. Ouspensky
by Marie Seton
Seton, a Russian translator, was Ouspensky’s secretary and confidante during the 1940s. Although convinced of his goodness and honesty, she writes pointedly about the corrupting influence of being a guru.

Chance Encounter

Bergwetter

Bergwetter (Mountain Weather)

Here's my track Big Rip that I made for Legacy of Thought's awesome new album Future of the Universe.

In physical cosmology, the Big Rip is a hypothetical cosmological model concerning the ultimate fate of the universe, in which the matter of the universe, from stars and galaxies to atoms and subatomic particles, and even spacetime itself, is progressively torn apart by the expansion of the universe at a certain time in the future, until distances between particles will become infinite.

Release date: 02-12-2022 on Legacy of Thought label.
Check us out on: linktr.ee/legacyofthought

Artwork & Mastering:
Chris Held

Future of the Universe

Big Rip

I'm on a rock vibe guitar kick, I guess. The DX fills the role, and the Novation Circuit does the rest.

Step Right Up

When you felt like this, remember that even a fragile butterfly can fly.
Art made with Canva

FELT LIKE THIS

World On Fire

stand up for something

I've been away from SoundCloud for a while working on my new album and several writing projects, but the album's nearly done, so I thought I'd emerge from my cocoon and post this song, which means a lot to me. It features my good friend Akmaral Zykayeva on violin. For the past ten years, I've been doing a lot of consulting work in Kazakhstan. I met Akmaral in Almaty, Kazakhstan about six years ago. She is a hugely gifted composer, singer, and violinist who records as "Akmaral Mergen" and also as "Mergen" (Mergen means "woman warrior" in Kazakh).
For this song, Akmaral wrote a beautiful six-violin arrangement, playing all the parts herself.
The photo on the cover is the view from my hotel room in Almaty on one of my trips. In the foreground is Almaty Opera House and in the distance are the snowcapped Tien Shan Mountains (the "Celestial Mountains"). Beyond the mountains is Kyrgyzstan. 
Main guitars on this song are my Taylor GC-5 acoustic and my 1966 Guild Starfire XII (electric twelve-string).
The cricket and bird sounds at the beginning and end were recorded by me with a field recorder in a wild area of southern Wisconsin.
(This song can be found on my "Twilight on Tunnel Road" album, which I'm happy to say won the Alternative Album of the Year award from the Madison Area Music Association.)
LYRICS:
"Let Me Go”
Words & Music by Timothy Walsh

Nothing I say to you makes it untrue.
Let me go—I can’t say how much I love you.

Taking it all away, I can’t bear the day.
In the night I just see your face staring at me.
Let me go.

Seeing I don’t know why, why you must try
to go far away now, climb mountains so high.

Every single day, I’m making my way.
I can’t deal with you gone and I’m not okay.
Let me go.

I don’t say you should not go—closing off the future before you can know.
I just can’t get loose from your strings,
they’re wrapped around my heart entangling all things.

I remember how we used to play, how we used to dance, how we used to run,
dissolving in the moonlight as if we were one.
And all those days, all those times, all those nights we held to each other,
held so tight as if we might lose the one thing we love.

And I think that I can’t go on now,
without you I’m lost, I just don’t know how.
Now the light has gone out of my life,
nothing ahead but torment and strife.

Twilight on Tunnel Road

Let Me Go

Valerina (love is like a feather)

This is a 13-minute, three movement concertino (Vivace, Andante, Maestoso) for E-flat piccolo trumpet with timpani and strings (4, 3, 3, 2, 2). As the subtitle indicates, the mood of the music reflects a general sense of the human condition across the three movements: 
movement One "NOW: In a Fleeting Moment," (Vivace)
movement Two "THEN: We Must Never Forget (in memoriam)," (Andante)
movement three "AHEAD: A Climb Into a Hopeful Future." (Maestoso)

The score and parts are distributed through Universal Edition: https://www.universaledition.com/en/Works/Konzertino-fuer-Trompete-in-E-Flat-Timpani-und-Saiten/P0267094.

Concertino For Trumpet: "3 Meditations on the Human Condition"

Copilot

Ignition

SLAPPER - Exosphere

block19 dub

Electronic music with a classical touch. 

Cospote is a composer and producer from Germany.

In early 2019 he combined his roots in classical music with his fascination for electronic sounds. His instrumental pieces are of an impressionistic and introspective kind, revolving around the human condition, nature, and the modern relationship of the two. 

“Cospote” is an abbreviation for “cosmopolite” – a commonality that we all share.

http://francoispierremorin.com  Home of storytelling , 
 I do play Music for the love of it, playing guitar,  percussionist  ,composing  on a computer and Guitar, Piano, creator of mood and sound design

Bergwetter (Mountain Weather)

Cospote

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